Hills and the Sea. Hilaire Belloc

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      The people who put this before us had in their faces courage, complete innocence, carelessness, and sleep. They spoke to us in their language (I understood it very ill) of far countries, which they did not clearly know—they hardly knew the French beyond the hills. As no road led into their ageless village, so did no road lead out of it. To reach the great cities in the plain, and the railway eighty miles away, why, there was the telephone. They slept at such late hours as they chose; by midnight many were still clattering through the lane below. No order and no law compelled them in anything.

      The Two Men were asleep after this first astonishing glimpse of forgotten men and of a strange country. In the stifling air outside there was a clattering of the hoofs of mules and an argument of drivers. A long way off a man was playing a little stringed instrument, and there was also in the air a noise of insects buzzing in the night heat; when all of a sudden the whole place awoke to the noise of a piercing cry which but for its exquisite tone might have been the cry of pain, so shrill was it and so coercing to the ear. It was maintained, and before it fell was followed by a succession of those quarter-tones which only the Arabs have, and which I had thought finally banished from Europe. To this inhuman and appalling song were set loud open vowels rather than words.

      Of the Two Men, one leapt at once from his bed crying out, "This is the music! This is what I have desired to hear!" For this is what he had once been told could be heard in the desert, when first he looked out over the sand from Atlas: but though he had travelled far, he had never heard it, and now he heard it here, in the very root of these European hills. It was on this account that he cried out, "This is the music!" And when he had said this he put on a great rough cloak and ran to the room from which the song or cry proceeded, and after him ran his companion.

      The Two Men stood at the door behind a great mass of muleteers, who all craned forward to where, upon a dais at the end of the room, sat a Jewess who still continued for some five minutes this intense and terrible effort of the voice. Beside her a man who was not of her race urged her on as one urges an animal to further effort, crying out, "Hap! Hap!" and beating his palms together rhythmically and driving and goading her to the full limit of her power.

      The sound ceased suddenly as though it had been stabbed and killed, and the woman whose eyes had been strained and lifted throughout as in a trance, and whose body had been rigid and quivering, sank down upon herself and let her eyelids fall, and her head bent forward.

      There was complete silence from that moment till the dawn, and the second of the Two Men said to the first that they had had an experience not so much of music as of fire.

DELFT

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      Delft is the most charming town in the world. It is one of the neat cities: trim, small, packed, self-contained. A good woman in early middle age, careful of her dress, combined, orderly, not without a sober beauty—such a woman on her way to church of a Sunday morning is not more pleasing than Delft. It is on the verge of monotony, yet still individual; in one style, yet suggesting many centuries of activity. There is a full harmony of many colours, yet the memory the place leaves is of a united, warm, and generous tone. Were you suddenly put down in Delft you would know very well that the vast and luxuriant meadows of Holland surrounded it, so much are its air, houses, and habits those of men inspired by the fields.

      Delft is very quiet, as befits a town so many of whose streets are ordered lanes of water, yet one is inspired all the while by the voices of children, and the place is strongly alive. Over its sky there follow in stately order the great white clouds of summer, and at evening the haze is lit just barely from below with that transforming level light which is the joy and inspiration of the Netherlands. Against such an expanse stands up for ever one of the gigantic but delicate belfries, round which these towns are gathered. For Holland, it seems, is not a country of villages, but of compact, clean towns, standing scattered over a great waste of grass like the sea.

      This belfrey of Delft is a thing by itself in Europe, and all these truths can be said of it by a man who sees it for the first time: first, that its enormous height is drawn up, as it were, and enhanced by every chance stroke that the instinct of its slow builders lit upon; for these men of the infinite flats love the contrast of such pinnacles, and they have made in the labour of about a thousand years a landscape of their own by building, just as they have made by ceaseless labour a rich pasture and home out of those solitary marshes of the delta.

      Secondly, that height is inhanced by something which you will not see, save in the low countries between the hills of Ardennes and the yellow seas—I mean brick Gothic; for the Gothic which you and I know is built up of stone, and, even so, produces every effect of depth and distance; but the Gothic of the Netherlands is often built curiously of bricks, and the bricks are so thin that it needs a whole host of them in an infinity of fine lines to cover a hundred feet of wall. They fill the blank spaces with their repeated detail; they make the style (which even in stone is full of chances and particular corners) most intricate, and—if one may use so exaggerated a metaphor—"populous." Above all, they lead the eye up and up, making a comparison and measure of their tiny bands until the domination of a buttress or a tower is exaggerated to the enormous. Now the belfry of Delft, though all the upper part is of stone, yet it stands on a great pedestal (as it were) of brick—a pedestal higher than the houses, and in this base are pierced two towering, broad, and single ogives, empty and wonderful and full of that untragic sadness which you may find also in the drooping and wide eyes of extreme old age.

      Thirdly, the very structure of the thing is bells. Here the bells are more than the soul of a Christian spire; they are its body too, its whole self. An army of them fills up all the space between the delicate supports and framework of the upper parts; for I know not how many feet, in order, diminishing in actual size and in the perspective also of that triumphant elevation, stand ranks on ranks of bells from the solemn to the wild, from the large to the small; a hundred or two hundred or a thousand. There is here the prodigality of Brabant and Hainaut and the Batavian blood, a generosity and a productivity in bells without stint, the man who designed it saying: "Since we are to have bells, let us have bells: not measured out, calculated, expensive, and prudent bells, but careless bells, self-answering multitudinous bells; bells without fear, bells excessive and bells innumerable; bells worthy of the ecstasies that are best thrown out and published in the clashing of bells. For bells are single, like real pleasures, and we will combine such a great number that they shall be like the happy and complex life of a man. In a word, let us be noble and scatter our bells and reap a harvest till our town is famous for its bells." So now all the spire is more than clothed with them; they are more than stuff or ornament; they are an outer and yet sensitive armour, all of bells.

      Nor is the wealth of these bells in their number only, but also in their use; for they are not reserved in any way, but ring tunes and add harmonies at every half and quarter and at all the hours both by night and by day. Nor must you imagine that there is any obsession of noise through this; they are far too high and melodious, and, what is more, too thoroughly a part of all the spirit of Delft to be more than a perpetual and half-forgotten impression of continual music; they render its air sacred and fill it with something so akin to an uplifted silence as to leave one—when one has passed from their influence—asking what balm that was which soothed all the harshness of sound about one.

      Round that tower and that voice the town hangs industrious and subdued—a family. Its waters, its intimate canals, its boats for travel, and its slight plashing of bows in the place of wheels, entered the spirit of the traveller and gave him for one long day the Right of Burgess. In autumn, in the early afternoon—the very season for those walls—it was easy for him to be filled with a restrained but united chorus, the under-voices of the city, droning and murmuring perpetually of Peace and of СКАЧАТЬ