JAMES JOYCE: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles. James Joyce

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      Crossing Stephen’s, that is, my green, remembered that his countrymen and not mine had invented what Cranly the other night called our religion. A quartet of them, soldiers of the ninetyseventh infantry regiment, sat at the foot of the cross and tossed up dice for the overcoat of the crucified.

      Went to library. Tried to read three reviews. Useless. She is not out yet. Am I alarmed? About what? That she will never be out again.

      Blake wrote:

      I wonder if William Bond will die

      For assuredly he is very ill.

      Alas, poor William!

      I was once at a diorama in Rotunda. At the end were pictures of big nobs. Among them William Ewart Gladstone, just then dead. Orchestra played O Willie, we have missed you.

      A race of clodhoppers!

      25 March, morning: A troubled night of dreams. Want to get them off my chest.

      A long curving gallery. From the floor ascend pillars of dark vapours. It is peopled by the images of fabulous kings, set in stone. Their hands are folded upon their knees in token of weariness and their eyes are darkened for the errors of men go up before them for ever as dark vapours.

      Strange figures advance as from a cave. They are not as tall as men. One does not seem to stand quite apart from another. Their faces are phosphorescent, with darker streaks. They peer at me and their eyes seem to ask me something. They do not speak.

      30 March: This evening Cranly was in the porch of the library, proposing a problem to Dixon and her brother. A mother let her child fall into the Nile. Still harping on the mother. A crocodile seized the child. Mother asked it back. Crocodile said all right if she told him what he was going to do with the child, eat it or not eat It.

      This mentality, Lepidus would say, is indeed bred out of your mud by the operation of your sun.

      And mine? Is it not too? Then into Nilemud with it!

      1 April: Disapprove of this last phrase.

      2 April: Saw her drinking tea and eating cakes in Johnston, Mooney and O’Brien’s. Rather, lynxeyed Lynch saw her as we passed. He tells me Cranly was invited there by brother. Did he bring his crocodile? Is he the shining light now? Well, I discovered him. I protest I did. Shining quietly behind a bushel of Wicklow bran.

      3 April: Met Davin at the cigar shop opposite Findlater’s church. He was in a black sweater and had a hurleystick. Asked me was it true I was going away and why. Told him the shortest way to Tara was via Holyhead. Just then my father came up. Introduction. Father polite and observant. Asked Davin if he might offer him some refreshment. Davin could not, was going to a meeting. When we came away father told me he had a good honest eye. Asked me why I did not join a rowingclub. I pretended to think it over. Told me then how he broke Pennyfeather’s heart. Wants me to read law. Says I was cut out for that. More mud, more crocodiles.

      5 April: Wild spring. Scudding clouds. O life! Dark stream of swirling bogwater on which appletrees have cast down their delicate flowers. Eyes of girls among the leaves. Girls demure and romping. All fair or auburn: no dark ones. They blush better. Houp-la!

      6 April: Certainly she remembers the past. Lynch says all women do. Then she remembers the time of her childhood—and mine, if I was ever a child. The past is consumed in the present and the present is living only because it brings forth the future. Statues of women, if Lynch be right, should always be fully draped, one hand of the woman feeling regretfully her own hinder parts.

      6 April, later: Michael Robartes remembers forgotten beauty and, when his arms wrap her round, he presses in his arms the loveliness which has long faded from the world. Not this. Not at all. I desire to press in my arms the loveliness which has not yet come into the world.

      10 April: Faintly, under the heavy night, through the silence of the city which has turned from dreams to dreamless sleep as a weary lover whom no caresses move, the sound of hoofs upon the road. Not so faintly now as they come near the bridge: and in a moment as they pass the darkened windows the silence is cloven by alarm as by an arrow. They are heard now far away, hoofs that shine amid the heavy night as gems, hurrying beyond the sleeping fields to what journey’s end—what heart?—bearing what tidings?

      11 April: Read what I wrote last night. Vague words for a vague emotion. Would she like it? I think so. Then I should have to like it also.

      13 April: That tundish has been on my mind for a long time. I looked it up and find it English and good old blunt English too. Damn the dean of studies and his funnel! What did he come here for to teach us his own language or to learn it from us. Damn him one way or the other!

      14 April: John Alphonsus Mulrennan has just returned from the west of Ireland. (European and Asiatic papers please copy.) He told us he met an old man there in a mountain cabin. Old man had red eyes and short pipe. Old man spoke Irish. Mulrennan spoke Irish. Then old man and Mulrennan spoke English. Mulrennan spoke to him about universe and stars. Old man sat, listened, smoked, spat. Then said: — Ah, there must be terrible queer creatures at the latter end of the world.

      I fear him. I fear his redrimmed horny eyes. It is with him I must struggle all through this night till day come, till he or I lie dead, gripping him by the sinewy throat till… Till what? Till he yield to me? No. I mean him no harm.

      15 April: Met her today pointblank in Grafton Street. The crowd brought us together. We both stopped. She asked me why I never came, said she had heard all sorts of stories about me. This was only to gain time. Asked me was I writing poems? About whom? I asked her. This confused her more and I felt sorry and mean. Turned off that valve at once and opened the spiritual-heroic refrigerating apparatus, invented and patented in all countries by Dante Alighieri. Talked rapidly of myself and my plans. In the midst of it unluckily I made a sudden gesture of a revolutionary nature. I must have looked like a fellow throwing a handful of peas into the air. People began to look at us. She shook hands a moment after and, in going away, said she hoped I would do what I said.

      Now I call that friendly, don’t you?

      Yes, I liked her today. A little or much? Don’t know. I liked her and it seems a new feeling to me. Then, in that case, all the rest, all that I thought I thought and all that I felt I felt, all the rest before now, in fact… O, give it up, old chap! Sleep it off!

      16 April: Away! Away!

      The spell of arms and voices: the white arms of roads, their promise of close embraces and the black arms of tall ships that stand against the moon, their tale of distant nations. They are held out to say: We are alone. Come. And the voices say with them: We are your kinsmen. And the air is thick with their company as they call to me, their kinsman, making ready to go, shaking the wings of their exultant and terrible youth.

      26 April: Mother is putting my new secondhand clothes in order. She prays now, she says, that I may learn in my own life and away from home and friends what the heart is and what it feels. Amen. So be it. Welcome, O life, I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.

      27 April: Old father, old artificer, stand me now and ever in good stead.

      Dublin 1904

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