Название: The Disappearance
Автор: Annabel Kantaria
Издательство: HarperCollins
Жанр: Контркультура
Серия: MIRA
isbn: 9781474044868
isbn:
Audrey smiles. Janet’s never hidden the fact that she’s on a mission to find a wealthy husband; she has told Audrey about some of the scrapes into which she’s got herself, the frogs that she’s kissed as she searches for ‘the one’.
‘You should try to find someone, too,’ Janet says. ‘We’re not spring chickens anymore. We’ll be twenty-seven this year. The shelf is looming! Maybe a husband is just what you need.’
Audrey sighs. ‘If it’s meant to happen, it’ll happen …’
‘I don’t know how you can be so relaxed about it!’
‘Well … you know I used to be engaged?’ Audrey’s tone is mild.
‘What?’ Janet presses her hand to her chest and gasps as if she’s having a heart attack, her eyes wide. ‘How did you keep this from me for so long?’
Audrey laughs. ‘I guess we had more important things to talk about.’
‘I guess – but engaged?’ Her eyes slide to Audrey’s left hand, then back to her face. ‘Did you get married?’
Audrey shakes her head.
‘What happened?’
‘He wasn’t the right man for me.’
‘Um, would you care to elaborate on that?’
‘It’s quite sad, actually. I thought he was lovely. A real catch. He was Irish. Patrick. Loved the ground I walked on. Or so I thought.’
‘I feel a “but” coming on.’
‘Well, it was quite simple in the end: when Dad had his first stroke and it became apparent that I’d need to move back home to take care of him, he dumped me.’
‘What?’
‘I suggested we move the wedding back a bit but he kept pushing for a date and I couldn’t commit. I didn’t know how long I was going to be needed at home – so he called the whole thing off.’
‘Couldn’t you have been married but live at home with your dad? Loads of people do that to start with. Surely?’
‘You would have thought so, wouldn’t you, but apparently not. “No wife of mine’s living with her father,” he said. I do understand.’
‘I can imagine your dad being quite foreboding towards his daughter’s fiancé.’
‘He never liked Patrick. Didn’t think he was good enough for me.’
‘Find me a man who doesn’t think that about his only daughter and I’ll show you a liar.’
‘I guess. But it seems he was right. Better to find out before it’s too late.’ Audrey sighs and looks about the terrace, too. ‘So, anyone you’ve got your eye on here tonight?’
‘Funny you should mention it,’ says Janet, ‘but yes. Grey suit at three o’clock.’ Audrey follows her friend’s eyes and sees a tall man, classically attractive. He’s wearing a slick suit with a white tie, and his dark hair is greased back from a prominent forehead.
‘Not bad,’ she nods. ‘Looks the part.’ Audrey knows the rules. Janet’s marriage will not be about love, but about money. Janet’s seen the society ladies with their jewels and their dresses being escorted by men in black tie, she’s seen the cars with turbaned drivers waiting outside, and she’s decided that’s what she wants.
They watch the man in the grey suit for a minute or two. Audrey has to give it to her friend: he’s very handsome but there’s a sense of something else that almost makes her shiver and she can’t put her finger on what it is. As she watches, the man turns around; Audrey doesn’t look away in time and he stares back, openly assessing her.
Audrey drops her eyes to the table. It’s power, she realises. Power and confidence.
‘What do you think?’ Janet asks.
Audrey says nothing. The man in the grey suit is still watching them. With his eyes still on Audrey, he gets up and makes his way over. Janet pats her hair and rolls her lips together to spread her lipstick.
‘Good evening, ladies.’ Grey Suit towers above their table. Audrey can feel the heat of him, and something tugs in her belly.
He has sharp cheekbones and his small eyes are not only bright, they’re looking Audrey up and down in a way that makes her feel like she’s something he’d like to devour. She’s wearing a one-shouldered shift dress in vibrant pink. It’s a dress she made herself and she knows it shows off the delicate bones of her clavicle while the colour sets off her auburn hair, but now she feels unsure. Why is he staring? Has her mascara smudged from crying? Is the dress so obviously home-made? Is the colour too loud – or is he really leering quite so openly?
‘Ralph Templeton,’ he says, placing a business card on the table in front of Audrey. He doesn’t acknowledge Janet simpering across the table. ‘Perhaps you’d allow me to take you out to dinner one evening?’
‘Oh, I …’
The man looks at her while he waits for her to finish her sentence. He’s older – distinguished – and, under his gaze, Audrey feels girlish and lacking in substance. There’s no doubt about what it is he wants from her. She blushes and looks down, her sentence left hanging.
‘May I take your number?’ The man produces another business card and a pen. The cold weight of the pen tells Audrey it’s expensive. She balances it in her hand for a second, toying with the idea of writing the wrong number. But there’s something in Ralph Templeton’s demeanour that suggests that refusal is not an option and Audrey finds that confidence compelling. She doesn’t dare make eye contact with Janet as she writes her new office number on the back of the business card.
‘Thank you. I’ll have my assistant call you,’ says Ralph Templeton, picking up the card and slipping the pen back into his breast pocket. Then he reaches out his hand and touches Audrey’s hair.
‘Beautiful,’ he says. He runs a finger through a curl, then gently draws it down her cheek. He looks one more time at Audrey and melts back into the crowd. Janet’s hand is clamped over her mouth.
‘Oh my word! Talk about reeling them in! I need lessons from you!’
Audrey barely hears. She can just about make out the back of Ralph Templeton’s head as he re-joins his table, and she can’t tear her eyes away. Her cheek tingles where he’s touched it and her body is electrified. The physical pull of Audrey’s feeling towards Ralph Templeton takes her by surprise. She stares at the business card as if to memorise every tiny detail.
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