Empty Hand. Kenei Mabuni

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СКАЧАТЬ inhaling (iki o suru), is closely connected with life. The Japanese verb meaning “to live” (iki ru) is said to be derived form the expression “to take breath”. People can live without food for about a month. But as is well known, it is hard to survive without breathing.

      If one gets nervous in a situation of violence one will lose. Such nervousness comes from disturbances of pulse and blood pressure, which again are caused by breathing disturbances. For this reason some people get also nervous in front of a crowd. When things go wrong somehow and life is full of trouble one often feels depressed. Unconsciously breathing becomes short, flat and throat-centered. In the worst case, one breathes only with the tip of the nose, so to speak. If someone gets used to such kind of breathing he cannot expect to be blessed with a long life.

      In order to harmonize the soul one must harmonize breathing. Breathing deeply into the abdomen arranges the energies in the lower abdomen. If in this area everything is “well settled”, one has good reason to hope for a long life. The effects of correct breathing will be greater the better the breathing rules are understood and followed consciously. I studied several breathing techniques like those of yoga or qigong. According to them, holding the breath (taisoku) is harmful. But in karate it is regarded to be very reasonable. It strengthens the heart and improves the flexibility of breathing. I am now more than 80 years of age but I do not have any problems climbing a staircase and never grasp for air.

The State of Total Inner Calmness

      Karate practice develops body, spirit and fighting abilities. Since these three aspects of education are closely connected in the kata, kata training allows progress in all of them. This kind of learning is a real pleasure and can be a never-ending one.

      In the Edo period (17th to 19th century) the samurai of the Nabeshima fief on Kyūshū Island (now Saga prefecture) were educated on the basis of the famous warrior code Hagakure12. The first rule a samurai had to follow was about his attitude towards aging. This rule demanded that learning and practicing should never end. No matter which level of abilities a samurai may have reached, how high in the hierarchy he might be, there is no reason for conceit, no reason to stop learning and improving oneself. 13

      Those who learn only in order to win over others, to be better and stronger than others, are people who in fact learn for others. This is not the right way. A real master follows his way by continuously trying day by day, all his life, to improve himself. If one does not practice karate with joy so that nothing can stop oneself whatever people might say, this cannot be called true karate. Only if one enjoys practicing karate for oneself, not for others, if one cannot stop even if one would like to, one will experience karate as an endless path and reach a state of total concentration and inner silence.

      About such a state of deep concentration called zanmai,14 my father once wrote the following words: “I enjoy my mind getting empty while rowing to the island of bu«.15

      There is a Japanese term called gunshū meaning “learning by absorbing the smell”. It is based on the idea that the odor of an object is transmitted to the person steadily handling it. If one works with wood one will gradually acquire a wooden smell. What one does and thinks day by day finally becomes part of oneself, shapes the character and gives a certain “smell”. When my father was a policeman on Okinawa, visiting the karate masters at hidden places, teaching karate at the fishery school or attending karate performances, he always took me along and let me sit on his lap. That is maybe how I acquired his “smell”.

      I always remember my father stripped to the waist practicing with his comrades in the light of a naked bulb, encouraging each other and forgetting the world around them. After he had moved to Ōsaka, he never knew what the day would bring. Nevertheless he went on with his life devoted to the study of karate, spending time with his comrades with whom he often shared his food and shelter. He also took care of the tatami mats that were always worn fast by the practice of the karateka. When one of his students came home from the battlefields of the Pacific War unharmed, he was as happy as he was when I returned. All this is the “smell” of my father my body has absorbed and I shall never lose. I also shall go the way of my father, the way of karate, which has no end. I shall practice karate as long as my body can move, step-by-step, stage-by-stage. I cannot predict how far I will come. But I know that I shall move on as long as I can. Progressing and improving oneself, that is what really makes sense, provides pleasure and joy. This is special about budō karate, that kind of karate I would like to propagate and that is the subject of this book.

I

      1 The Development of Karate

      1.1 Karate as Fighting Technique

      Unarmed Fighting in Ancient Times

      Methods of fighting without arms are mentioned in the ancient records of all peoples and therefore can be considered to be part of the common heritage of mankind. In the oldest Japanese chronicle Kojiki16, a fight between the gods Takemigazuchi no kami and Takeminakata no kami is mentioned which took place on the Inasa beach in the Izumo region. The Nihonshoki annals report about a fight between Nomi no Sukune and Taima no Kehaya. This fight is considered to be the moment when sumō was born.17 But in contrast to present-day sumō it must have been a life-and-death struggle. Although carried out without weapons it was nevertheless a fight without rules, since Sukune broke Kehaya’s hips and then kicked him to death.

      Such techniques of fighting without weapons have existed everywhere in the world since ancient times. It is even reported that in ancient India Buddha has fought against his younger brother for the right to marry a beautiful girl. I saw fights in India that were very similar to sumō. In ancient China there were fist-fighting techniques called kempō in Japanese. In the Spring and Autumn Annals18 they were called “brave fist” (kenyū) or “martial art” (bugei), during the Warring States Period (475-221 BC) “punching technique” (gigeki) and in the Han period (202 BC to AD 220) simply “technique” (gikō) or “circular punching” (shubaku).

Shaolin Kempō – the Fighting Techniques of the Warrior Monks

      The Shaolin-Kempō was created in the Chinese Shaolin monastery that was built in 495 (late Wei period) by order of the emperor Xiào Wén (471-499) for the Zen Buddhist priest Ba Tuo, who had come from India. The monastery is placed in the Honan province south of the Yellow River at the foot of the Songshan mountains. That is why it was also named Songshan Shaolin. It became famous because Bodhidharma19 (Japanese: Daruma), who became the founder of Zen Buddhism in China, stayed there and introduced zazen20. This might be the reason why he was – probably by mistake – considered to be the founder of the temple and the father of kempō, too.

      Fighting techniques were developed particularly in the monasteries because they owned rich treasures of art and other property that the monks had to defend in this country that was ceaselessly stricken by unrest and war. The term Shaolin kempō includes all techniques that were invented in the monastery itself or came from the surrounding region. Some of them got lost in the course of time, such as the “smashing fist” (tsūhai ken), the “animated fist” (shin i ken) or the “cosmic fist” (rikugō ken).

      In the Shaolin monasteries the monks were divided into prayer monks who where specialized in religious studies and warrior monks who mainly practiced fighting techniques. Those to become warrior monks had their hair shaved and wore monks’ habit immediately after entering the monastery. They spent their monastic life mostly with martial exercise rather than with Buddhist studies. The present-day Japanese style of Shaolin kempō (called Shōrinji kempō) practiced as a religious exercise is a historically new phenomenon that appeared after World War II. It was founded by Master Sō Dōshin (1911-1980).

      Incidentally, СКАЧАТЬ