Man and Wife. Уилки Коллинз

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СКАЧАТЬ house. What did the light mean?

      It meant, in the first place, that the lawsuit was over at last. It meant, in the second place that the owner of Windygates, wanting money, had decided on letting the property. It meant, in the third place, that the property had found a tenant, and was to be renovated immediately out of doors and in. The Owls shrieked as they flapped along the lanes in the darkness, And that night they struck at a mouse—and missed him.

      The next morning, the Owls—fast asleep in charge of the Constitution—were roused by voices of featherless beings all round them. They opened their eyes, under protest, and saw instruments of destruction attacking the creepers. Now in one direction, and now in another, those instruments let in on the summer-house the horrid light of day. But the Owls were equal to the occasion. They ruffled their feathers, and cried, “No surrender!” The featherless beings plied their work cheerfully, and answered, “Reform!” The creepers were torn down this way and that. The horrid daylight poured in brighter and brighter. The Owls had barely time to pass a new resolution, namely, “That we do stand by the Constitution,” when a ray of the outer sunlight flashed into their eyes, and sent them flying headlong to the nearest shade. There they sat winking, while the summer-house was cleared of the rank growth that had choked it up, while the rotten wood-work was renewed, while all the murky place was purified with air and light. And when the world saw it, and said, “Now we shall do!” the Owls shut their eyes in pious remembrance of the darkness, and answered, “My lords and gentlemen, the Constitution is destroyed!”

CHAPTER THE SECOND.

       Table of Contents

THE GUESTS.

       Table of Contents

      Who was responsible for the reform of the summer-house? The new tenant at Windygates was responsible.

      And who was the new tenant?

      Come, and see.

      In the spring of eighteen hundred and sixty-eight the summer-house had been the dismal dwelling-place of a pair of owls. In the autumn of the same year the summer-house was the lively gathering-place of a crowd of ladies and gentlemen, assembled at a lawn party—the guests of the tenant who had taken Windygates.

      The scene—at the opening of the party—was as pleasant to look at as light and beauty and movement could make it.

      Inside the summer-house the butterfly-brightness of the women in their summer dresses shone radiant out of the gloom shed round it by the dreary modern clothing of the men. Outside the summer-house, seen through three arched openings, the cool green prospect of a lawn led away, in the distance, to flower-beds and shrubberies, and, farther still, disclosed, through a break in the trees, a grand stone house which closed the view, with a fountain in front of it playing in the sun.

      They were half of them laughing, they were all of them talking—the comfortable hum of their voices was at its loudest; the cheery pealing of the laughter was soaring to its highest notes—when one dominant voice, rising clear and shrill above all the rest, called imperatively for silence. The moment after, a young lady stepped into the vacant space in front of the summer-house, and surveyed the throng of guests as a general in command surveys a regiment under review.

      She was young, she was pretty, she was plump, she was fair. She was not the least embarrassed by her prominent position. She was dressed in the height of the fashion. A hat, like a cheese-plate, was tilted over her forehead. A balloon of light brown hair soared, fully inflated, from the crown of her head. A cataract of beads poured over her bosom. A pair of cock-chafers in enamel (frightfully like the living originals) hung at her ears. Her scanty skirts shone splendid with the blue of heaven. Her ankles twinkled in striped stockings. Her shoes were of the sort called “Watteau.” And her heels were of the height at which men shudder, and ask themselves (in contemplating an otherwise lovable woman), “Can this charming person straighten her knees?”

      The young lady thus presenting herself to the general view was Miss Blanche Lundie—once the little rosy Blanche whom the Prologue has introduced to the reader. Age, at the present time, eighteen. Position, excellent. Money, certain. Temper, quick. Disposition, variable. In a word, a child of the modern time—with the merits of the age we live in, and the failings of the age we live in—and a substance of sincerity and truth and feeling underlying it all.

      “Now then, good people,” cried Miss Blanche, “silence, if you please! We are going to choose sides at croquet. Business, business, business!”

      Upon this, a second lady among the company assumed a position of prominence, and answered the young person who had just spoken with a look of mild reproof, and in a tone of benevolent protest.

      The second lady was tall, and solid, and five-and-thirty. She presented to the general observation a cruel aquiline nose, an obstinate straight chin, magnificent dark hair and eyes, a serene splendor of fawn-colored apparel, and a lazy grace of movement which was attractive at first sight, but inexpressibly monotonous and wearisome on a longer acquaintance. This was Lady Lundie the Second, now the widow (after four months only of married life) of Sir Thomas Lundie, deceased. In other words, the step-mother of Blanche, and the enviable person who had taken the house and lands of Windygates.

      “My dear,” said Lady Lundie, “words have their meanings—even on a young lady’s lips. Do you call Croquet, ‘business?’ ”

      “You don’t call it pleasure, surely?” said a gravely ironical voice in the back-ground of the summer-house.

      The ranks of the visitors parted before the last speaker, and disclosed to view, in the midst of that modern assembly, a gentleman of the bygone time.

      The manner of this gentleman was distinguished by a pliant grace and courtesy unknown to the present generation. The attire of this gentleman was composed of a many-folded white cravat, a close-buttoned blue dress-coat, and nankeen trousers with gaiters to match, ridiculous to the present generation. The talk of this gentleman ran in an easy flow—revealing an independent habit of mind, and exhibiting a carefully-polished capacity for satirical retort—dreaded and disliked by the present generation. Personally, he was little and wiry and slim—with a bright white head, and sparkling black eyes, and a wry twist of humor curling sharply at the corners of his lips. At his lower extremities, he exhibited the deformity which is popularly known as “a club-foot.” But he carried his lameness, as he carried his years, gayly. He was socially celebrated for his ivory cane, with a snuff-box artfully let into the knob at the top—and he was socially dreaded for a hatred of modern institutions, which expressed itself in season and out of season, and which always showed the same, fatal knack of hitting smartly on the weakest place. Such was Sir Patrick Lundie; brother of the late baronet, Sir Thomas; and inheritor, at Sir Thomas’s death, of the title and estates.

      Miss Blanche—taking no notice of her step-mother’s reproof, or of her uncle’s commentary on it—pointed to a table on which croquet mallets and balls were laid ready, and recalled the attention of the company to the matter in hand.

      “I head one side, ladies and gentlemen,” she resumed. “And Lady Lundie heads the other. We choose our players turn and turn about. Mamma has the advantage of me in years. So mamma chooses first.”

      With a look at her step-daughter—which, being interpreted, meant, “I would send you back to the nursery, СКАЧАТЬ