The Greatest Works of Edith Wharton - 31 Books in One Edition. Edith Wharton

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СКАЧАТЬ colour rose, and Mrs. Archer put in hastily: “If it was, I’m convinced it was there without Mrs. Mingott’s knowledge.”

      “Ah, you think—?” Mrs. van der Luyden paused, sighed, and glanced at her husband.

      “I’m afraid,” Mr. van der Luyden said, “that Madame Olenska’s kind heart may have led her into the imprudence of calling on Mrs. Beaufort.”

      “Or her taste for peculiar people,” put in Mrs. Archer in a dry tone, while her eyes dwelt innocently on her son’s.

      “I’m sorry to think it of Madame Olenska,” said Mrs. van der Luyden; and Mrs. Archer murmured: “Ah, my dear—and after you’d had her twice at Skuytercliff!”

      It was at this point that Mr. Jackson seized the chance to place his favourite allusion.

      “At the Tuileries,” he repeated, seeing the eyes of the company expectantly turned on him, “the standard was excessively lax in some respects; and if you’d asked where Morny’s money came from—! Or who paid the debts of some of the Court beauties …”

      “I hope, dear Sillerton,” said Mrs. Archer, “you are not suggesting that we should adopt such standards?”

      “I never suggest,” returned Mr. Jackson imperturbably. “But Madame Olenska’s foreign bringing-up may make her less particular—”

      “Ah,” the two elder ladies sighed.

      “Still, to have kept her grandmother’s carriage at a defaulter’s door!” Mr. van der Luyden protested; and Archer guessed that he was remembering, and resenting, the hampers of carnations he had sent to the little house in Twenty-third Street.

      “Of course I’ve always said that she looks at things quite differently,” Mrs. Archer summed up.

      A flush rose to May’s forehead. She looked across the table at her husband, and said precipitately: “I’m sure Ellen meant it kindly.”

      “Imprudent people are often kind,” said Mrs. Archer, as if the fact were scarcely an extenuation; and Mrs. van der Luyden murmured: “If only she had consulted some one—”

      “Ah, that she never did!” Mrs. Archer rejoined.

      At this point Mr. van der Luyden glanced at his wife, who bent her head slightly in the direction of Mrs. Archer; and the glimmering trains of the three ladies swept out of the door while the gentlemen settled down to their cigars. Mr. van der Luyden supplied short ones on Opera nights; but they were so good that they made his guests deplore his inexorable punctuality.

      Archer, after the first act, had detached himself from the party and made his way to the back of the club box. From there he watched, over various Chivers, Mingott and Rushworth shoulders, the same scene that he had looked at, two years previously, on the night of his first meeting with Ellen Olenska. He had half-expected her to appear again in old Mrs. Mingott’s box, but it remained empty; and he sat motionless, his eyes fastened on it, till suddenly Madame Nilsson’s pure soprano broke out into “M’ama, non m’ama … “

      Archer turned to the stage, where, in the familiar setting of giant roses and pen-wiper pansies, the same large blonde victim was succumbing to the same small brown seducer.

      From the stage his eyes wandered to the point of the horseshoe where May sat between two older ladies, just as, on that former evening, she had sat between Mrs. Lovell Mingott and her newly-arrived “foreign” cousin. As on that evening, she was all in white; and Archer, who had not noticed what she wore, recognised the blue-white satin and old lace of her wedding dress.

      It was the custom, in old New York, for brides to appear in this costly garment during the first year or two of marriage: his mother, he knew, kept hers in tissue paper in the hope that Janey might some day wear it, though poor Janey was reaching the age when pearl grey poplin and no bridesmaids would be thought more “appropriate.”

      It struck Archer that May, since their return from Europe, had seldom worn her bridal satin, and the surprise of seeing her in it made him compare her appearance with that of the young girl he had watched with such blissful anticipations two years earlier.

      Though May’s outline was slightly heavier, as her goddesslike build had foretold, her athletic erectness of carriage, and the girlish transparency of her expression, remained unchanged: but for the slight languor that Archer had lately noticed in her she would have been the exact image of the girl playing with the bouquet of lilies-of-the-valley on her betrothal evening. The fact seemed an additional appeal to his pity: such innocence was as moving as the trustful clasp of a child. Then he remembered the passionate generosity latent under that incurious calm. He recalled her glance of understanding when he had urged that their engagement should be announced at the Beaufort ball; he heard the voice in which she had said, in the Mission garden: “I couldn’t have my happiness made out of a wrong—a wrong to some one else;” and an uncontrollable longing seized him to tell her the truth, to throw himself on her generosity, and ask for the freedom he had once refused.

      Newland Archer was a quiet and self-controlled young man. Conformity to the discipline of a small society had become almost his second nature. It was deeply distasteful to him to do anything melodramatic and conspicuous, anything Mr. van der Luyden would have deprecated and the club box condemned as bad form. But he had become suddenly unconscious of the club box, of Mr. van der Luyden, of all that had so long enclosed him in the warm shelter of habit. He walked along the semi-circular passage at the back of the house, and opened the door of Mrs. van der Luyden’s box as if it had been a gate into the unknown.

      “M’ama!” thrilled out the triumphant Marguerite; and the occupants of the box looked up in surprise at Archer’s entrance. He had already broken one of the rules of his world, which forbade the entering of a box during a solo.

      Slipping between Mr. van der Luyden and Sillerton Jackson, he leaned over his wife.

      “I’ve got a beastly headache; don’t tell any one, but come home, won’t you?” he whispered.

      May gave him a glance of comprehension, and he saw her whisper to his mother, who nodded sympathetically; then she murmured an excuse to Mrs. van der Luyden, and rose from her seat just as Marguerite fell into Faust’s arms. Archer, while he helped her on with her Opera cloak, noticed the exchange of a significant smile between the older ladies.

      As they drove away May laid her hand shyly on his. “I’m so sorry you don’t feel well. I’m afraid they’ve been overworking you again at the office.”

      “No—it’s not that: do you mind if I open the window?” he returned confusedly, letting down the pane on his side. He sat staring out into the street, feeling his wife beside him as a silent watchful interrogation, and keeping his eyes steadily fixed on the passing houses. At their door she caught her skirt in the step of the carriage, and fell against him.

      “Did you hurt yourself?” he asked, steadying her with his arm.

      “No; but my poor dress—see how I’ve torn it!” she exclaimed. She bent to gather up a mud-stained breadth, and followed him up the steps into the hall. The servants had not expected them so early, and there was only a glimmer of gas on the upper landing.

      Archer mounted the stairs, turned up the light, and put a match to the brackets on each side of the library mantelpiece. The curtains were drawn, and the warm friendly aspect of the room smote him like that СКАЧАТЬ