Deconstruction Is/In America. Anselm Haverkamp

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       Contributors

      Derek Attridge is the author of Peculiar Language: Literature as Difference from the Renaissance to James Joyce (1988) and The Rhythms of English Poetry (1982) and is the editor of The Cambridge Companion to James Joyce (1992). He is a Professor in the English Department of Rutgers University.

      Michel Beaujour is Professor of French at New York University and the author of Poetics of the Literary Self-Portrait (1991), translated from the French Mirroirs d’encre (1980).

      Judith Butler is Professor of Rhetoric at the University of California at Berkeley. Her books include Gender Trouble (1990) and Bodies that Matter (1993).

      Cynthia Chase is Professor of English at Cornell University and the author of Decomposing Figures (1985) and the editor of Romanticism (1993).

      Jonathan Culler is Class of 1916 Professor of English and Professor of Comparative Literature at Cornell University. His books include On Deconstruction (1982), Flaubert: The Uses of Uncertainty (1985), and Framing the Sign (1988).

      Jacques Derrida is Jacques Derrida.

      Peter Eisenman is the Irwin S. Chanin Distinguished Professor of Achitecture at Cooper Union and principle of Eisenman Architects of New York.

      Rodolphe Gasché is Eugenio Donato Professor of Comparative Literature at the State University of New York at Buffalo and the author of The Tain of the Mirror (1986).

      Anselm Haverkamp is Professor of English and Director of the Poetics Institute at New York University. He has recently written Laub voll Trauer (1991) and has edited Gedächtniskunst and Memoria (with Renate Lachmann, 1991, 1992) and Gewalt und Gerechtigkeit: Derrida—Benjamin (1993).

      Peggy Kamuf is Professor of French and Comparative Literature at the University of Southern California. Her publications include Fictions of Feminine Desire (1982) and Signature Pieces: On the Institution of Authorship (1988). She edited the recent collection A Derrida Reader: Between the Blinds (1991) and has translated numerous works by Jacques Derrida, including Specters of Marx (1994).

      Perry Meisel is Professor of English at New York University and the author of The Myth of the Modern (1987).

      J. Hillis Miller is Distinguished Professor of English at the University of California at Irvine and the author of many books, including The Ethics of Reading (1987) and Visions of Pygmalion (1990).

      Avital Ronell is Professor of Comparative Literature at the University of California at Berkeley. Her books include Dictations: On Haunted Writing (1986), The Telephone Book (1991) and Crack Wars (1992).

      Gayatri Chakravorty Spivak is the Avalon Foundation Professor in the Humanities at Columbia University. She has translated Jacques Derrida’s Of Grammatology (1977), edited Selected Subaltern Studies (1991) with Ranajit Guha, and authored In Other Worlds (1989) and Outside in the Teaching Machine (1993).

      Barbara Vinken has been a Visiting Professor in the Department of French and the Department of Comparative Literature at New York University. She now teaches at the University of Hannover, Germany. She is the author of Unentrinnbare Neugierde (1991), Dekonstrucktiver Feminismus (Ed., 1992) and Mode nach de Mode (1993).

      Elisabeth Weber is Assistant Professor of German at the University of California at Santa Barbara. Her book on Emmanuel Levinas, Verfolgung und Trauma (1989), is to appear in English under the title Persecution and Trauma: On Emmanuel Levinas’s Otherwise Than Being or Beyond Essence.

      Samuel Weber is Professor of English at the University of California at Los Angeles. Following the publication of Institution and Interpretation, (1985), his earlier books, Rückkehr zu Freud (1978) and Freud-Legende (1979) appeared in English as Return to Freud (1991) and The Legend of Freud (1987).

      David Wills is Professor of French at Louisiana State University. His publications include Writing Pynchon (with Alec McHoul, 1982), Screen/play: Derrida and Film Theory (with Peter Brunette, 1989), and the forthcoming Prothesis.