The Greatest Works of Herman Melville - 27 Novels & Short Stories; With 140+ Poems & Essays. Herman Melville
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СКАЧАТЬ sporting in the woodlands above, forever peeping down the cleft, and essaying to drop him a coronal.

      Now, the still, panting glen of Willamilla, nested so close by the mountains, and a goodly green mark for the archer in the sun, would have been almost untenable were it not for the grotto. Hereby, it breathed the blessed breezes of Omi; a mountain promontory buttressing the island to the east, receiving the cool stream of the upland Trades; much pleasanter than the currents beneath.

      At all times, even in the brooding noon-day, a gush of cool air came hand-inhand with the cool waters, that burst with a shout into the palace of Donjalolo. And as, after first refreshing the king, as in loyalty bound, the stream flowed at large through the glen, and bathed its verdure; so, the blessed breezes of Omi, not only made pleasant the House of the Afternoon; but finding ample outlet in its wide, open front, blew forth upon the bosom of all Willamilla.

      “Come let us take the air of Omi,” was a very common saying in the glen. And the speaker would hie with his comrade toward the grotto; and flinging himself on the turf, pass his hand through his locks, and recline; making a joy and a business of breathing; for truly the breezes of Omi were as air-wine to the lungs.

      Yet was not this breeze over-cool; though at times the zephyrs grew boisterous. Especially at the season of high sea, when the strong Trades drawn down the cleft in the mountain, rushed forth from the grotto with wonderful force. Crossing it then, you had much ado to keep your robe on your back.

      Thus much for the House of the Afternoon. Whither — after spending the shady morning under the eastern cliffs of the glen — daily, at a certain hour, Donjalolo in his palanquin was borne; there, finding new shades; and there tarrying till evening; when again he was transported whence he came: thereby anticipating the revolution of the sun. Thus dodging day’s luminary through life, the prince hied to and fro in his dominions; on his smooth, spotless brow Sol’s rays never shining.

      BABBALANJA SOLUS

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      Of the House of the Afternoon something yet remains to be said.

      It was chiefly distinguished by its pavement, where, according to the strange customs of the isle, were inlaid the reputed skeletons of Donjalolo’s sires; each surrounded by a mosaic of corals — red, white, and black, intermixed with vitreous stones fallen from the skies in a meteoric shower. These delineated the tattooing of the departed. Near by, were imbedded their arms: mace, bow, and spear, in similar marquetry; and over each skull was the likeness of a scepter.

      First and conspicuous lay the half-decayed remains of Marjora, the father of these Coral Kings; by his side, the storied, sickle-shaped weapon, wherewith he slew his brother Teei.

      “Line of kings and row of scepters,” said Babbalanja as he gazed. “Donjalolo, come forth and ponder on thy sires. Here they lie, from dread Marjora down to him who fathered thee. Here are their bones, their spears, and their javelins; their scepters, and the very fashion of their tattooing: all that can be got together of what they were. Tell me, oh king, what are thy thoughts? Dotest thou on these thy sires? Art thou more truly royal, that they were kings? Or more a man, that they were men? Is it a fable, or a verity about Marjora and the murdered Teei? But here is the mighty conqueror — ask him. Speak to him: son to sire: king to king. Prick him; beg; buffet; entreat; spurn; split the globe, he will not budge. Walk over and over thy whole ancestral line, and they will not start. They are not here. Ay, the dead are not to be found, even in their graves. Nor have they simply departed; for they willed not to go; they died not by choice; whithersoever they have gone, thither have they been dragged; and if so be, they are extinct, their nihilities went not more against their grain, than their forced quitting of Mardi. Either way, something has become of them that they sought not. Truly, had stout-hearted Marjora sworn to live here in Willamilla for ay, and kept the vow, that would have been royalty indeed; but here he lies. Marjora! rise! Juam revolteth! Lo, I stamp upon thy scepter; base menials tread upon thee where thou hest! Up, king, up! What? no reply? Are not these bones thine? Oh, how the living triumph over the dead! Marjora! answer. Art thou? or art thou not? I see thee not; I hear thee not; I feel thee not; eyes, ears, hands, are worthless to test thy being; and if thou art, thou art something beyond all human thought to compass. We must have other faculties to know thee by. Why, thou art not even a sightless sound; not the echo of an echo; here are thy bones. Donjalolo, methinks I see thee fallen upon by assassins:— which of thy fathers riseth to the rescue? I see thee dying:— which of them telleth thee what cheer beyond the grave? But they have gone to the land unknown. Meet phrase. Where is it? Not one of Oro’s priests telleth a straight story concerning it; ’twill be hard finding their paradises. Touching the life of Alma, in Mohi’s chronicles, ’tis related, that a man was once raised from the tomb. But rubbed he not his eyes, and stared he not most vacantly? Not one revelation did he make. Ye gods! to have been a bystander there!

      “At best, ’tis but a hope. But will a longing bring the thing desired? Doth dread avert its object? An instinct is no preservative. The fire I shrink from, may consume me. — But dead, and yet alive; alive, yet dead; — thus say the sages of Maramma. But die we then living? Yet if our dead fathers somewhere and somehow live, why not our unborn sons? For backward or forward, eternity is the same; already have we been the nothing we dread to be. Icy thought! But bring it home — it will not stay. What ho, hot heart of mine: to beat thus lustily awhile, to feel in the red rushing blood, and then be ashes — can this be so? But peace, peace, thou liar in me, telling me I am immortal — shall I not be as these bones? To come to this! But the balsam-dropping palms, whose boles run milk, whose plumes wave boastful in the air, they perish in their prime, and bow their blasted trunks. Nothing abideth; the river of yesterday floweth not today; the sun’s rising is a setting; living is dying; the very mountains melt; and all revolve:— systems and asteroids; the sun wheels through the zodiac, and the zodiac is a revolution. Ah gods! in all this universal stir, am I to prove one stable thing?

      “Grim chiefs in skeletons, avaunt! Ye are but dust; belike the dust of beggars; for on this bed, paupers may lie down with kings, and filch their skulls. This, great Marjora’s arm? No, some old paralytic’s. Ye, kings? ye, men? Where are your vouchers? I do reject your brother-hood, ye libelous remains. But no, no; despise them not, oh Babbalanja! Thy own skeleton, thou thyself dost carry with thee, through this mortal life; and aye would view it, but for kind nature’s screen; thou art death alive; and e’en to what’s before thee wilt thou come. Ay, thy children’s children will walk over thee: thou, voiceless as a calm.”

      And over the Coral Kings, Babbalanja paced in profound meditation.

      THE CENTER OF MANY CIRCUMFERENCES

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      Like Donjalolo himself, we hie to and fro; for back now must we pace to the House of the Morning.

      In its rear, there diverged three separate arbors, leading to less public apartments.

      Traversing the central arbor, and fancying it will soon lead you to open ground, you suddenly come upon the most private retreat of the prince: a square structure; plain as a pyramid; and without, as inscrutable. Down to the very ground, its walls are thatched; but on the farther side a passage-way opens, which you enter. But not yet are you within. Scarce a yard distant, stands an inner thatched wall, blank as the first. Passing along the intervening corridor, lighted by narrow apertures, you reach the opposite side, and a second opening is revealed. This entering, another corridor; lighted as the first, but more dim, and a third blank СКАЧАТЬ