The Essential Works of Friedrich Nietzsche. Friedrich Nietzsche
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Название: The Essential Works of Friedrich Nietzsche

Автор: Friedrich Nietzsche

Издательство: Bookwire

Жанр: Документальная литература

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isbn: 9788027220625

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СКАЧАТЬ the accusation of mocking at sacred things. He had, she says, great admiration for “the elevating effect of Christianity ... upon the weak and ailing,” and “a real liking for sincere, pious Christians,” and “a tender love for the Founder of Christianity.” All his wrath, she continues, was reserved for “St. Paul and his like,” who perverted the Beatitudes, which Christ intended for the lowly only, into a universal religion which made war upon aristocratic values. Here, obviously, one is addressed by an interpreter who cannot forget that she is the daughter of a Lutheran pastor and the grand-daughter of two others; a touch of conscience gets into her reading of “The Antichrist.” She even hints that the text may have been garbled, after the author’s collapse, by some more sinister heretic. There is not the slightest reason to believe that any such garbling ever took place, nor is there any evidence that their common heritage of piety rested upon the brother as heavily as it rested upon the sister. On the contrary, it must be manifest that Nietzsche, in this book, intended to attack Christianity headlong and with all arms, that for all his rapid writing he put the utmost care into it, and that he wanted it to be printed exactly as it stands. The ideas in it were anything but new to him when he set them down. He had been developing them since the days of his beginning. You will find some of them, clearly recognizable, in the first book he ever wrote, “The Birth of Tragedy.” You will find the most important of all of them—the conception of Christianity as ressentiment—set forth at length in the first part of “The Genealogy of Morals,” published under his own supervision in 1887. And the rest are scattered through the whole vast mass of his notes, sometimes as mere questionings but often worked out very carefully. Moreover, let it not be forgotten that it was Wagner’s yielding to Christian sentimentality in “Parsifal” that transformed Nietzsche from the first among his literary advocates into the most bitter of his opponents. He could forgive every other sort of mountebankery, but not that. “In me,” he once said, “the Christianity of my forbears reaches its logical conclusion. In me the stern intellectual conscience that Christianity fosters and makes paramount turns against Christianity. In me Christianity ... devours itself.”

      In truth, the present philippic is as necessary to the completeness of the whole of Nietzsche’s system as the keystone is to the arch. All the curves of his speculation lead up to it. What he flung himself against, from beginning to end of his days of writing, was always, in the last analysis, Christianity in some form or other—Christianity as a system of practical ethics, Christianity as a political code, Christianity as metaphysics, Christianity as a gauge of the truth. It would be difficult to think of any intellectual enterprise on his long list that did not, more or less directly and clearly, relate itself to this master enterprise of them all. It was as if his apostasy from the faith of his fathers, filling him with the fiery zeal of the convert, and particularly of the convert to heresy, had blinded him to every other element in the gigantic self-delusion of civilized man. The will to power was his answer to Christianity’s affectation of humility and self-sacrifice; eternal recurrence was his mocking criticism of Christian optimism and millennialism; the superman was his candidate for the place of the Christian ideal of the “good” man, prudently abased before the throne of God. The things he chiefly argued for were anti-Christian things—the abandonment of the purely moral view of life, the rehabilitation of instinct, the dethronement of weakness and timidity as ideals, the renunciation of the whole hocus-pocus of dogmatic religion, the extermination of false aristocracies (of the priest, of the politician, of the plutocrat), the revival of the healthy, lordly “innocence” that was Greek. If he was anything in a word, Nietzsche was a Greek born two thousand years too late. His dreams were thoroughly Hellenic; his whole manner of thinking was Hellenic; his peculiar errors were Hellenic no less. But his Hellenism, I need not add, was anything but the pale neo-Platonism that has run like a thread through the thinking of the Western world since the days of the Christian Fathers. From Plato, to be sure, he got what all of us must get, but his real forefather was Heraclitus. It is in Heraclitus that one finds the germ of his primary view of the universe—a view, to wit, that sees it, not as moral phenomenon, but as mere aesthetic representation. The God that Nietzsche imagined, in the end, was not far from the God that such an artist as Joseph Conrad imagines—a supreme craftsman, ever experimenting, ever coming closer to an ideal balancing of lines and forces, and yet always failing to work out the final harmony.

      The late war, awakening all the primitive racial fury of the Western nations, and therewith all their ancient enthusiasm for religious taboos and sanctions, naturally focused attention upon Nietzsche, as upon the most daring and provocative of recent amateur theologians. The Germans, with their characteristic tendency to explain their every act in terms as realistic and unpleasant as possible, appear to have mauled him in a belated and unexpected embrace, to the horror, I daresay, of the Kaiser, and perhaps to the even greater horror of Nietzsche’s own ghost. The folks of Anglo-Saxondom, with their equally characteristic tendency to explain all their enterprises romantically, simultaneously set him up as the Antichrist he no doubt secretly longed to be. The result was a great deal of misrepresentation and misunderstanding of him. From the pulpits of the allied countries, and particularly from those of England and the United States, a horde of patriotic ecclesiastics denounced him in extravagant terms as the author of all the horrors of the time, and in the newspapers, until the Kaiser was elected sole bugaboo, he shared the honors of that office with von Hindenburg, the Crown Prince, Capt. Boy-Ed, von Bernstorff and von Tirpitz. Most of this denunciation, of course, was frankly idiotic—the naïve pishposh of suburban Methodists, notoriety-seeking college professors, almost illiterate editorial writers, and other such numskulls. In much of it, including not a few official hymns of hate, Nietzsche was gravely discovered to be the teacher of such spokesmen of the extremest sort of German nationalism as von Bernhardi and von Treitschke—which was just as intelligent as making George Bernard Shaw the mentor of Lloyd-George. In other solemn pronunciamentoes he was credited with being philosophically responsible for various imaginary crimes of the enemy—the wholesale slaughter or mutilation of prisoners of war, the deliberate burning down of Red Cross hospitals, the utilization of the corpses of the slain for soap-making. I amused myself, in those gaudy days, by collecting newspaper clippings to this general effect, and later on I shall probably publish a digest of them, as a contribution to the study of war hysteria. The thing went to unbelievable lengths. On the strength of the fact that I had published a book on Nietzsche in 1906, six years after his death, I was called upon by agents of the Department of Justice, elaborately outfitted with badges, to meet the charge that I was an intimate associate and agent of “the German monster, Nietzsky.” I quote the official procès verbal, an indignant but often misspelled document. Alas, poor Nietzsche! After all his laborious efforts to prove that he was not a German, but a Pole—even after his heroic readiness, via anti-anti-Semitism, to meet the deduction that, if a Pole, then probably also a Jew!

      But under all this alarmed and preposterous tosh there was at least a sound instinct, and that was the instinct which recognized Nietzsche as the most eloquent, pertinacious and effective of all the critics of the philosophy to which the Allies against Germany stood committed, and on the strength of which, at all events in theory, the United States had engaged itself in the war. He was not, in point of fact, involved with the visible enemy, save in remote and transient ways; the German, officially, remained the most ardent of Christians during the war and became a democrat at its close. But he was plainly a foe of democracy in all its forms, political, religious and epistemological, and what is worse, his opposition was set forth in terms that were not only extraordinarily penetrating and devastating, but also uncommonly offensive. It was thus quite natural that he should have aroused a degree of indignation verging upon the pathological in the two countries that had planted themselves upon the democratic platform most boldly, and that felt it most shaky, one may add, under their feet. I daresay that Nietzsche, had he been alive, would have got a lot of satisfaction out of the execration thus heaped upon him, not only because, being a vain fellow, he enjoyed execration as a tribute to his general singularity, and hence to his superiority, but also and more importantly because, being no mean psychologist, he would have recognized the disconcerting doubts underlying it. If Nietzsche’s criticism of democracy were as ignorant and empty, say, as the average evangelical clergyman’s criticism of Darwin’s hypothesis of natural selection, then the advocates of democracy could afford to dismiss it as loftily as the Darwinians dismiss the blather of the holy СКАЧАТЬ