Selections From the Works of John Ruskin. John Ruskin

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СКАЧАТЬ and that another use of words may be forced upon us by a new aspect of facts, so that we may find ourselves saying: "Such and such a person is very gentle and kind—he is quite rustic; and such and such another person is very rude and ill-taught—he is quite urbane."

      At all events, cities have hitherto gained the better part of their good report through our evil ways of going on in the world generally; chiefly and eminently through our bad habit of fighting with each other. No field, in the Middle Ages, being safe from devastation, and every country lane yielding easier passage to the marauders, peacefully-minded men necessarily congregated in cities, and walled themselves in, making as few cross-country roads as possible: while the men who sowed and reaped the harvests of Europe were only the servants or slaves of the barons. The disdain of all agricultural pursuits by the nobility, and of all plain facts by the monks, kept educated Europe in a state of mind over which natural phenomena could have no power; body and intellect being lost in the practice of war without purpose, and the meditation of words without meaning. Men learned the dexterity with sword and syllogism, which they mistook for education, within cloister and tilt-yard; and looked on all the broad space of the world of God mainly as a place for exercise of horses, or for growth of food.

      There is a beautiful type of this neglect of the perfectness of the Earth's beauty, by reason of the passions of men, in that picture of Paul Uccello's of the battle of Sant' Egidio,^[23] in which the armies meet on a country road beside a hedge of wild roses; the tender red flowers tossing above the helmets, and glowing beneath the lowered lances. For in like manner the whole of Nature only shone hitherto for man between the tossing of helmet-crests; and sometimes I cannot but think of the trees of the earth as capable of a kind of sorrow, in that imperfect life of theirs, as they opened their innocent leaves in the warm springtime, in vain for men; and all along the dells of England her beeches cast their dappled shade only where the outlaw drew his bow, and the king rode his careless chase; and by the sweet French rivers their long ranks of poplar waved in the twilight, only to show the flames of burning cities on the horizon, through the tracery of their stems; amidst the fair defiles of the Apennines, the twisted olive-trunks hid the ambushes of treachery; and on their valley meadows, day by day, the lilies which were white at the dawn were washed with crimson at sunset.

      And indeed I had once purposed, in this work, to show what kind of evidence existed respecting the possible influence of country life on men; it seeming to me, then, likely that here and there a reader would perceive this to be a grave question, more than most which we contend about, political or social, and might care to follow it out with me earnestly.

      The day will assuredly come when men will see that it is a grave question; at which period, also, I doubt not, there will arise persons able to investigate it. For the present, the movements of the world seem little likely to be influenced by botanical law; or by any other considerations respecting trees, than the probable price of timber. I shall limit myself, therefore, to my own simple woodman's work, and try to hew this book into its final shape, with the limited and humble aim that I had in beginning it, namely, to prove how far the idle and peaceable persons, who have hitherto cared about leaves and clouds, have rightly seen, or faithfully reported of them.

THE MOUNTAIN GLORY

       Table of Contents

      VOLUME IV, CHAPTER 20

      I have dwelt, in the foregoing chapter, on the sadness of the hills with the greater insistence that I feared my own excessive love for them might lead me into too favourable interpretation of their influences over the human heart; or, at least, that the reader might accuse me of fond prejudice, in the conclusions to which, finally, I desire to lead him concerning them. For, to myself, mountains are the beginning and the end of all natural scenery; in them, and in the forms of inferior landscape that lead to them, my affections are wholly bound up; and though I can look with happy admiration at the lowland flowers, and woods, and open skies, the happiness is tranquil and cold, like that of examining detached flowers in a conservatory, or reading a pleasant book; and if the scenery be resolutely level, insisting upon the declaration of its own flatness in all the detail of it, as in Holland, or Lincolnshire, or Central Lombardy, it appears to me like a prison, and I cannot long endure it. But the slightest rise and fall in the road—a mossy bank at the side of a crag of chalk, with brambles at its brow, overhanging it—a ripple over three or four stones in the stream by the bridge—above all, a wild bit of ferny ground under a fir or two, looking as if, possibly, one might see a hill if one got to the other side of the trees, will instantly give me intense delight, because the shadow, or the hope, of the hills is in them.

      And thus, although there are few districts of Northern Europe, however apparently dull or tame, in which I cannot find pleasure, though the whole of Northern France (except Champagne), dull as it seems to most travellers, is to me a perpetual Paradise; and, putting Lincolnshire, Leicestershire, and one or two such other perfectly flat districts aside, there is not an English county which I should not find entertainment in exploring the cross-roads of, foot by foot; yet all my best enjoyment would be owing to the imagination of the hills, colouring, with their far-away memories, every lowland stone and herb. The pleasant French coteau, green in the sunshine, delights me, either by what real mountain character it has in itself (for in extent and succession of promontory the flanks of the French valleys have quite the sublimity of true mountain distances), or by its broken ground and rugged steps among the vines, and rise of the leafage above, against the blue sky, as it might rise at Vevay or Como. There is not a wave of the Seine but is associated in my mind with the first rise of the sandstones and forest pines of Fontaine-bleau; and with the hope of the Alps, as one leaves Paris with the horses' heads to the south-west, the morning sun flashing on the bright waves at Charenton. If there be no hope or association of this kind, and if I cannot deceive myself into fancying that perhaps at the next rise of the road there may be seen the film of a blue hill in the gleam of sky at the horizon, the landscape, however beautiful, produces in me even a kind of sickness and pain; and the whole view from Richmond Hill or Windsor Terrace—nay, the gardens of Alcinous, with their perpetual summer—or of the Hesperides (if they were flat, and not close to Atlas), golden apples and all—I would give away in an instant, for one mossy granite stone a foot broad, and two leaves of lady-fern.^[24]

      I know that this is in great part idiosyncrasy; and that I must not trust to my own feelings, in this respect, as representative of the modern landscape instinct: yet I know it is not idiosyncrasy, in so far as there may be proved to be indeed an increase of the absolute beauty of all scenery in exact proportion to its mountainous character, providing that character be healthily mountainous. I do not mean to take the Col de Bonhomme as representative of hills, any more than I would take Romney Marsh as representative of plains; but putting Leicestershire or Staffordshire fairly beside Westmoreland, and Lombardy or Champagne fairly beside the Pays de Vaud or the Canton Berne, I find the increase in the calculable sum of elements of beauty to be steadily in proportion to the increase of mountainous character; and that the best image which the world can give of Paradise is in the slope of the meadows, orchards, and corn-fields on the sides of a great Alp, with its purple rocks and eternal snows above; this excellence not being in any wise a matter referable to feeling, or individual preferences, but demonstrable by calm enumeration of the number of lovely colours on the rocks, the varied grouping of the trees, and quantity of noble incidents in stream, crag, or cloud, presented to the eye at any given moment.

      For consider, first, the difference produced in the whole tone of landscape colour by the introductions of purple, violet, and deep ultramarine blue, which we owe to mountains. In an ordinary lowland landscape we have the blue of the sky; the green of grass, which I will suppose (and this is an unnecessary concession to the lowlands) entirely fresh and bright; the green of trees; and certain elements of purple, far more rich and beautiful than we generally should think, in their bark and shadows (bare hedges and thickets, or tops of trees, in subdued afternoon sunshine, are nearly СКАЧАТЬ