The Reign of Brainwash: Dystopia Box Set. Эдгар Аллан По

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      Winston did not buy the picture. It would have been an even more incongruous possession than the glass paperweight, and impossible to carry home, unless it were taken out of its frame. But he lingered for some minutes more, talking to the old man, whose name, he discovered, was not Weeks—as one might have gathered from the inscription over the shopfront—but Charrington. Mr. Charrington, it seemed, was a widower aged sixty-three and had inhabited this shop for thirty years. Throughout that time he had been intending to alter the name over the window, but had never quite got to the point of doing it. All the while that they were talking the half-remembered rhyme kept running through Winston's head: Oranges and lemons, say the bells of St. Clement's, You owe me three farthings, say the bells of St. Martin's! It was curious, but when you said it to yourself you had the illusion of actually hearing bells, the bells of a lost London that still existed somewhere or other, disguised and forgotten. From one ghostly steeple after another he seemed to hear them pealing forth. Yet so far as he could remember he had never in real life heard church bells ringing.

      He got away from Mr. Charrington and went down the stairs alone, so as not to let the old man see him reconnoitering the street before stepping out of the door. He had already made up his mind that after a suitable interval—a month, say—he would take the risk of visiting the shop again. It was perhaps not more dangerous than shirking an evening at the Center. The serious piece of folly had been to come back here in the first place, after buying the diary and without knowing whether the proprietor of the shop could be trusted. However—!

      Yes, he thought again, he would come back. He would buy further scraps of beautiful rubbish. He would buy the engraving of St. Clement's Dane, take it out of its frame, and carry it home concealed under the jacket of his overalls. He would drag the rest of that poem out of Mr. Charrington's memory. Even the lunatic project of renting the room upstairs flashed momentarily through his mind again. For perhaps five seconds exaltation made him careless, and he stepped out onto the pavement without so much as a preliminary glance through the window. He had even started humming to an improvised tune—

      Oranges and lemons, say the bells of St. Clement's, You owe me three farthings, say the—

      Suddenly his heart seemed to turn to ice and his bowels to water. A figure in blue overalls was coming down the pavement, not ten meters away. It was the girl from the Fiction Department, the girl with dark hair. The light was failing, but there was no difficulty in recognizing her. She looked him straight in the face, then walked quickly on as though she had not seen him.

      For a few seconds Winston was too paralyzed to move. Then he turned to the right and walked heavily away, not noticing for the moment that he was going in the wrong direction. At any rate, one question was settled. There was no doubting any longer that the girl was spying on him. She must have followed him here, because it was not credible that by pure chance she should have happened to be walking on the same evening up the same obscure back street, kilometers distant from any quarter where Party members lived. It was too great a coincidence. Whether she was really an agent of the Thought Police, or simply an amateur spy actuated by officiousness, hardly mattered. It was enough that she was watching him. Probably she had seen him go into the pub as well.

      It was an effort to walk. The lump of glass in his pocket banged against his thigh at each step, and he was half minded to take it out and throw it away. The worst thing was the pain in his belly. For a couple of minutes he had the feeling that he would die if he did not reach a lavatory soon. But there would be no public lavatories in a quarter like this. Then the spasm passed, leaving a dull ache behind.

      The street was a blind alley. Winston halted, stood for several seconds wondering vaguely what to do, then turned round and began to retrace his steps. As he turned it occurred to him that the girl had only passed him three minutes ago and that by running he could probably catch up with her. He could keep on her track till they were in some quiet place, and then smash her skull in with a cobblestone. The piece of glass in his pocket would be heavy enough for the job. But he abandoned the idea immediately, because even the thought of making any physical effort was unbearable. He could not run, he could not strike a blow. Besides, she was young and lusty and would defend herself. He thought also of hurrying to the Community Center and staying there till the place closed, so as to establish a partial alibi for the evening. But that too was impossible. A deadly lassitude had taken hold of him. All he wanted was to get home quickly and then sit down and be quiet.

      It was after twenty-two hours when he got back to the flat. The lights would be switched off at the main at twenty-three thirty. He went into the kitchen and swallowed nearly a teacupful of Victory Gin. Then he went to the table in the alcove, sat down, and took the diary out of the drawer. But he did not open it at once. From the telescreen a brassy female voice was squalling a patriotic song. He sat staring at the marbled cover of the book, trying without success to shut the voice out of his consciousness.

      It was at night that they came for you, always at night. The proper thing was to kill yourself before they got you. Undoubtedly some people did so. Many of the disappearances were actually suicides. But it needed desperate courage to kill yourself in a world where firearms, or any quick and certain poison, were completely unprocurable. He thought with a kind of astonishment of the biological uselessness of pain and fear, the treachery of the human body which always freezes into inertia at exactly the moment when a special effort is needed. He might have silenced the dark-haired girl if only he had acted quickly enough; but precisely because of the extremity of his danger he had lost the power to act. It struck him that in moments of crisis one is never fighting against an external enemy but always against one's own body. Even now, in spite of the gin, the dull ache in his belly made consecutive thought impossible. And it is the same, he perceived, in all seemingly heroic or tragic situations. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.

      He opened the diary. It was important to write something down. The woman on the telescreen had started a new song. Her voice seemed to stick into his brain like jagged splinters of glass. He tried to think of O'Brien, for whom, or to whom, the diary was written, but instead he began thinking of the things that would happen to him after the Thought Police took him away. It would not matter if they killed you at once. To be killed was what you expected. But before death (nobody spoke of such things, yet everybody knew of them) there was the routine of confession that had to be gone through: the groveling on the floor and screaming for mercy, the crack of broken bones, the smashed teeth and bloody clots of hair. Why did you have to endure it, since the end was always the same? Why was it not possible to cut a few days or weeks out of your life? Nobody ever escaped detection, and nobody ever failed to confess. When once you had succumbed to thoughtcrime it was certain that by a given date you would be dead. Why then did that horror, which altered nothing, have to lie embedded in future time?

      He tried with a little more success than before to summon up the image of O'Brien. "We shall meet in the place where there is no darkness," O'Brien had said to him. He knew what it meant, or thought he knew. The place where there is no darkness was the imagined future, which one would never see, but which, by foreknowledge, one could mystically share in. But with the voice from the telescreen nagging at his ears he could not follow the train of thought further. He put a cigarette in his mouth. Half the tobacco promptly fell out on to his tongue, a bitter dust which was difficult to spit out again. The face of Big Brother swam into his mind, displacing that of O'Brien. Just as he had done a few days earlier, he slid a coin out of his pocket and looked at it. The face gazed up at him, heavy, calm, protecting, but what kind of smile was hidden beneath the dark mustache? Like a leaden knell the words came back at him:

      WAR IS PEACE

       FREEDOM IS SLAVERY

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