Tied Up In Tinsel. Ngaio Marsh

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СКАЧАТЬ high antiques and football pools won’t do the trick for him.

      She turned and took fifteen paces into the north wind.

      It was as if a slide had clicked over in a projector and an entirely dissociated subject thrown on the screen. Troy now looked down into The Vale, as it was locally called, and her first thought was of the hopeless incongruity of this gentle word, for it stood not only for the valley but for the prison whose dry moats, barriers, watch-towers, yards, barracks and chimney-stacks were set out down below like a scale model of themselves for her to shudder at. Her husband sometimes referred to The Vale as ‘Heartbreak House’.

      The wind was now fitfully laced with sleet and this steel-engraving of a view was shot across with slantwise drifts that were blown out as fast as they appeared.

      Facing Troy was a road sign.

      STEEP DESCENT

      DANGEROUS CORNERS

      ICE

      CHANGE DOWN

      As if to illustrate the warning, a covered van laboured up the road from Halberds, stopped beside her, clanked into bottom gear and ground its way down into The Vale. It disappeared round the first bend and was replaced by a man in a heavy macintosh and tweed hat, climbing towards her. He looked up and she saw a reddened face, a white moustache and blue eyes.

      She had already decided to turn back but an obscure notion that it would be awkward to do so at once, made her pause. The man came up with her, raised his hat, gave her a conventional ‘Good evening’ and then hesitated. ‘Coming up rough,’ he said. He had a pleasant voice.

      ‘Yes,’ Troy said. ‘I’ll beat a retreat, I think. I’ve come up from Halberds.’

      ‘Stiffish climb, isn’t it, but not as stiff as mine. Please forgive me, but you must be Hilary Bill-Tasman’s celebrated guest, mustn’t you? My name’s Marchbanks.’

      ‘Oh, yes. He told me –’

      ‘I come as far as this most evenings for the good of my wind and legs. To get out of the valley, you know.’

      ‘I can imagine.’

      ‘Yes,’ said Major Marchbanks, ‘it’s rather a grim proposition, isn’t it? But I shouldn’t keep you standing about in this beastly wind. We’ll meet again, I hope, at the Christmas tree.’

      ‘I hope so, too,’ said Troy.

      ‘Rather a rum set-up at Halberds I expect you think, don’t you?’

      ‘Unusual, at least.’

      ‘Quite. Oh,’ Major Marchbanks said as if answering an unspoken query; ‘I’m all for it, you know. All for it.’

      He lifted his wet hat again, flourished his stick and made off by the way he had come. Somewhere down in the prison a bell clanged.

      Troy returned to Halberds.

      She and Hilary had tea very cosily before a cedar-wood fire in a little room which, he said, had been his five-times-great-grandmother’s boudoir. Her portrait hung above the fire: a mischievous-looking old lady with a discernible resemblance to Hilary himself. The room was hung in apple-green watered silk with rose-embroidered curtains. It contained an exquisite screen, a French ormolu desk, some elegant chairs and a certain lavishness of porcelain amoretti.

      ‘I dare say,’ Hilary said through a mouthful of hot buttered muffin, ‘you think it an effeminate setting for a bachelor. It awaits its chatelaine.’

      ‘Really?’

      ‘Really. She is called Cressida Tottenham and she too arrives tomorrow. We think of announcing our engagement.’

      ‘What is she like?’ Troy asked. She had found that Hilary relished the direct approach.

      ‘Well – let me see. If one could taste her she would be salty with a faint rumour of citron.’

      ‘You make her sound like a grilled sole.’

      ‘All I can say to that is: she doesn’t look like one.’

      ‘What does she look like?’

      ‘Like somebody whom I hope you will very much want to paint.’

      ‘Oh-ho,’ said Troy. ‘Sits the wind in that quarter!’

      ‘Yes, it does and it’s blowing steady and strong. Wait until you see her and then tell me if you’ll accept another Bill-Tasman commission and a much more delectable one. Did you notice an empty panel in the north wall of the dining-room?’

      ‘Yes, I did.’

      ‘Reserved for Cressida Tottenham by Agatha Troy.’

      ‘I see.’

      ‘She really is a lovely creature,’ Hilary said with an obvious attempt at impartial assessment. ‘You just wait. She’s in the theatre, by the way. Well, I say in. She’s only just in. She went to an academy of sorts and thence into something she calls organic-expressivism. I have tried to point out that this is a bastard and meaningless term but she doesn’t seem to mind.’

      ‘What do they do?’

      ‘As far as I can make out they take off their clothes, which in Cressida’s case can do nothing but please, and cover their faces with pale green tendrils, which (again in her case) is a ludicrous waste of basic material. Harmful to the complexion.’

      ‘Puzzling.’

      ‘Unhappily Aunt Bed doesn’t quite approve of Cressida, who is Uncle Flea’s ward. Her father was a junior officer of Uncle Flea’s and was killed in occupied Germany when saving Uncle Flea’s life. So Uncle Flea felt he had an obligation and brought her up.’

      ‘I see,’ Troy said again.

      ‘You know,’ he said, ‘what I like about you, apart from your genius and your looks, is your lack of superfluous ornament. You are an important piece from a very good period. If it wasn’t for Cressida I should probably make advances to you myself.’

      ‘That really would throw me completely off my stroke,’ said Troy with some emphasis.

      ‘You prefer to maintain a detached relationship with your subjects?’

      ‘Absolutely.’

      ‘I see your point, of course,’ said Hilary.

      ‘Good.’

      He finished his muffin, damped his napkin with hot water, cleaned his fingers and walked over to the window. The rose-embroidered curtains were closed but he parted them and peered into the dark. ‘It’s snowing,’ he said. ‘Uncle Flea and Aunt Bed will have a romantic passage over the moors.’

      ‘Do you mean – are they coming tonight –?’

      ‘Ah, СКАЧАТЬ