The Count of Monte Cristo + The Three Musketeers + The Man in the Iron Mask (3 Unabridged Classics). Alexandre Dumas

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СКАЧАТЬ the Carnival, knowing full well that among the different states and kingdoms in which this festivity is celebrated, Rome is the spot where even the wisest and gravest throw off the usual rigidity of their lives, and deign to mingle in the follies of this time of liberty and relaxation.

      The Carnival was to commence on the morrow; therefore Albert had not an instant to lose in setting forth the programme of his hopes, expectations, and claims to notice. With this design he had engaged a box in the most conspicuous part of the theatre, and exerted himself to set off his personal attractions by the aid of the most rich and elaborate toilet. The box taken by Albert was in the first circle; although each of the three tiers of boxes is deemed equally aristocratic, and is, for this reason, generally styled the “nobility’s boxes,” and although the box engaged for the two friends was sufficiently capacious to contain at least a dozen persons, it had cost less than would be paid at some of the French theatres for one admitting merely four occupants. Another motive had influenced Albert’s selection of his seat, — who knew but that, thus advantageously placed, he might not in truth attract the notice of some fair Roman, and an introduction might ensue that would procure him the offer of a seat in a carriage, or a place in a princely balcony, from which he might behold the gayeties of the Carnival? These united considerations made Albert more lively and anxious to please than he had hitherto been. Totally disregarding the business of the stage, he leaned from his box and began attentively scrutinizing the beauty of each pretty woman, aided by a powerful opera-glass; but, alas, this attempt to attract notice wholly failed; not even curiosity had been excited, and it was but too apparent that the lovely creatures, into whose good graces he was desirous of stealing, were all so much engrossed with themselves, their lovers, or their own thoughts, that they had not so much as noticed him or the manipulation of his glass.

      The truth was, that the anticipated pleasures of the Carnival, with the “holy week” that was to succeed it, so filled every fair breast, as to prevent the least attention being bestowed even on the business of the stage. The actors made their entries and exits unobserved or unthought of; at certain conventional moments, the spectators would suddenly cease their conversation, or rouse themselves from their musings, to listen to some brilliant effort of Moriani’s, a well-executed recitative by Coselli, or to join in loud applause at the wonderful powers of La Specchia; but that momentary excitement over, they quickly relapsed into their former state of preoccupation or interesting conversation. Towards the close of the first act, the door of a box which had been hitherto vacant was opened; a lady entered to whom Franz had been introduced in Paris, where indeed, he had imagined she still was. The quick eye of Albert caught the involuntary start with which his friend beheld the new arrival, and, turning to him, he said hastily, “Do you know the woman who has just entered that box?”

      “Yes; what do you think of her?”

      “Oh, she is perfectly lovely — what a complexion! And such magnificent hair! Is she French?”

      “No; a Venetian.”

      “And her name is — “

      “Countess G—— .”

      “Ah, I know her by name!” exclaimed Albert; “she is said to possess as much wit and cleverness as beauty. I was to have been presented to her when I met her at Madame Villefort’s ball.”

      “Shall I assist you in repairing your negligence?” asked Franz.

      “My dear fellow, are you really on such good terms with her as to venture to take me to her box?”

      “Why, I have only had the honor of being in her society and conversing with her three or four times in my life; but you know that even such an acquaintance as that might warrant my doing what you ask.” At that instant, the countess perceived Franz, and graciously waved her hand to him, to which he replied by a respectful inclination of the head. “Upon my word,” said Albert, “you seem to be on excellent terms with the beautiful countess.”

      “You are mistaken in thinking so,” returned Franz calmly; “but you merely fall into the same error which leads so many of our countrymen to commit the most egregious blunders, — I mean that of judging the habits and customs of Italy and Spain by our Parisian notions; believe me, nothing is more fallacious than to form any estimate of the degree of intimacy you may suppose existing among persons by the familiar terms they seem upon; there is a similarity of feeling at this instant between ourselves and the countess — nothing more.”

      “Is there, indeed, my good fellow? Pray tell me, is it sympathy of heart?”

      “No; of taste,” continued Franz gravely.

      “And in what manner has this congeniality of mind been evinced?”

      “By the countess’s visiting the Colosseum, as we did last night, by moonlight, and nearly alone.”

      “You were with her, then?”

      “I was.”

      “And what did you say to her?”

      “Oh, we talked of the illustrious dead of whom that magnificent ruin is a glorious monument!”

      “Upon my word,” cried Albert, “you must have been a very entertaining companion alone, or all but alone, with a beautiful woman in such a place of sentiment as the Colosseum, and yet to find nothing better a talk about than the dead! All I can say is, if ever I should get such a chance, the living should be my theme.”

      “And you will probably find your theme ill-chosen.”

      “But,” said Albert, breaking in upon his discourse, “never mind the past; let us only remember the present. Are you not going to keep your promise of introducing me to the fair subject of our remarks?”

      “Certainly, directly the curtain falls on the stage.”

      “What a confounded time this first act takes. I believe, on my soul, that they never mean to finish it.”

      “Oh, yes, they will; only listen to that charming finale. How exquisitely Coselli sings his part.”

      “But what an awkward, inelegant fellow he is.”

      “Well, then, what do you say to La Specchia? Did you ever see anything more perfect than her acting?”

      “Why, you know, my dear fellow, when one has been accustomed to Malibran and Sontag, such singers as these don’t make the same impression on you they perhaps do on others.”

      “At least, you must admire Moriani’s style and execution.”

      “I never fancied men of his dark, ponderous appearance singing with a voice like a woman’s.”

      “My good friend,” said Franz, turning to him, while Albert continued to point his glass at every box in the theatre, “you seem determined not to approve; you are really too difficult to please.” The curtain at length fell on the performances, to the infinite satisfaction of the Viscount of Morcerf, who seized his hat, rapidly passed his fingers through his hair, arranged his cravat and wristbands, and signified to Franz that he was waiting for him to lead the way. Franz, who had mutely interrogated the countess, and received from her a gracious smile in token that he would be welcome, sought not to retard the gratification of Albert’s eager impatience, but began at once the tour of the house, closely followed by Albert, who availed himself of the few minutes required to reach the opposite side of the theatre to settle the height and smoothness of his collar, and to arrange the lappets of his coat. This important task was just completed as they СКАЧАТЬ