Master Shots Vol 3: The Director's Vision. Christopher Kenworthy

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      犹豫不决 .........................................92

      3.5

      4.6

      5.7

      移动用作揭示 ..................................54

      俯仰用作揭示 ..................................74

      孤立推进 .........................................94

      3.6

      4.7

      5.8

      镜面反射 .........................................56

      旋转出画 .........................................76

      打破多人场景 ..................................96

      3.7

      4.8

      第六章 美术设计与外景

      反向推进 .........................................58

      剪影 ................................................78

      3.8

      第五章 象征性场景调度

      6.1

      推轨引入演员 ..................................60

      反定场镜头 ....................................100

      第四章 高级取景

      5.1

      6.2

      双重推进 .........................................82

      朦胧画面 .......................................102

      4.1

      5.2

      6.3

      越轴 ................................................64

      吸引演员 .........................................84

      充实前景 .......................................104

      4.2

      5.3

      6.4

      打破剪辑 .........................................66

      亲密关系中断 ..................................86

      假墙 ..............................................106

      XVI

      目录

      6.5

      7.5

      8.6

      穿过画面 .......................................108

      推进对抗流 ....................................128

      融入场景 .......................................148

      6.6

      7.6

      8.7

      窗框聚焦 ....................................... 110

      环绕运动 .......................................130

      主宰场景 .......................................150

      6.7

      7.7

      8.8

      亲自揭示 ....................................... 112

      传达速度 .......................................132

      并行空间 .......................................152

      6.8

      7.8

      8.9

      镜面反射定场 ................................ 114

      转身剪辑 .......................................134

      分开演员 .......................................154

      6.9

      第八章 拍摄表演

      第九章 摄影机高度

      镜面反射逆向运用 ......................... 116

      第七章 动态动作

      8.1

      9.1

      展开场景 .......................................138

      头部高度 .......................................158

      7.1

      8.2

      9.2

      动作转换 .......................................120

      肢体表演 .......................................140

      入侵角度 .......................................160

      7.2

      8.3

      9.3

      误导运动 .......................................122

      核心特写 .......................................142

      正反角度的高度 ............................162

      7.3

      8.4

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