The Mystery of Witch-Face Mountain, and Other Stories. Mary Noailles Murfree

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СКАЧАТЬ skin, and he looked hot and red, and thoroughly exasperated. His brown eyes were disproportionately angry, considering the slight importance of his enterprise. He was evidently a man of keen, quick temper, easily aroused and nervous. His handsome, well-groomed horse was fractious, and difficult for so impatient a rider to control. His equestrian outfit once more attracted the covert glance of Con Hite, whose experience and observation could duplicate no such attire. He was tall, somewhat heavily built, and altogether a sufficiently stalwart specimen of the genus "town man."

      "I'll tell you what I'll do!" he exclaimed suddenly. "I'll sketch the whole scene!"

      "Now you're shoutin'," said Con Hite capably, as if he had always advocated this method of solving the difficulty. His interlocutor could not for a moment have dreamed that he had never before seen a camera, had never heard of a photograph, had not the least idea of what the process of sketching might be which he so boldly approved; nay, the very phrase embodying his encouragement of the project was foreign to his vocabulary—a bit of sophisticated slang which he had adopted from his companion's conversation, and readily assimilated.

      "You stay just where you are!" cried the stranger, his enthusiasm rising to the occasion; "just that pose—that pose precisely."

      He ran swiftly across the path to remove the inefficient camera from the foreground, and in a moment was seated on a log by the wayside, his quick eye scanning the scene: the close file of the ranges about the horizon, one showing above another, and one more faintly blue than another, for thus the distance was defined; then the amphitheatre of the Cove, the heavy bronze-green slopes of the mountains, all with ripple marks of clear chrome-green ruffling in the wake of the wind; in the middle distance the still depths of the valley below, with shadows all a-slumber and silent, and on the projecting spur the quiet, lonely little house, so slight a suggestion of the presence of man amidst the majestic dominance of nature; here, to the right, across the savage gorge, with its cliffs and with its currents in the deep trough, the nearest slope of the mountain, with the great gaunt bare space showing that face of ill omen, sibylline, sinister, definite indeed—he wondered how his eyes were holden that he should not have discerned it at once; and in the immediate foreground the equestrian figure of the mountaineer, booted and spurred, the very "moral," as Hite would have called it, of an athlete, with his fine erect pose distinct against the hazy perspective, his expression of confident force, the details of his handsome features revealed by the brim of his wide black hat turned up in front.

      "It's a big subject, I know; I can't get it all in. I shall only suggest it. Just keep that pose, will you? Hold the horse still. 'Stand the storm, it won't be long!'" the artist said, smiling with renewed satisfaction as his pencil, not all inapt, went briskly to work on the horizontal lines of the background.

      But it was longer than he had thought, so still sat the contemplative mountaineer, so alluring were the details of the landscape. The enthusiasm of the amateur is always a more urgent motive power than the restrained and utilitarian industry of the professional.

      Few sworn knights of the crayon would have sat sketching so long in that temperature as he did, with the sun blazing through his straw hat and his blood mustering under his thin skin; but he stopped at a point short of sunstroke, and it was with a tumultuous sense of success that he at last arose, and, with the sketch-book still open, walked across the road and laid it on the pommel of the mountaineer's saddle.

      Constant Hite took it up suspiciously and looked at it askance. It is to be doubted if ever before he had seen a picture, unless perchance in the primary reading-book of his callow days at the public school, spasmodically opened at intervals at the "church house" in the Cove. He continued to gravely gaze at the sketch, held sideways and almost reversed, for some moments.

      "Bless Gawd! hyar's Whitefoot's muzzle jes' ez nat'ral—an' Me—waal, sir! don't I look proud!" he cried suddenly, with a note of such succulent vanity, so finely flavored a pride, that the stranger could but laugh at the zest of his triumph.

      "Do you see the witch-face?" he demanded.

      "Hesh! hesh!" cried the mountaineer hilariously. "Don't 'sturb me 'bout yer witch-face. Ef thar ain't the buck—yes, toler'ble fat—an' with all his horns! An' look at my boot—actially the spur on it! An' my hat turned up;" he raised his flattered hand to the brim as if to verify its position.

      "You didn't know you were so good looking, hey?" suggested the amused town man.

      "My Lord, naw!" declared Hite, laughing at himself, yet laughing delightedly. "I dunno how the gals make out to do without me at all!"

      The pleased artist laughed, too. "Well, hand it over," he said, as he reached out for the book. "We must be getting out of this sun. I'm not used to it, you see."

      He put his foot in the stirrup as he spoke, and as he swung himself into the saddle the mountaineer reluctantly closed and relinquished the book. "I'd like ter see it agin, some time or other," he observed.

      He remembered this wish afterward, and how little he then imagined where and in what manner he was destined to see it again.

      They rode on together into the dense woods, leaving the wind and the sunshine and the flying clouds fluctuating over the broad expanse of the mountains, and the witch-face silently mowing and grimacing at the world below, albeit seen by no human being except perchance some dweller at the little house on the spur, struck aghast by this unwelcome apparition evoked by the necromancy of the breeze and the sheen and the shadow, marking this as an unlucky day.

      "That's right smart o' a cur'osity, ain't it?" said Constant Hite complacently, as they jogged along. "When the last gover'mint survey fellers went through hyar, they war plumb smitten by the ole 'oman, an' spent cornsider'ble time a-stare-gazin' at her. They 'lowed they hed never seen the beat."

      "What was the survey for?" asked the town man, with keen mundane interest.

      Constant Hite was rarely at a loss. When other men were fain to come to a pause for the lack of information, the resources of his agile substitutions and speculations were made manifest. "They war jes' runnin' a few lines hyar an' thar," he said negligently. "They lef' some tall striped poles planted in the ground, red an' sich colors, ter mark the way; an' them mounting folks over yander in the furderest coves—they air powerful ahint the times—they hed never hearn o' sech ez a survey, noway, an' the poles jes' 'peared ter them sprung up thar like Jonah's gourd in a single night, ez ef they kem from seed; an' the folks, they 'lowed 't war the sign o' a new war." He laughed lazily at the uninstructed terrors of the unsophisticated denizens of the "furderest coves." "They'd gather around an' stare-gaze at the poles, an' wonder if they'd hev ter fight the Rebs agin; them folks is mos'ly Union." Then his interest in the subject quickening, "Them survey fellers, they ondertook, too, ter medjure the tallness o' some o' the mountings fur the gover'mint. Now what good is that goin' ter do the Nunited States?" he resumed grudgingly. "The mountings kin be medjured by the eye—look a-yander." He pointed with the end of his whip at a section of the horizon, visible between the fringed and low-swaying boughs of hemlock and fir as the trail swept closer to the verge of the range, on which was softly painted, as on ivory and with an enameled lustre, two or three great azure domes, with here and there the high white clouds of a clear day nestling flakelike on the summits. "They air jes' all-fired high, an' that's all. Do it make 'em seem enny taller ter say they air six thousand or seben thousand feet? Man ain't used ter medjurin' by the thousand feet. When he gits ter the ground he goes by the pole. I dunno how high nor how long a thousand feet air. The gover'mint jes' want ter spend a leetle money, I reckon. It 'pears toler'ble weak-kneed in its mind, wunst in a while. But ef it wants ter fool money away, it's mighty well able ter afford sech. It hev got a power o' ways a-comin' at money—we all know that, we all know that."

      He said this with a gloomy inflection СКАЧАТЬ