Название: Carve the Mark
Автор: Вероника Рот
Издательство: HarperCollins
Жанр: Детская проза
isbn: 9780008159504
isbn:
His eyes opened, then widened. He thrashed, but when I pushed harder into his skin, he went still. I smirked at him.
“Are you insane?” he said, his voice husky from sleep.
“Come now, you must have heard the rumors!” I said cheerfully. “More importantly, though: Are you insane? Here you are, sleeping heavily without even bothering to bar your door, a hallway away from one of your enemies? That is either insanity or stupidity. Pick one.”
He brought his knee up sharply, aiming at my side. I bent my arm to block the strike with my elbow, pointing the blade instead at his stomach.
“You lost before you woke,” I said. “First lesson: The best way to win a fight is to avoid having one. If your enemy is a heavy sleeper, cut his throat before he wakes. If he’s softhearted, appeal to his compassion. If he’s thirsty, poison his drink. Get it?”
“So, throw honor out the window.”
“Honor,” I said with a snort. “Honor has no place in survival.”
The phrase, quoted from an Ogran book I had once read—translated into Shotet, of course; who could read Ogran?—appeared to scatter the sleep from his eyes in a way that even my attack had not been able to manage.
“Now get up,” I said. I straightened, sheathed the knife at the small of my back, and left the room so he could change.
By the time we finished breakfast, the sun had risen and I could hear the servants in the walls, carrying clean sheets and towels to the bedrooms, through the passages that ran parallel to every east-west corridor. The house had been built to exclude the ones who ran it, just like Voa itself, with Noavek manor at the center, surrounded by the wealthy and powerful, and the rest around the edge, fighting to get in.
The gym, down the hall from my bedroom, was bright and spacious, a wall of windows on one side, a wall of mirrors on the other. A gilded chandelier dangled from the ceiling, its delicate beauty contrasting with the black synthetic floor and the stacks of pads and practice weapons along the far wall. It was the only room in the house my mother had allowed to be modernized while she lived; she had otherwise insisted on preserving the house’s “historical integrity,” down to the pipes that sometimes smelled like rot, and the tarnished doorknobs.
I liked to practice—not because it made me a stronger fighter, though that was a welcome side benefit—but because I liked how it felt. The heat building, the pounding heart, the productive ache of tired muscles. The pain I chose, instead of the pain that had chosen me. I once tried to spar against the training soldiers, like Ryzek had as he was learning, but the current’s ink, coursing through every part of my body, caused them too much pain, so after that I was left to my own devices.
For the past year I had been reading Shotet texts about our long-forgotten form of combat, the school of the mind, elmetahak. Like so many things in our culture, it was scavenged, taking some of Ogran ferocity and Othyrian logic and our own resourcefulness and melding them until they were inextricable. When Akos and I went to the training room, I crouched over the book I had left near the wall the day before, Principles of Elmetahak: Underlying Philosophy and Practical Exercises. I was on the chapter “Opponent-Centered Strategy.”
“So in the army, you trained in zivatahak,” I said, to begin.
When he gave me a blank look, I continued.
“Altetahak—school of the arm. Zivatahak—school of the heart. Elmetahak—school of the mind,” I said. “The ones who trained you didn’t tell you in what school you were trained?”
“They didn’t care about teaching me the names for things,” Akos replied. “As I already told you.”
“Well, you trained in zivatahak, I can tell by the way you move.”
This seemed to surprise him. “The way I move,” he repeated. “How do I move?”
“I suppose I shouldn’t be surprised that a Thuvhesit hardly knows himself,” I said.
“Knowing how you fight isn’t knowing yourself,” he retorted. “Fighting isn’t important if the people you live with aren’t violent.”
“Oh? And what mythical people are those? Or are they imaginary?” I shook my head. “All people are violent. Some resist the impulse, and some don’t. Better to acknowledge it, to use it as a point of access to the rest of your being, than to lie to yourself about it.”
“I’m not lying to mysel—” He paused, and sighed. “Whatever. Point of access, you were saying?”
“You, for example.” I could tell he didn’t agree with me, but at least he was willing to listen. Progress. “You’re quick, and not particularly strong. You’re reactive, anticipating attacks from anyone, everyone. That means zivatahak, school of the heart—speed.” I tapped my chest. “Speed requires endurance. Heart endurance. We took that one from the warrior-ascetics of Zold. The school of the arm, altetahak, means ‘strength.’ Adapted from the style of fringe mercenaries. The last, elmetahak, means ‘strategy.’ Most Shotet don’t know it anymore. It’s a patchwork of styles, of places.”
“And which one did you study in?”
“I’m a student of all,” I said. “Of anything.” I straightened, moving away from the book. “Let’s begin.”
I opened a drawer in the far wall. It squeaked as old wood scraped against old wood, and the tarnished handle was loose, but inside the drawer were practice blades made of a new, synthetic material, hard but also flexible. They would bruise a person, if used effectively, but they wouldn’t break skin. I tossed one to Akos, and took one for myself, holding it out from my side.
He mirrored me. I could see him adjusting, putting a bend in his knees and shifting his weight so he looked more like me. It was strange to be observed by someone so thirsty to learn, someone who knew that his survival depended on how much he took in. It made me feel useful.
This time I made the first move, swiping at his head. I pulled back before I actually made contact, and snapped, “Is there something fascinating about your hands?”
“What? No.”
“Then stop staring at them and look at your opponent.”
He raised his hand, fist to cheek, then swung at me from the side with the practice blade. I stepped away and turned, fast, smacking him in the ear with the flat of the knife handle. Wincing, he twisted around, trying to stab me when he was off balance. I caught his fist and held on tight, stalling him.
“I already know how to beat you,” I said. “Because you know that I’m better than you are, but you’re still standing right here.” I waved my hand, gesturing to the area right in front of my body. “This area is the part of me that has the most potential to hurt you, the part where all my strikes will have the greatest impact and focus. You need to keep me moving so you can attack outside of this area. Step outside of my right elbow so it’s hard for me to block you. Don’t just stand there, letting me cut you open.”
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