The Judgement of Strangers. Andrew Taylor

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      ‘Yes. Yes, of course.’

      Cynthia put down her cup and saucer and looked at her watch. ‘Heavens, is that the time? I really must be going.’

      I took Cynthia out to her car. I think I said the right things about the charitable donation she had brought. I asked whether she would like me to return the suitcases, though I cannot remember what she replied.

      At last she drove away. I trudged back into the house and took the tea tray into the kitchen. I was being childish, I told myself. I had not even realized that I was entertaining foolish hopes about Vanessa Forde until Cynthia had made it so clear that my prospects were hopeless. I had been celibate now for ten years – at first from necessity and later by choice – and there was no reason why I should not remain celibate for the rest of my life.

      That afternoon some very unworthy thoughts passed through my mind. Jealousy and frustrated lust are an unsettling combination. I respected Ronald Trask, or rather I respected some of his achievements. One day he would probably be a bishop. I did not find that easy to accept. It was a shock to discover that I found even less palatable the thought that he and Vanessa would soon be married.

      Sex apart, I had liked what I had seen of Vanessa. Ronald was a bore. A worthy bore, but still a bore. Vanessa deserved someone better. But of course there was nothing I could do about it. In any case, if Ronald and Vanessa chose to marry, it was nothing to do with me.

      It was one thing to frame these rational arguments; it was quite another to accept them emotionally. I went into my study and tried to write a letter to my godson, Michael Appleyard. That proved too difficult. I turned to the parish accounts, which were even worse. Always, in the back of my mind, were the interlocking figures of Ronald and Vanessa. Physically interlocking, I mean. It was as if I were trapped in a cinema with a film I did not want to see on the screen.

      Time crept on. Rosemary was still working in her room. At six-thirty I decided to go over to the church and say the Evening Office. Then I would ring Vanessa about Audrey’s book. I went into the hall.

      ‘Rosemary?’

      She did not answer. I went upstairs and tapped on the door of her room. Her room was uncluttered. Even as a young child she had had a formidable ability to organize her surroundings. She was sitting at her table with a pile of books in front of her and a pen in her hand. She glanced at me, her eyes vague.

      ‘Is it suppertime already?’

      ‘No – not yet. I’m going over to church for a while. Not for long.’

      ‘OK.’

      ‘You’ll be all right, my dear?’

      She gave me a condescending smile, which said, Of course I’ll be all right. I’m not a baby. ‘I’ll start supper in about fifteen minutes.’

      ‘Thank you.’

      Rosemary let her eyes drift back to her book. I envied her serenity. I wanted to say something to her but, as so often, I could not find the words. Instead I closed the door softly behind me, went downstairs and let myself out of the house and into the evening sunlight.

      The Vicarage was next to the churchyard, separated from it by a high wall of crumbling eighteenth-century brick. I walked through the little garden to our private gate, a relic of the old house, which gave access from the grounds of the Vicarage to the churchyard. As I opened the gate the church was suddenly revealed, framed in the archway.

      Most of the exterior of the St Mary Magdalene was of brick, and in this light it looked particularly lovely: the older bricks of the sixteenth-century rebuilding had weathered to a mauve colour, while the eighteenth-century work was a contrasting russet; and together the colours made the church glow and gently vibrate against the blue of the sky. Housemartins darted round the tower.

      I closed the gate behind me. Traffic rumbled a few yards to the left on the main road and there was a powerful smell of diesel fumes in the air. I caught sight of a shadow flickering through the grass near the gate to the road. I was just in time to see Audrey’s cat slipping behind a gravestone.

      I walked slowly round the east end to the south door on the other side. On my way I passed the steps leading down to the Youlgreave vault beneath the chancel. The iron gate was rusting and the steps were cracked and overgrown with weeds. No one had been interred there for almost fifty years. The last Youlgreave to die, Sir George, had been killed in the Pacific in 1944, and his body had been buried at sea. I noticed there were grey feathers scattered on the bottom step, immediately in front of the iron gate, where no weeds grew. I wondered if Audrey’s cat was in the habit of dismembering his kills there.

      I went into the porch. The door was unlocked – I left the church open during the day, though after two robberies I now locked it at night. Inside, the air smelled of polish, flowers and – very faintly – of incense, which I used two or three times a year. The church was small, almost cosy, with a two-bay nave and a low chancel. Above the chancel arch were the panel paintings, their colours murky; the pictures looked as if they were wreathed in smoke. I walked slowly to my stall in the choir. I sat down and began to say the Evening Office.

      Usually the building itself had a calming effect on me, but not this evening. At times I found my mind drifting away from the words of the office and had to force myself to concentrate. Afterwards I simply sat there and stared at the memorial tablets on the wall opposite me. It was as though my will had abdicated.

      Vanessa and Ronald, I thought over and over again. I wondered if I would be invited to the wedding and, if so, whether I should accept. By that time, perhaps it would no longer matter. I was aware, of course, that I was making too much of this. On the basis of two short meetings, I could hardly claim to have become deeply attached to Vanessa. The real problem was that, quite unintentionally, she had aroused my own long-suppressed needs. At the bottom of my unhappiness was a feeling of profound dissatisfaction with myself.

      Time passed. Slowly the light slipped away from the interior of the church. It was by no means dark – merely less bright than it had been before. The memorial tablets were made of pale marble that gleamed among the shadows. Gradually there crept up on me the feeling that I was being watched.

      I stared with increasing concentration at the tablet directly in front of me, which belonged to Francis Youlgreave, the poor, mad poet-priest. Everything led back to Vanessa. How odd that she should be interested in him. I remembered the lines that she had quoted to me at lunchtime. I could not recall the words exactly, something about darkness, I thought, and about whispers that defiled the judgement.

      Defiled. It suddenly seemed to me that I was irredeemably defiled, not just by the events of the last few days, but by the active choice of someone or something outside me.

      At that moment, I heard laughter.

      It was a high, faint sound, like the rustle of paper or a whistle without a tune. I thought of wind among the leaves, of beating wings and long beaks, of geese I had seen as a boy flying high above Essex mudflats. Sadness swept over me. I fought it, but it turned to desolation and then to something darker.

      ‘No. Stop. Please stop.’

      I was on my feet. The paralysis had dissolved. I stumbled down the church. The sound followed me. I put my hands over my ears but I could not block it out. The church was no longer a place of peace. I had turned it into a mockery of its former self. Defiled. I had defiled the church even as I had defiled myself.

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