Название: The Innocents Abroad (Illustrated)
Автор: Mark Twain
Издательство: Bookwire
Жанр: Книги о Путешествиях
isbn: 9788027230976
isbn:
"Six hundred and fifty years ago, or such a matter."
"Splendid legend--splendid lie--drive on."
We reached the quaint old fortified city of Bergamo, the renowned in history, some three-quarters of an hour before the train was ready to start. The place has thirty or forty thousand inhabitants and is remarkable for being the birthplace of harlequin. When we discovered that, that legend of our driver took to itself a new interest in our eyes.
Rested and refreshed, we took the rail happy and contented. I shall not tarry to speak of the handsome Lago di Gardi; its stately castle that holds in its stony bosom the secrets of an age so remote that even tradition goeth not back to it; the imposing mountain scenery that ennobles the landscape thereabouts; nor yet of ancient Padua or haughty Verona; nor of their Montagues and Capulets, their famous balconies and tombs of Juliet and Romeo et al., but hurry straight to the ancient city of the sea, the widowed bride of the Adriatic. It was a long, long ride. But toward evening, as we sat silent and hardly conscious of where we were--subdued into that meditative calm that comes so surely after a conversational storm--some one shouted--
"VENICE!"
And sure enough, afloat on the placid sea a league away, lay a great city, with its towers and domes and steeples drowsing in a golden mist of sunset.
Chapter XXII.
This Venice, which was a haughty, invincible, magnificent Republic for nearly fourteen hundred years; whose armies compelled the world's applause whenever and wherever they battled; whose navies well nigh held dominion of the seas, and whose merchant fleets whitened the remotest oceans with their sails and loaded these piers with the products of every clime, is fallen a prey to poverty, neglect and melancholy decay. Six hundred years ago, Venice was the Autocrat of Commerce; her mart was the great commercial centre, the distributing-house from whence the enormous trade of the Orient was spread abroad over the Western world. To-day her piers are deserted, her warehouses are empty, her merchant fleets are vanished, her armies and her navies are but memories. Her glory is departed, and with her crumbling grandeur of wharves and palaces about her she sits among her stagnant lagoons, forlorn and beggared, forgotten of the world. She that in her palmy days commanded the commerce of a hemisphere and made the weal or woe of nations with a beck of her puissant finger, is become the humblest among the peoples of the earth,--a peddler of glass beads for women, and trifling toys and trinkets for school-girls and children.
The venerable Mother of the Republics is scarce a fit subject for flippant speech or the idle gossipping of tourists. It seems a sort of sacrilege to disturb the glamour of old romance that pictures her to us softly from afar off as through a tinted mist, and curtains her ruin and her desolation from our view. One ought, indeed, to turn away from her rags, her poverty and her humiliation, and think of her only as she was when she sunk the fleets of Charlemagne; when she humbled Frederick Barbarossa or waved her victorious banners above the battlements of Constantinople.
We reached Venice at eight in the evening, and entered a hearse belonging to the Grand Hotel d'Europe. At any rate, it was more like a hearse than any thing else, though to speak by the card, it was a gondola. And this was the storied gondola of Venice!--the fairy boat in which the princely cavaliers of the olden time were wont to cleave the waters of the moonlit canals and look the eloquence of love into the soft eyes of patrician beauties, while the gay gondolier in silken doublet touched his guitar and sang as only gondoliers can sing! This the famed gondola and this the gorgeous gondolier!--the one an inky, rusty old canoe with a sable hearse-body clapped on to the middle of it, and the other a mangy, barefooted guttersnipe with a portion of his raiment on exhibition which should have been sacred from public scrutiny. Presently, as he turned a corner and shot his hearse into a dismal ditch between two long rows of towering, untenanted buildings, the gay gondolier began to sing, true to the traditions of his race. I stood it a little while. Then I said:
"Now, here, Roderigo Gonzales Michael Angelo, I'm a pilgrim, and I'm a stranger, but I am not going to have my feelings lacerated by any such caterwauling as that. If that goes on, one of us has got to take water. It is enough that my cherished dreams of Venice have been blighted forever as to the romantic gondola and the gorgeous gondolier; this system of destruction shall go no farther; I will accept the hearse, under protest, and you may fly your flag of truce in peace, but here I register a dark and bloody oath that you shan't sing. Another yelp, and overboard you go."
I began to feel that the old Venice of song and story had departed forever. But I was too hasty. In a few minutes we swept gracefully out into the Grand Canal, and under the mellow moonlight the Venice of poetry and romance stood revealed. Right from the water's edge rose long lines of stately palaces of marble; gondolas were gliding swiftly hither and thither and disappearing suddenly through unsuspected gates and alleys; ponderous stone bridges threw their shadows athwart the glittering waves. There was life and motion everywhere, and yet everywhere there was a hush, a stealthy sort of stillness, that was suggestive of secret enterprises of bravoes and of lovers; and clad half in moonbeams and half in mysterious shadows, the grim old mansions of the Republic seemed to have an expression about them of having an eye out for just such enterprises as these at that same moment. Music came floating over the waters--Venice was complete.
It was a beautiful picture--very soft and dreamy and beautiful. But what was this Venice to compare with the Venice of midnight? Nothing. There was a fete--a grand fete in honor of some saint who had been instrumental in checking the cholera three hundred years ago, and all Venice was abroad on the water. It was no common affair, for the Venetians did not know how soon they might need the saint's services again, now that the cholera was spreading every where. So in one vast space--say a third of a mile wide and two miles long--were collected two thousand gondolas, and every one of them had from two to ten, twenty and even thirty colored lanterns suspended about it, and from four to a dozen occupants. Just as far as the eye could reach, these painted lights were massed together--like a vast garden of many-colored flowers, except that these blossoms were never still; they were ceaselessly gliding in and out, and mingling together, and seducing you into bewildering attempts to follow their mazy evolutions. Here and there a strong red, green, or blue glare from a rocket that was struggling to get away, splendidly illuminated all the boats around it. Every gondola that swam by us, with its crescents and pyramids and circles of colored lamps hung aloft, and lighting up the faces of the young and the sweet-scented and lovely below, was a picture; and the reflections of those lights, so long, so slender, so numberless, so many-colored and so distorted and wrinkled by the waves, was a picture likewise, and one that was enchantingly beautiful. Many and many a party of young ladies and gentlemen had their state gondolas handsomely decorated, and ate supper on board, bringing their swallow-tailed, white-cravatted varlets to wait upon them, and having their tables tricked out as if for a bridal supper. They had brought along the costly globe lamps from their drawing-rooms, and the lace and silken curtains from the same places, I suppose. And they had also brought pianos and guitars, and they played and sang operas, while the plebeian paper-lanterned gondolas from the suburbs and the back alleys crowded around to stare and listen.
There was music every where--choruses, string bands, brass bands, flutes, every thing. I was so surrounded, walled in, with music, magnificence and loveliness, that I became inspired with the spirit of the scene, and sang one tune myself. However, when I observed that the other gondolas had sailed away, and my gondolier was preparing to go overboard, I stopped.
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