Название: What’s Left of Me
Автор: Kat Zhang
Издательство: HarperCollins
Жанр: Детская проза
isbn: 9780007476411
isbn:
Our shadow was long now, our legs heavy. Strands of our hair gleamed golden in the wan light, and Addie gathered them all into a loose ponytail, holding it off our neck in the unrelenting heat.
<Let’s watch a movie tonight> I said, fusing a smile to my voice. <We don’t have much homework.>
<Yeah, okay> Addie said.
<Don’t worry about Will and Robby. They’ll be fine. Lyle was fine, wasn’t he?>
<Yeah> she said. <Yeah, I know.>
Neither of us mentioned all the ways in which Lyle wasn’t fine. The days when he didn’t want to do anything but lie half-awake in bed. The hours each week he spent hooked up to the dialysis machine, his blood cycling out of his body before being injected back in.
Lyle was sick, but he wasn’t hybrid sick, and that made all the difference.
We walked in silence, inner and outer. I felt the dark, brooding mists of Addie’s thoughts drifting against my own. Sometimes, if I concentrated hard enough, I fancied I could almost grasp what she was thinking about. But not today.
In a way, I was glad. It meant she couldn’t grasp what I was thinking about, either.
She couldn’t know I was dreading, dreading, dreading the day Will and Robby did settle. The day we’d go to babysit and find just one little boy smiling up at us.
Lupside, where we’d lived for the last three years, was known for absolutely nothing. Whenever anyone wanted to do anything that couldn’t be taken care of at the strip mall or the smattering of grocery stores, they went to the nearby city of Bessimir.
Bessimir was known for exactly one thing, and that was the history museum.
Addie laughed quietly with the girl next to us as our class stood sweating outside the museum doors. Summer hadn’t even started its true battle against spring, but boys were already complaining about their mandatory long pants while girls’ skirt hems climbed along with the thermostat.
“Listen up,” Ms. Stimp shouted, which got about half the class to actually shut up and pay attention. For anyone who’d grown up around this area, visiting Bessimir’s history museum was as much a part of life as going to the pool in the summer or to the theater for the monthly movie release. The building, officially named the Brian Doulanger History of the Americas Museum after some rich old man who’d first donated money for its construction, was almost universally referred to as “the museum,” as if there were no others in the world. In two years, Addie and I had gone twice with two different history classes, and each visit had left us sick to our stomach.
Already, I could feel a stiffness in our muscles, a strain in Addie’s smile as the teacher handed out our student passes. Because no matter what it was called, Bessimir’s history museum was interested in only one thing, and that was the tale of the Americas’ century-and-a-half-long battle against the hybrids.
The blast of air-conditioning as we entered the building made Addie shiver and raised goose bumps on our skin but didn’t ease the knot in our gut. Three stories tall, the museum erupted into a grand, open foyer just beyond the ticket counter, the two upper floors visible if one tilted one’s head back and stared upward. Addie had tried it the first time we’d entered. We’d been thirteen years old, and the sight of it had crushed us with the weight of all that history, all the battles and wars and hatred.
No one looked up now. The others because they were bored. Addie because we never again wanted to see.
Addie’s friend had abandoned her for someone who could still laugh. Addie should have gone after her, should have forced a smile and a joke and complained along with everyone else about having to come to the museum yet again, but she didn’t. She just drifted to the back of the group so we didn’t have to hear the guide begin our tour.
I said nothing, as if by being silent I could pretend I didn’t exist. As if Addie could pretend, for an hour, that I wasn’t there, that the hybrid enemies the guide kept talking about as we entered the Hall of Revolutionaries weren’t the same as us.
A hand closed around our shoulder. Addie whirled to fling it off, then flinched as she realized what she’d done.
“Sorry, sorry—” Hally put her hands up in the air, fingers spread, in peace. “Didn’t mean to scare you.” She gave us a tentative smile. We only had this one class with her, so it hadn’t been difficult for Addie to avoid her since last night.
“You surprised me,” Addie said, shoving our hair away from our face. “That’s all.”
The rest of the class was leaving us behind, but when Addie moved to catch up, Hally touched our shoulder again. She snatched her hand back when Addie spun around, but asked quickly, “Are you all right?”
A flush of heat shot through us. “Yes, of course,” Addie said.
We stood silently in that hall a moment longer, flanked by portraits of all the greatest heroes of the Revolution, the founders of our country. These men had been dead for nearly 150 years, but they still stared out at Addie and me with that fire in their eyes, that accusation, that hatred that had burned in every non-hybrid soul all through those first terrible warring years, when the edict of the day was the extermination of all those who had once been in power—all the hybrid men, women, and children.
They said that zest had died over the decades, as the country grew lax and trusting, forgetting the past. Hybrid children were permitted to grow old. Immigrants were allowed to step foot on American soil again, to move into our land and call it their own.
The attempted foreign invasion at the beginning of the twentieth century, during the start of the Great Wars, had put a stop to that. Suddenly, the old flame burned brighter than ever, along with the new vow to never forget—never, ever forget again.
Hally must have seen our gaze flicker toward the oil paintings. She grinned, her dimples showing, and said, “Can you imagine if guys still went around wearing those stupid hats? God, I’d never get done making fun of my brother.”
Addie managed a thin-lipped smile. In seventh grade, when we’d had to write an essay on the men framed in these paintings, she’d tried to convince the teacher to let her write about the depictions from an artistic viewpoint instead. It hadn’t worked. “We should get back to the group.”
No one noticed as Addie and Hally slipped into place at the edge of our class. They’d already made it to the room I hated most of all, and Addie kept our eyes on our hands, our shoes—anywhere but on the pictures hanging around us. But I could still remember them from last year, when our class had studied early American history and we’d spent the entire trip in this section of the museum instead of just passing through, as we were now.
There aren’t a lot of photographs salvaged from back then, of course. But the reconstructionist artists had spared no detail, no grimace of pain or patch of peeling, sunburned skin. And the photos that did exist hung heavily on the walls. Their grainy black-and-white quality didn’t hide the misery of the fields. The pain of the workers, little more than slaves, who were all our ancestors. Immigrants from the Old World who’d suffered back there for so many thousands of years before being shipped across a turbulent ocean to suffer anew in another land. Until the Revolution, when the hybrids finally fell.
The room was small, with only one entrance and exit. The crush of the other СКАЧАТЬ