Название: Boswell the Biographer
Автор: George Mallory
Издательство: Bookwire
Жанр: Языкознание
isbn: 4064066136772
isbn:
The opinions of Boswell in any case are clear enough, and we may read a few specimens from the 'Tour in Corsica.'
The contemplation of such a character really existing was of more service to me than all I had been able to draw from books, from conversation or from the exertions of my own mind. I had often enough formed the idea of a man continually such as I could conceive in my best moments. But this idea appeared like the ideas we are taught in the schools to form of things which may exist, but do not; of seas of milk, and ships of amber. But I saw my highest idea realised in Paoli. It was impossible for me, speculate as I pleased, to have a little opinion of human nature in him.
One morning, I remember, I came in upon him without ceremony, while he was dressing. I was glad to have an opportunity of seeing him in those teasing moments, when, according to the Duke of Rochefoucault, no man is a hero to his valet de chambre. The lively nobleman who has a malicious pleasure in endeavouring to divest human nature of its dignity, by exhibiting partial views, and exaggerating faults, would HERO-WORSHIP have owned that Paoli was every moment of his life a hero.
Here is a candid unpretending hero-worship. If it eludes the virtue of moderation it escapes the vice of mediocrity. In this is its capacity for greatness. For the moment there is nothing very great about it, but it has a most desirable effect for good in Boswell:
Never was I so thoroughly sensible of my own defects as while I was in Corsica. I felt how small were my abilities, and how little I knew.
The example made for a genuine modesty in the admirer (though it is doubtful if Boswell was ever suspected of being modest); the Boswell who was 'ambitious to be the companion of Paoli' was willing to deserve the honour of that companionship:
From having known intimately so exalted a character my sentiments of human nature were raised, while, by a sort of contagion, I felt an honest ardour to distinguish myself, and be useful, as far as my situation and abilities would allow; and I was, for the rest of my life, set free from a slavish timidity in the presence of great men, for where shall I find a man greater than Paoli?
The expedition to Corsica was, as we have said, a complete success. To visit the island, to observe the manners of the heroic peasants, and to become the friend of Paoli were admirable undertakings at that time, and under those circumstances. But it was in England that Boswell was to triumph. He was launched upon society with the éclat of an interesting personage; he returned from his adventures over seas to exact without reluctance the homage due to a brave traveller.
The early fame of Boswell came not from Johnson, but from Paoli and Corsica. It is a fact worth remarking, because Boswell's connection with Johnson is so much the more important for us, that we are apt to forget that he can have had another title to renown. He was 'Corsica' Boswell and 'Paoli' Boswell, as Dr. Birkbeck Hill remarks, long before he became famous as 'Johnson' Boswell.
Boswell himself fully appreciated the situation. He felt that he had accomplished something of which he could be justly proud. He knew himself to be in the public eye. 'No apology shall be made,' he writes in the preface to his book, 'for presenting the world with "An Account of Corsica." It has been for some time expected from me; and I own that the ardour of publick opinion has both encouraged and intimidated me.' Johnson wrote him a letter which he quoted without permission in the 'Tour to Corsica'—'Come home and expect such a welcome as is due to him whom a wise and noble curiosity has led where perhaps no native of this country ever was before.' He said no doubt what he really felt.
When Boswell returned to England in 1766 he became therefore, quite naturally, the champion of Corsican liberty. But this was only one phase of the ACCOUNT OF CORSICA fame to which he aspired; there was still, and there was always, the desire to shine in the great and elevated sphere of literature, and the opportunity had now arrived to write a book of universal interest.
It was in 1768 that the first literary work of any magnitude which Boswell produced, 'An Account of Corsica, the journal of a tour to that island; and memoirs of Pascal Paoli,' was published. The title explains exactly the scope of the book. The account of Corsica is historical; the journal is in its method much like other books of travel, except for the biographical part which deals with Paoli. Of the historical part of the book there is nothing particular to be said: it is, as Johnson remarked, 'like other histories.' 'Your History,' he told him, 'was copied from books; your Journal rose out of your own experience and observation.' The chief interest of the book is that it is the earliest example of Boswell's biographical method. The memoirs that we have here of Paoli aim at giving a picture of a man in much the same way as does the 'Life of Johnson.' The question as to what exactly was Boswell's method will be discussed later; but we are reminded here that the man who preserved the conversations of Paoli and 'came in upon him without ceremony while he was dressing,' in order to see how he conducted himself before his valet de chambre, was becoming an adept in his own peculiar art.
A great charm of the Journal, also prophetic of the future, lies in the perfect frankness with which Boswell discusses his own feelings. 'We retired to another room to drink coffee. My timidity wore off. I no longer anxiously thought of myself; my whole attention was employed in listening to the illustrious commander of a nation.' Or again, 'I enjoyed a luxury of noble sentiment. Paoli became more affable with me. I made myself known to him. I forgot the great distance between us and had every day some hours of private conversation with him.' Boswell realised that a Journal is delightful only if it is quite informal. We have a pleasing sense of inconsequent freedom when we read in the Journal several pages quoted from the 'First Book of the Maccabees.' But it is not irrelevant to Boswell's purpose. It occurred to his thoughts; and that is a sufficient justification, whether it seem ludicrous or incongruous or ponderous, for its inclusion. There is no scene in the 'Tour in Corsica' which comes up to the best in the 'Life of Johnson,' but there are several descriptions, such as that quoted above, when Boswell played the pipe and sang 'Hearts of Oak,' which are really artistic and pleasing.
The book, at all events, had the effect of amusing people and it gave them an interest in Corsica too. Boswell had good accounts of it on all sides. 'My A SUCCESSFUL BOOK book,' he writes to Temple, 'has amazing celebrity:8 Lord Lyttelton, Mr. Walpole, Mrs. Macaulay, Mr. Garrick, have all written me noble letters about it.' The sale must have been very rapid. The dedication to the first edition is dated October 29, 1767, and the preface to the third edition on the same day of October, his birthday, in the following year. In this preface he explains that he has acquired that literary fame which he desired:
May I be permitted to say that the success of this book has exceeded my warmest hopes. When I first ventured to send it into the world, I fairly owned an ardent desire for literary fame. I have obtained my desire; and whatever clouds may overcast my days, I can now walk here among the rocks and woods of my ancestors, with an agreeable consciousness that I have done something worthy.
There is nothing deserving particular remark in an author's desire for literary fame. СКАЧАТЬ