Название: The Greatest Works of Saki (H. H. Munro) - 145 Titles in One Edition
Автор: Saki
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788027243402
isbn:
“Exactly,” said Clovis, staring at the glass that had held the Ella Wheeler Wilcox, “dead.”
“Do you mean he takes me for the ghost of Queen Anne?” asked Jane.
“Ghost? Dear no. No one ever heard of a ghost that came down to breakfast and ate kidneys and toast and honey with a healthy appetite. No, it’s the fact of you being so very much alive and flourishing that perplexes and annoys him. All his life he has been accustomed to look on Queen Anne as the personification of everything that is dead and done with, ‘as dead as Queen Anne,’ you know; and now he has to fill your glass at lunch and dinner and listen to your accounts of the gay time you had at the Dublin Horse Show, and naturally he feels that something’s very wrong with you.”
“But he wouldn’t be downright hostile to me on that account, would he?” Jane asked anxiously.
“I didn’t get really alarmed about it till lunch today,” said Clovis; “I caught him glowering at you with a very sinister look and muttering: ‘Ought to be dead long ago, she ought, and some one should see to it.’ That’s why I mentioned the matter to you.”
“This is awful,” said Jane; “your mother must be told about it at once.”
“My mother mustn’t hear a word about it,” said Clovis earnestly; “it would upset her dreadfully. She relies on Sturridge for everything.”
“But he might kill me at any moment,” protested Jane.
“Not at any moment; he’s busy with the silver all the afternoon.”
“You’ll have to keep a sharp look-out all the time and be on your guard to frustrate any murderous attack,” said Jane, adding in a tone of weak obstinacy: “It’s a dreadful situation to be in, with a mad butler dangling over you like the sword of What’s-his-name, but I’m certainly not going to cut my visit short.”
Clovis swore horribly under his breath; the miracle was an obvious misfire.
It was in the hall the next morning after a late breakfast that Clovis had his final inspiration as he stood engaged in coaxing rust spots from an old putter.
“Where is Miss Martlet?” he asked the butler, who was at that moment crossing the hall.
“Writing letters in the morning-room, sir,” said Sturridge, announcing a fact of which his questioner was already aware.
“She wants to copy the inscription on that old basket-hilted sabre,” said Clovis, pointing to a venerable weapon hanging on the wall. “I wish you’d take it to her; my hands are all over oil. Take it without the sheath, it will be less trouble.”
The butler drew the blade, still keen and bright in its well-cared for old age, and carried it into the morning-room. There was a door near the writing-table leading to a back stairway; Jane vanished through it with such lightning rapidity that the butler doubted whether she had seen him come in. Half an hour later Clovis was driving her and her hastily-packed luggage to the station.
“Mother will be awfully vexed when she comes back from her ride and finds you have gone,” he observed to the departing guest, “but I’ll make up some story about an urgent wire having called you away. It wouldn’t do to alarm her unnecessarily about Sturridge.”
Jane sniffed slightly at Clovis’ ideas of unnecessary alarm, and was almost rude to the young man who came round with thoughtful inquiries as to luncheon-baskets.
The miracle lost some of its usefulness from the fact that Dora wrote the same day postponing the date of her visit, but, at any rate, Clovis holds the record as the only human being who ever hustled Jane Martlet out of the time-table of her migrations.
The Open Window
“My aunt will be down presently, Mr. Nuttel,” said a very self-possessed young lady of fifteen; “in the meantime you must try and put up with me.”
Framton Nuttel endeavoured to say the correct something which should duly flatter the niece of the moment without unduly discounting the aunt that was to come. Privately he doubted more than ever whether these formal visits on a succession of total strangers would do much towards helping the nerve cure which he was supposed to be undergoing.
“I know how it will be,” his sister had said when he was preparing to migrate to this rural retreat; “you will bury yourself down there and not speak to a living soul, and your nerves will be worse than ever from moping. I shall just give you letters of introduction to all the people I know there. Some of them, as far as I can remember, were quite nice.”
Framton wondered whether Mrs. Sappleton, the lady to whom he was presenting one of the letters of introduction, came into the nice division.
“Do you know many of the people round here?” asked the niece, when she judged that they had had sufficient silent communion.
“Hardly a soul,” said Framton. “My sister was staying here, at the rectory, you know, some four years ago, and she gave me letters of introduction to some of the people here.”
He made the last statement in a tone of distinct regret.
“Then you know practically nothing about my aunt?” pursued the self-possessed young lady.
“Only her name and address,” admitted the caller. He was wondering whether Mrs. Sappleton was in the married or widowed state. An undefinable something about the room seemed to suggest masculine habitation.
“Her great tragedy happened just three years ago,” said the child; “that would be since your sister’s time.”
“Her tragedy?” asked Framton; somehow in this restful country spot tragedies seemed out of place.
“You may wonder why we keep that window wide open on an October afternoon,” said the niece, indicating a large French window that opened on to a lawn.
“It is quite warm for the time of the year,” said Framton; “but has that window got anything to do with the tragedy?”
“Out through that window, three years ago to a day, her husband and her two young brothers went off for their day’s shooting. They never came back. In crossing the moor to their favourite snipe-shooting ground they were all three engulfed in a treacherous piece of bog. It had been that dreadful wet summer, you know, and places that were safe in other years gave way suddenly without warning. Their bodies were never recovered. That was the dreadful part of it.” Here the child’s voice lost its self-possessed note and became falteringly human. “Poor aunt always thinks that they will come back some day, they and the little brown spaniel that was lost with them, and walk in at that window just as they used to do. That is why the window is kept open every evening till it is quite dusk. Poor dear aunt, she has often told me how they went out, her husband with his white waterproof coat over his arm, and Ronnie, her youngest brother, singing ‘Bertie, why do you bound?’ as he always did to tease her, because she said it got on her nerves. Do you know, sometimes on still, quiet evenings like this, I almost get a creepy feeling СКАЧАТЬ