The Malacia Tapestry. Brian Aldiss
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Название: The Malacia Tapestry

Автор: Brian Aldiss

Издательство: HarperCollins

Жанр: Классическая проза

Серия:

isbn: 9780007482375

isbn:

СКАЧАТЬ speech, so typical of a military man, Gerald thanks the prince for his indulgence, praising his enlightened attitude and jealousy lack. As we see, they on the shoulder slap each other and Prince Mendicula then admits, man to man, that there is another lady for what he feels attraction, and begs Gerald to continue undeterred his kindnesses to Patricia.

      That is rather a long conversation. Perhaps we shall enliven it for the performance with views of sportive nymphs and shepherdesses, or something refined.

      So now good relations appear to be restored between the prince and his lovely wife. They amiably ride together on a hunt for ancestral animals in a nobleman’s park. The bag will provide food for the nuptials forthcoming of General Gerald. Towards the end of this golden afternoon, when they are by a lake – that flat will serve twice – a messenger arrives from Gorica with a message for Mendicula. As we observe, he tears it open. It comes from the Lady Jemima, announcing her arrival in the city and craving a mere hour from his time in order to him bid farewell.

      In this scene, note the high colour of the participants. Mendicula tells Patricia that urgent matters of state require attention, so he must leave for a while. She is suspicious. She becomes angry and accuses him of assignations. He in turn angers. He begs her to practise toleration, just as he tolerates her fondness with General Gerald. She replies that that relationship has to do nothing with their marriage. He cannot understand this remark, but keeps quiet wisely and rides from the park in high dudgeon. Or perhaps he strides from the park. Or we possibly may procure a stuffed horse what will hold still.

      Prince Mendicula goes to the palace to change into state regalia and slip into a crown. There he is met by a deputation from the defeated city councillors. They have honest faces but gloomy ones. They try to prevail upon him to issue an immediate proclamation curtailing activities of his soldiery. These soldieries have been laying waste the countryside and, more importantly, looting, pillaging and raping, and – where rape is inapplicable – seducing in the streets of Gorica in a thoroughly traditional military manner. Mendicula admits the tradition is obnoxious and agrees that a proclamation shall be made through his general. This is the messenger being despatched to Gerald, asking him to curb the natural inclination of soldiers, possibly by shooting a few. We shall not show actual scenes of rapine. These things are best left in the imagination.

      This important meeting takes a while, so that the prince is some hours late by the time he arrives to the noble house at what Jemima is lodging.

      Here a servant admits Mendicula to Jemima’s room, and the prince is seen standing aghast at the sight of her alone and weeping in a lace handkerchief. In response to his agonised inquiries, she says there is one what she loves; it was for his sake that she rebuffed the prince’s advances, and not because she intended disrespect to the royal line. Now she has learned that this lover of hers has been faithless, consorting with another woman even as he prepared their marriage ceremony, a splendid affair to last three days and no spared expense, which we shall not have fortunately to show. Jemima’s tears fall like the outlet of a fountain. She wets her lute.

      The prince is so much moved that he falls on one knee. Or maybe two. Putting his arms about her, he endeavours to comfort. One thing leads to another thing; in particularly, condolence leads to prurience. They go together to the bed, lying in rapture in one another’s arms as if it was habitual to their mutual comfort and amusement. The slides here will be optional, depending on the company. We will not try Letitia’s modesty too far, since she is not a real actress. It’s a challenge.

      More pictures. Dawn, if not exhaustion, brings a change from mood. Jemima awakes from a nap and sits up with a look of total repentance for expression. Here comes her wedding day and she faces it a soiled woman – although she freely admits that she is less soiled than if she would have laid with a commoner. Nevertheless, royalty is no substitute for chastity. She declares that she must kill herself.

      Assuming the royal breeches, Mendicula attempts to dissuade. He also has a high code of honour but she is exceeding.

      Petulantly, she cries that he has placed her into a situation where she would prefer to die. She is no landlord’s daughter. She also has some good blood. The poor must live with all their disgraces about them; she must not. He has her utterly undone, while the man what is to be her husband has spent the night undoubtedly with his paramour.

      Mendicula is struck by the coincidence that this will be her wedding day and that also of his close friend, the General. He pronounces Gerald’s name. Jemima gives a cry and reveals that he is none otherwise than her betrothed.

      Together they cling. She weeps afresh. The prince feels heavily that he has dishonoured her and his friendship, but he can clear at least half of her double disgrace.

      Ringingly, he proclaims that he can deaden the unworthy suspicions what she entertains for General Gerald. For Gerald’s supposed paramour is none otherwise than his spotless own wife, Princess Patricia. He explains how he has heard from Patricia’s own fair mouth that nothing untoward passes between her and Gerald. They have his secure trust, and only since a previous few hours she assured that her fondness for Gerald will not harm their marriage in every way.

      Jemima is so cheered that she dresses behind a screen. But the happy night what she and the prince have just passed cannot be blotted so easily out. She bursts forth, crying dramatically with a slight tearing of the hair how she feels herself doubly guilty of misconduct if Gerald is the honourable man what Mendicula just described. Mendicula protests that she is too scrupulous. He and she will forthwith part, despite the fondness what they hold towards each other; he will never more seek out her. Anything between them is now ended, and it will have been as if their joyous one night never will have existed.

      Moreover, he will bestow on his general a title, together with another city what they will overrun, where Gerald can live in content with Jemima, so that the parties need never to be exposed against temptation again. Amid music, we see them laugh and cry and embrace each other for the last very time, that doleful phrase in love’s book.

      Returned at the Gorica palace, Prince Mendicula goes to the princess’s compartments, full still of goodwill. There is Patricia with her toilet. He passionately declares to her that never again will he vex by looking at other women; he has found his true centre and implores of her forgiveness.

      Great his consternation is when Patricia greets this announcement with coolness, turning away as if she heeds scarcely what he says. Shaken, he repeats that he is aware all too much at having neglected her, but that the neglect will end, has already ended. She is his true love.

      In a cold voice, perhaps moving to the window, Patricia declares that everything he says is a confession merely that he has a secret lover, as she just suspected and he has denied. She supposes that Mendicula has quarrelled now with the hussy and needs to come back creeping to her. He protests with spirit everywhere. Angry by the way his magnanimity is received as if it is old clothes, he admits with ill-timed honesty that he has been interested in another lady, but that he now has put her for ever away.

      Patricia becomes at this even more remote and haughty. She inquires if he makes all this fuss because of herself and Gerald.

      The prince does not understand her meaning. He repeats that he relinquishes the other lady and her friendship because simply it is causing pain both to her and to Patricia, what he cannot bear to hurt. He ascribes Patricia’s continued coolness to her suspicions making her unhappy; now she has no further need for coolness or unhappiness.

      Once more on his knees, the prince admits freely her right to have disapproved and asks forgiveness for hurts done; the matter is entirely between the two of them and has no concern for Gerald, what has stood by them nobly all along. Why does she introduce his name at this juncture?

      We’ll СКАЧАТЬ