The Trespasser. Дэвид Герберт Лоуренс

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      Chapter I

      I

       Table of Contents

      “Take off that mute, do!” cried Louisa, snatching her fingers from the piano keys, and turning abruptly to the violinist.

      Helena looked slowly from her music.

      “My dear Louisa,” she replied, “it would be simply unendurable.” She stood tapping her white skirt with her bow in a kind of a pathetic forbearance.

      “But I can’t understand it,” cried Louisa, bouncing on her chair with the exaggeration of one who is indignant with a beloved. “It is only lately you would even submit to muting your violin. At one time you would have refused flatly, and no doubt about it.”

      “I have only lately submitted to many things,” replied Helena, who seemed weary and stupefied, but still sententious. Louisa drooped from her bristling defiance.

      “At any rate,” she said, scolding in tones too naked with love, “I don’t like it.”

      “Go on from Allegro,” said Helena, pointing with her bow to the place on Louisa’s score of the Mozart sonata. Louisa obediently took the chords, and the music continued.

      A young man, reclining in one of the wicker ​armchairs by the fire, turned luxuriously from the girls to watch the flames poise and dance with the music. He was evidently at his ease, yet he seemed a stranger in the room.

      It was the sitting-room of a mean house standing in line with hundreds of others of the same kind, along a wide road in South London. Now and again the trams hummed by, but the room was foreign to the trams and to the sound of the London traffic. It was Helena’s room, for which she was responsible. The walls were of the dead-green colour of August foliage; the green carpet, with its border of polished floor, lay like a square of grass in a setting of black loam. Ceiling and frieze and fireplace were smooth white. There was no other colouring.

      The furniture, excepting the piano, had a transitory look; two light wicker armchairs by the fire, the two frail stands of dark, polished wood, the couple of flimsy chairs, and the case of books in the recess all seemed uneasy, as if they might be tossed out to leave the room clear, with its green floor and walls, and its white rim of skirting-board, serene.

      On the mantelpiece were white lustres, and a small soapstone Buddha from China, grey, impassive, locked in his СКАЧАТЬ