Pencil Sketches; or, Outlines of Character and Manners. Leslie Eliza

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СКАЧАТЬ as that Hester Hazy with his diamond coat, that he's telling all this rigmarole about. It sounds like one of Mother Bunch's tales."

      "I rather think there is such a man," said Mr. Smith.

      "Nonsense, Mr. Smith, why you're a greater goose than I supposed!"

      Mr. Smith assented by a meek bow.

      Dinner was now announced. The gentlemen conducted the ladies, and Aunt Quimby led Mr. Smith; but she could not prevail on him to take a seat beside her, near the head of the table, and directly opposite to the Baron and his party. He humbly insisted on finding a place for himself very low down, and seemed glad to get into the neighbourhood of Captain Cheston, who presided at the foot.

      The Blake Bentley party all levelled their glasses at Aunt Quimby; but the old lady stood fire amazingly well, being busily engaged in preparing her silk gown against the chance of injury from any possible accident, tucking a napkin into her belt, pinning a pocket handkerchief across the body of her dress, turning up her cuffs, and tying back the strings of her cap to save the ribbon from grease-spots.

      The dinner was profuse, excellent, and handsomely arranged: and for a while most of the company were too earnestly occupied in satisfying their appetites to engage much in conversation. Aunt Quimby sent a waiter to Captain Cheston to desire him to take care of poor Mr. Smith: which message the waiter thought it unnecessary to deliver.

      Mrs. Blake Bentley and her daughter Matilda sat one on each side of the Baron, and showed rather more assiduity in helping him than is customary from ladies to gentlemen. Also their solicitude in anticipating his wants was a work of super-erogation, for the Baron could evidently take excellent care of himself, and was unremitting in his applications to every one round him for everything within their reach, and loud and incessant in his calls to the waiters for clean plates and clean glasses.

      When the dessert was set on, and the flow of soul was succeeding to the feast which, whether of reason or not, had been duly honoured, Mrs. Quimby found leisure to look round, and resume her colloquy.

      "I believe, madam, your name is Bentley," said she to the lofty looking personage directly opposite.

      "I am Mrs. Blake Bentley," was the reply, with an imperious stare that was intended to frown down all further attempts at conversation. But Aunt Quimby did not comprehend repulsion, and had never been silenced in her life—so she proceeded—

      "I remember your husband very well. He was a son of old Benny Bentley up Second street, that used to keep the sign of the Adam and Eve, but afterwards changed it to the Liberty Tree. His wife was a Blake—that was the way your husband came by his name. Her father was an upholsterer, and she worked at the trade before she was married. She made two bolsters and three pillows for me at different times; though I'm not quite sure it was not two pillows and three bolsters. He had a brother, Billy Blake, that was a painter: so he must have been your husband's uncle."

      "Excuse me," said Mrs. Blake Bentley, "I don't understand what you are talking about. But I'm very sure there were never any artist people in the family."

      "Oh! Billy Blake was a painter and glazier both," resumed Mrs. Quimby; "I remember him as well as if he was my own brother. We always sent for him to mend our broken windows. I can see him now—coming with his glass box and his putty. Poor fellow, he was employed to put a new coat of paint on Christ Church steeple, which we thought would be a good job for him: but the scaffold gave way and he fell down and broke his leg. We lived right opposite, and saw him tumble. It's a mercy he wasn't killed right out. He was carried home on a hand-barrow. I remember the afternoon as well as if it were yesterday. We had a pot-pie for dinner that day; and I happened to have on a new calico gown, a green ground with a yellow sprig in it. I have some of the pieces now in patch-work."

      Mrs. Blake Bentley gave Mrs. Quimby a look of unqualified disdain, and then turning to the baron, whispered him to say something that might stop the mouth of that abominable old woman. And by way of beginning she observed aloud, "Baron, what very fine plums these are!"

      "Yes," said the baron, helping himself to them profusely, "and apropos to plums—one day when I happened to be dining with the king of Prussia, there were some very fine peaches at table (we were sitting, you know, trifling, over the dessert), and the king said to me, 'Klingenberg, my dear fellow, let's try which of us can first break that large looking-glass by shooting a peach-stone at it.'"

      "Dear me! what a king!" interrupted Mrs. Quimby, "and now I look at you again, sir (there, just now, with your head turned to the light), there's something in your face that puts me in mind of Jacob Stimbel, our Dutch young man that used to live with us and help to do the work. Mr. Quimby bought him at the wharf out of a redemptioner ship. He was to serve us three years: but before his time was up be ran away (as they often do) and went to Lancaster, and set up his old trade of a carpenter, and married a bricklayer's daughter, and got rich and built houses, and had three or four sons—I think I heard that one of them turned out a pretty bad fellow. I can see Jake Stimbel now, carrying the market-basket after me, or scrubbing the pavement. Whenever I look at you I think of him; may be he was some relation of yours, as you both came from Germany?"

      "A relation of mine, madam!" said the Baron.

      "There now—there's Jake Stimbel to the life. He had just that way of stretching up his eyes and drawing down his mouth when he did not know what to say, which was usually the case after he stayed on errands."

      The baron contracted his brows, and bit in his lips.

      "Fix your face as you will," continued Mrs. Quimby, "you are as like him as you can look. I am sure I ought to remember Jacob Stimbel, for I had all the trouble of teaching him to do his work, besides learning him to talk American; and as soon as he had learnt, he cleared himself off, as I told you, and ran away from us."

      The baron now turned to Matilda Bentley, and endeavoured to engage her attention by an earnest conversation in an under tone; and Mrs. Bentley looked daggers at Aunt Quimby, who said in a low voice to a lady that sat next to her, "What a pity Mrs. Bentley has such a violent way with her eyes. She'd be a handsome woman if it was not for that."

      Then resuming her former tone, the impenetrable old lady continued, "Some of these Dutch people that came over German redemptioners, and were sold out of ships, have made great fortunes." And then turning to a lady who sat on the other side, she proceeded to enumerate various wealthy and respectable German families whose grandfathers and grandmothers had been sold out of ships. Bromley Cheston, perceiving that several of the company were wincing under this infliction, proposed a song from one of the young officers whom he knew to be an accomplished vocalist. This song was succeeded by several others, and during the singing the Blake Bentley party gradually slipped away from the table.

      After dinner the company withdrew and dispersed themselves among the trees, while the servants, &c., were dining. Mrs. Cheston vainly did her utmost to prevail on Aunt Quimby to go to the house and take a siesta. "What for?" said Mrs. Quimby, "why should I go to sleep when I ain't a bit sleepy. I never was wider awake in my life. No, no—these parties don't come every day; and I'll make the most of this now I have had the good luck to be at it. But, bless me! now I think of it, I have not laid eyes on Mr. Smith these two hours—I hope he is not lost. When did he leave the table? Who saw him go? He's not used to being in the woods, poor man!"

      The sound of the tambourine now denoted the approach of the musicians, and the company adjourned to the dancing ground, which was a wide opening in the woods shaded all round with fine trees, under which benches had been placed. For the orchestra a little wooden gallery had been erected about eight feet from the ground, running round the trunk and amid the spreading boughs of an immense hickory.

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