Название: The Mystery of Witch-Face Mountain, and Other Stories
Автор: Mary Noailles Murfree
Издательство: Bookwire
Жанр: Языкознание
isbn: 4064066208929
isbn:
One of the jurymen asked to see the sketch again. Evidently, in the hasty delineation of the contours of the slope they had not noticed the gigantic grimacing countenance which they all knew so well; the picturesque figure of the mountaineer in the foreground had so impressed the stranger that it was much more nearly complete than the landscape, being definite in every detail, and fully shaded. The book was handed along the row of men, each recognizing the semblance, once pointed out, with a touch of dismayed surprise that alarmed the coroner for the sanity of the verdict; his rational estimate rated spells and bewitchments and omens as far less plausible agencies in disaster than horse-thieves, highwaymen, and moonshiners.
"Look at the face of the deceased," he said, with a sort of spare enunciation, coercive somehow in its inexpressiveness. "Ye are sure ye never viewed that man afore yestiddy?"
"I hev said so an' swore it," said Hite, a trifle nettled.
"Ye rode in comp'ny a hour or mo' an' never asked his name?"
"I never axed him no questions, nor he me," replied Hite, "'ceptin' 'bout'n the witch-face. He was powerful streck by that. An' I tole him 't war a onlucky day."
The jury, a dreary row of unkempt heads, and bearded anxious faces, and crouching shoulders askew, cleared their throats, and two uncrossed and recrossed their legs, the plank seat creaking ominously with the motion under their combined weight. A shade of disappointment was settling on the coroner's face. This was slight information indeed from the only person who had seen the man alive. There was silence for a moment. The splashing of the rain on the roof became drearily audible in the interval. The stir of the group in the space outside was asserted anew, with their low-toned fitful converse; a black-and-white ox in the weed-grown garden emitted a deep, depressed low of remonstrance against the rain, and the irking of the yoke, and the herbage just beyond his reach. The jurymen might see him through the logs, and now and again one of them mechanically ducked his head to look out upon the dismal aspect of the chimney and orchard, round which so many horses and wagons had not gathered since the daughter of the house was long ago married here. There was a sprinkle of gray in his hair, and he remembered the jollities of the wedding—incongruous recollection—and once more he looked at the stark figure, its face covered with a white cloth, which had been done in a sentiment of atonement for the unseemly publicity of its fate.
In sparsely settled communities, death, being rare, retains much of the terror which custom lessens in the dense crowds of cities. There death is met at every corner. It goes on 'Change. It sits upon the bench. It is chronicled in the columns of every newspaper. Daily its bells toll. Its melancholy pageantry traverses the streets of wealthy quarters, and it stalks abroad hourly in the slums, and few there are who gaze after it. But here it comes so seldom that its dread features are not made smug by familiarity. When Hite was told to look again at the face and see if memory might not have played him false, to make sure he had never seen the man before yesterday, he hesitated, and advanced with such reluctance, and started back, dropping the cloth, with such swift repulsion, that the coroner, habituated to such matters, gazed at him with a doubtful scrutiny.
"Oh, he looked nowise like that," he exclaimed in a raised, nervous voice that caught the attention of the crowd outside, and resulted in a sudden cessation of stir and colloquy, "though it's him, sure enough! And," with a burst of regret, "he war a mighty pleasant man!"
The coroner, intentionally taking him at a disadvantage, asked abruptly, "What do you work at mostly?"
Hite turned shortly from the bier. "I farms some," he hesitated; "dad bein' mos'ly out o' the field, nowadays, agin' so constant."
"What do you work at mostly?" reiterated the official.
Hite divined his suspicion. Some flying rumor had doubtless come to his ears, how credible, how unimpugnable, the moonshiner could not tell. Nevertheless, his loyalty to that secret vocation of his had become a part of his nature, so continuous were its demands upon his courage, his strategy, his foresight, his industry. It was tantamount to his instinct of self-defense. He held his head down, with his excited dark eyes looking up from under his brows at the coroner. But he would not speak. He would admit naught of what was evidently known.
"Warn't ye afeard he might be a revenuer?" suggested the officer.
"I never war afeard, so ter say, o' one man at a time," Hite ventured.
"Didn't ye think he might take a notion that you were a moonshiner?"
"He never showed no suspicion o' me, noways," replied Hite warily. "We rid tergether free an' favored. He 'peared a powerful book-l'arned man—like no revenuer ever I see."
"Where did you part company?"
Hite sought to identify the spot by description; and then he was allowed to pass out, his spirits flagging with the ordeal, and with the knowledge that his connection with the manufacture of brush whiskey was suspected by the coroner's jury, suggesting an adequate motive on his part for waylaying a stranger supposed to be of the revenue force. He felt the dash of the rain in his face as he stood aside to make way for the "valley man with the lung complaint," who was passing into the restricted apartment; and despite his whirl of anxiety and excitement and regret and resentment, he noted with a touch of surprise the cool unconcern of the man's face and manner, albeit duly grave and adjusted to the decorums of the melancholy occasion.
He was sworn, and gave his name as Alan Selwyn. The jury listened with interest to his fluent account of his occupation in the valley, which had been mercantile, of his temporary residence here for a bronchial affection; and when he was asked to identify the man who had so mysteriously come to his death, they marked his quick, easy stride as he crossed the room, with his hat in his hand, and his unmoved countenance as he looked fixedly down into the face of the dead. He remained a longer interval than was usual with the witnesses, as if to make sure. Then, still quite businesslike and brisk, he stated that he could not identify him, having certainly never seen him before.
"The only papers which he had on him," said the coroner, watching the effect of his words, "were two letters addressed to you."
The young man started in palpable surprise. As he looked at the exterior of the letters, which were stamped and postmarked, he observed that they must have been taken out of the post-office at Sandford Cross-Roads, to expedite their delivery; the postmaster doubtless consenting to this request on the part of so reputable-looking a person or a possible acquaintance.
"Were you expecting a visitor?" asked the coroner.
"Not at all," responded the puzzled witness.
He was requested to open the letters, read and show them. But he waived this courtesy, asking the coroner to open and read them to the jury. They were of no moment, both on matters of casual business, and Mr. Alan Selwyn was dismissed; the coroner blandly regretting that, in view of his malady, he had been required to come out in so chilly a rain.
Notwithstanding his composure he was in some haste to be gone. He went quickly through the crowd, drawing down his hat over his brow, and deftly buttoning his overcoat across his chest and throat. He had reached his horse, and had placed one foot in the stirrup, when, chancing to glance back over his shoulder, he saw Narcissa Hanway's white, flowerlike face, her bonnet pushed far back on her tawny yellow hair, both arms outstretched in a gesture of negation and repulsion toward the apartment where the jury sat, while a dark-haired, slow man urged her forward, one hand on her shoulder, and the old mountain woman followed with insistence and encouragement. He hesitated for a moment; then putting spurs to his horse, he rode off swiftly through the slanting lines of rain.
III.
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