The World as Will and Idea (Vol. 1-3). Arthur Schopenhauer
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Название: The World as Will and Idea (Vol. 1-3)

Автор: Arthur Schopenhauer

Издательство: Bookwire

Жанр: Философия

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isbn: 4064066398927

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СКАЧАТЬ are not to be distinguished. For if we look entirely away from the true world as idea, there remains nothing but the world as will. The will is the “in-itself” of the Platonic Idea, which fully objectifies it; it is also the “in-itself” of the particular thing and of the individual that knows it, which objectify it incompletely. As will, outside the idea and all its forms, it is one and the same in the object contemplated and in the individual, who soars aloft in this contemplation, and becomes conscious of himself as pure subject. These two are, therefore, in themselves not different, for in themselves they are will, which here knows itself; and multiplicity and difference exist only as the way in which this knowledge comes to the will, i.e., only in the phenomenon, on account of its form, the principle of sufficient reason.

      Now the known thing, without me as the subject of knowledge, is just as little an object, and not mere will, blind effort, as without the object, without the idea, I am a knowing subject and not mere blind will. This will is in itself, i.e., outside the idea, one and the same with mine: only in the world as idea, whose form is always at least that of subject and object, we are separated as the known and the knowing individual. As soon as knowledge, the world as idea, is abolished, there remains nothing but mere will, blind effort. That it should receive objectivity, become idea, supposes at once both subject and object; but that this should be pure, complete, and adequate objectivity of the will, supposes the object as Platonic Idea, free from the forms of the principle of sufficient reason, and the subject as the pure subject of knowledge, free from individuality and subjection to the will.

      Whoever now, has, after the manner referred to, become so absorbed and lost in the perception of nature that he only continues to exist as the pure knowing subject, becomes in this way directly conscious that, as such, he is the condition, that is, the supporter, of the world and all objective existence; for this now shows itself as dependent upon his existence. Thus he draws nature into himself, so that he sees it to be merely an accident of his own being. In this sense Byron says—

      “Are not the mountains, waves, and skies, a part

      Of me and of my soul, as I of them?”

      But how shall he who feels this, regard himself as absolutely transitory, in contrast to imperishable nature? Such a man will rather be filled with the consciousness, which the Upanishad of the Veda expresses: Hæ omnes creaturæ in totum ego sum, et præter me aliud ens non est (Oupnek'hat, i. 122).48

      § 35. In order to gain a deeper insight into the nature of the world, it is absolutely necessary that we should learn to distinguish the will as thing-in-itself from its adequate objectivity, and also the different grades in which this appears more and more distinctly and fully, i.e., the Ideas themselves, from the merely phenomenal existence of these Ideas in the forms of the principle of sufficient reason, the restricted method of knowledge of the individual. We shall then agree with Plato when he attributes actual being only to the Ideas, and allows only an illusive, dream-like existence to things in space and time, the real world for the individual. Then we shall understand how one and the same Idea reveals itself in so many phenomena, and presents its nature only bit by bit to the individual, one side after another. Then we shall also distinguish the Idea itself from the way in which its manifestation appears in the observation of the individual, and recognise the former as essential and the latter as unessential. Let us consider this with the help of examples taken from the most insignificant things, and also from the greatest. When the clouds move, the figures which they form are not essential, but indifferent to them; but that as elastic vapour they are pressed together, drifted along, spread out, or torn asunder by the force of the wind: this is their nature, the essence of the forces which objectify themselves in them, the Idea; their actual forms are only for the individual observer. To the brook that flows over stones, the eddies, the waves, the foam-flakes which it forms are indifferent and unessential; but that it follows the attraction of gravity, and behaves as inelastic, perfectly mobile, formless, transparent fluid: this is its nature; this, if known through perception, is its Idea; these accidental forms are only for us so long as we know as individuals. The ice on the window-pane forms itself into crystals according to the laws of crystallisation, which reveal the essence of the force of nature that appears here, exhibit the Idea; but the trees and flowers which it traces on the pane are unessential, and are only there for us. What appears in the clouds, the brook, and the crystal is the weakest echo of that will which appears more fully in the plant, more fully still in the beast, and most fully in man. But only the essential in all these grades of its objectification constitutes the Idea; on the other hand, its unfolding or development, because broken up in the forms of the principle of sufficient reason into a multiplicity of many-sided phenomena, is unessential to the Idea, lies merely in the kind of knowledge that belongs to the individual and has reality only for this. The same thing necessarily holds good of the unfolding of that Idea which is the completest objectivity of will. Therefore, the history of the human race, the throng of events, the change of times, the multifarious forms of human life in different lands and countries, all this is only the accidental form of the manifestation of the Idea, does not belong to the Idea itself, in which alone lies the adequate objectivity of the will, but only to the phenomenon which appears in the knowledge of the individual, and is just as foreign, unessential, and indifferent to the Idea itself as the figures which they assume are to the clouds, the form of its eddies and foam-flakes to the brook, or its trees and flowers to the ice.

      To him who has thoroughly grasped this, and can distinguish between the will and the Idea, and between the Idea and its manifestation, the events of the world will have significance only so far as they are the letters out of which we may read the Idea of man, but not in and for themselves. He will not believe with the vulgar that time may produce something actually new and significant; that through it, or in it, something absolutely real may attain to existence, or indeed that it itself as a whole has beginning and end, plan and development, and in some way has for its final aim the highest perfection (according to their conception) of the last generation of man, whose life is a brief thirty years. Therefore he will just as little, with Homer, people a whole Olympus with gods to guide the events of time, as, with Ossian, he will take the forms of the clouds for individual beings; for, as we have said, both have just as much meaning as regards the Idea which appears in them. In the manifold forms of human life and in the unceasing change of events, he will regard the Idea only as the abiding and essential, in which the will to live has its fullest objectivity, and which shows its different sides in the capacities, the passions, the errors and the excellences of the human race; in self-interest, hatred, love, fear, boldness, frivolity, stupidity, slyness, wit, genius, and so forth, all of which crowding together and combining in thousands of forms (individuals), continually create the history of the great and the little world, in which it is all the same whether they are set in motion by nuts or by crowns. Finally, he will find that in the world it is the same as in the dramas of Gozzi, in all of which the same persons appear, with like intention, and with a like fate; the motives and incidents are certainly different in each piece, but the spirit of the incidents is the same; the actors in one piece know nothing of the incidents of another, although they performed in it themselves; therefore, after all experience of former pieces, Pantaloon has become no more agile or generous, Tartaglia no more conscientious, Brighella no more courageous, and Columbine no more modest.

      Suppose we were allowed for once a clearer glance into the kingdom of the possible, and over the whole chain of causes and effects; if the earth-spirit appeared and showed us in a picture all the greatest men, enlighteners of the world, and heroes, that chance destroyed before they were ripe for their work; then the great events that would have changed the history of the world and brought in periods of the highest culture and enlightenment, but which the blindest chance, the most insignificant accident, hindered at the outset; lastly, the splendid powers of great men, that would have enriched whole ages of the world, but which, either misled by error or passion, or compelled by necessity, they squandered uselessly on unworthy or unfruitful objects, or even wasted in play. If we saw all this, we would shudder and lament at the thought of the lost treasures of whole periods of the world. But the earth-spirit would smile and say, “The source from which the individuals and their powers proceed is inexhaustible and unending as time and space; for, like these forms СКАЧАТЬ