Название: The Collected Plays of George Bernard Shaw - 60 Titles in One Edition (Illustrated Edition)
Автор: GEORGE BERNARD SHAW
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788027202218
isbn:
CLEOPATRA (palpitating). His name, his name?
CAESAR. Shall it be Mark Antony? (She throws herself in his arms.)
RUFIO. You are a bad hand at a bargain, mistress, if you will swap Caesar for Antony.
CAESAR. So now you are satisfied.
CLEOPATRA. You will not forget.
CAESAR. I will not forget. Farewell: I do not think we shall meet again. Farewell. (He kisses her on the forehead. She is much affected and begins to sniff. He embarks.)
THE ROMAN SOLDIERS (as he sets his foot on the gangway). Hail, Caesar; and farewell!
He reaches the ship and returns Rufio’s wave of the hand.
APOLLODORUS (to Cleopatra). No tears, dearest Queen: they stab your servant to the heart. He will return some day.
CLEOPATRA. I hope not. But I can’t help crying, all the same. (She waves her handkerchief to Caesar; and the ship begins to move.)
THE ROMAN SOLDIERS (drawing their swords and raising them in the air). Hail, Caesar!
NOTES TO CAESAR AND CLEOPATRA
CLEOPATRA’S CURE FOR BALDNESS
For the sake of conciseness in a hurried situation I have made Cleopatra recommend rum. This, I am afraid, is an anachronism: the only real one in the play. To balance it, I give a couple of the remedies she actually believed in. They are quoted by Galen from Cleopatra’s book on Cosmetic.
“For bald patches, powder red sulphuret of arsenic and take it up with oak gum, as much as it will bear. Put on a rag and apply, having soaped the place well first. I have mixed the above with a foam of nitre, and it worked well.”
Several other receipts follow, ending with: “The following is the best of all, acting for fallen hairs, when applied with oil or pomatum; acts also for falling off of eyelashes or for people getting bald all over. It is wonderful. Of domestic mice burnt, one part; of vine rag burnt, one part; of horse’s teeth burnt, one part; of bear’s grease one; of deer’s marrow one; of reed bark one. To be pounded when dry, and mixed with plenty of honey til it gets the consistency of honey; then the bear’s grease and marrow to be mixed (when melted), the medicine to be put in a brass flask, and the bald part rubbed til it sprouts.”
Concerning these ingredients, my fellow-dramatist, Gilbert Murray, who, as a Professor of Greek, has applied to classical antiquity the methods of high scholarship (my own method is pure divination), writes to me as follows: “Some of this I don’t understand, and possibly Galen did not, as he quotes your heroine’s own language. Foam of nitre is, I think, something like soapsuds. Reed bark is an odd expression. It might mean the outside membrane of a reed: I do not know what it ought to be called. In the burnt mice receipt I take that you first mixed the solid powders with honey, and then added the grease. I expect Cleopatra preferred it because in most of the others you have to lacerate the skin, prick it, or rub it till it bleeds. I do not know what vine rag is. I translate literally.”
APPARENT ANACHRONISMS
The only way to write a play which shall convey to the general public an impression of antiquity is to make the characters speak blank verse and abstain from reference to steam, telegraphy, or any of the material conditions of their existence. The more ignorant men are, the more convinced are they that their little parish and their little chapel is an apex which civilization and philosophy have painfully struggled up the pyramid of time from a desert of savagery. Savagery, they think, became barbarism; barbarism became ancient civilization; ancient civilization became Pauline Christianity; Pauline Christianity became Roman Catholicism; Roman Catholicism became the Dark Ages; and the Dark Ages were finally enlightened by the Protestant instincts of the English race. The whole process is summed up as Progress with a capital P. And any elderly gentleman of Progressive temperament will testify that the improvement since he was a boy is enormous.
Now if we count the generations of Progressive elderly gentlemen since, say, Plato, and add together the successive enormous improvements to which each of them has testified, it will strike us at once as an unaccountable fact that the world, instead of having been improved in 67 generations out all recognition, presents, on the whole, a rather less dignified appearance in Ibsen’s Enemy of the People than in Plato’s Republic. And in truth, the period of time covered by history is far too short to allow of any perceptible progress in the popular sense of Evolution of the Human Species. The notion that there has been any such Progress since Caesar’s time (less than 20 centuries) is too absurd for discussion. All the savagery, barbarism, dark ages and the rest of it of which we have any record as existing in the past, exists at the present moment. A British carpenter or stonemason may point out that he gets twice as much money for his labor as his father did in the same trade, and that his suburban house, with its bath, its cottage piano, its drawingroom suite, and its album of photographs, would have shamed the plainness of his grandmother’s. But the descendants of feudal barons, living in squalid lodgings on a salary of fifteen shillings a week instead of in castles on princely revenues, do not congratulate the world on the change. Such changes, in fact, are not to the point. It has been known, as far back as our records go, that man running wild in the woods is different to man kennelled in a city slum; that a dog seems to understand a shepherd better than a hewer of wood and drawer of water can understand an astronomer; and that breeding, gentle nurture and luxurious food and shelter will produce a kind of man with whom the common laborer is socially incompatible. The same thing is true of horses and dogs. Now there is clearly room for great changes in the world by increasing the percentage of individuals who are carefully bred and gently nurtured even to finally making the most of every man and woman born. But that possibility existed in the days of the Hittites as much as it does to-day. It does not give the slightest real support to the common assumption that the civilized contemporaries of the Hittites were unlike their civilized descendants to-day.
This would appear the truest commonplace if it were not that the ordinary citizen’s ignorance of the past combines with his idealization of the present to mislead and flatter him. Our latest book on the new railway across Asia describes the dulness of the Siberian farmer and the vulgar pursepride of the Siberian man of business without the least consciousness that the sting of contemptuous instances given might have been saved by writing simply “Farmers and provincial plutocrats in Siberia are exactly what they are in England.” The latest professor descanting on the civilization of the Western Empire in the fifth century feels bound to assume, in the teeth of his own researches, that the Christian was one sort of animal and the Pagan another. It might as well be assumed, as indeed it generally is assumed by implication, that a murder committed with a poisoned arrow is different to a murder committed with a Mauser rifle. All such notions are illusions. Go back to the first syllable of recorded time, and there you will find your Christian and your Pagan, your yokel and your poet, helot and hero, Don Quixote and Sancho, Tamino and Papageno, Newton and bushman unable to count eleven, all alive and contemporaneous, and all convinced that they are heirs of all the ages and the privileged recipients of THE truth (all others damnable heresies), just as you have them to-day, flourishing in countries each of which is the bravest and best that ever sprang at Heaven’s command from out of the azure main.
Again, there is the illusion of “increased СКАЧАТЬ