The Art of Flight. Sergio Pitol

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СКАЧАТЬ I am dreaming and am not able to awaken. I repeatedly try to wake up but it’s pointless, I can’t get out of the hole even though there isn’t anything unusually terrifying inside; what is frightening is not being able to avoid it. Monotony deforms reality and creates an uncertainty that is nothing but the door to terror. It is in that moment of torment when a voice I recognize awakens me and announces that the orange juice and coffee are ready. All the suffering, the fear and anguish disappear as if by magic in the face of the quotidian with which the day begins. Is that not enough to drive anyone crazy?

      From 1968 on I’ve kept a dream diary. It’s remarkably narrative in nature. It contains a main story and an underground world that nourishes it. The agonizing nature arises from the desire to escape from what I have dreamt and the impossibility to do it. Let’s take a look:

      24 APRIL 1994

      I’m about to open the door of my house when a young man walks up to me and asks if I’ll let him walk Sacho this evening. The proposition suits me because I have to write an article that I should have already finished. He comes by the house at five, the time of the evening walk. He tells me that he’ll take the dog to Los Berros Park. Sacho leaves with him willingly, which surprises me considerably. But he doesn’t return at the agreed time. The next morning, very worried, I go out to ask the neighbors if they know anything about Sacho, if they’ve seen him with a young man with such and such description, and no one knows anything about the dog or his companion. At noon, Sacho shows up at the house in terrible shape, thirsty and irritable. He’s alone, wearing a leather collar that isn’t his; something about the collar attracts my attention, but I don’t know exactly what. It has an engraving that suggests something dangerous. About that time, the murder of a local politician is made public. Rumors spread throughout the city. That night, on the evening news, I find out that a suspicious person had been walking a dog where the crime was committed. A newswoman describes the dog, which sounds exactly like Sacho. I am absolutely convinced that the criminal, or one of his accomplices, is the one who took Sacho. I can’t figure out what led me to allow a stranger to take him. My anxiety grows as the day passes. They might suspect that Sacho is involved in a conspiracy and that even I might be in league with these criminals. What’s more, Sacho is behaving very rudely; I’ve rarely seen him so unpleasant, as if he were resentful and blamed me for unpleasantness that took place the evening and night before. But, where could he have spent the night? Could he lead me there? And what would be accomplished by trying? I’m at a total loss. I tell myself that the whole thing is a dream; I struggle to leave the dream before the police come to question me, but I can’t. It’s precisely Sacho’s barking that awakens me from the never-ending dream. He’s very irritated. I’m barely able to put on his collar and make him go outside for his morning walk.

      17 AUGUST 1995

      I’ve rented an apartment in a small city on the coast, perhaps in Spain, in a region unfamiliar to me. The building is humdrum, squat, devoid of ornamentation. From time to time I run into a sullen-looking married couple on the street; both of them dressed without any sense of style, as if they were hiding behind tasteless clothes, but who, in spite of everything, carry themselves with a certain degree of dignity. Both are wearing mouse-gray raincoats that accentuate their anonymity. One day we happen to meet in the lobby as we collect our mail; later we begin to say hello, to make conversation about the weather, we even begin to take walks together. We talk about books, history, architecture, but without ever going beyond the usual banalities. We never talk about ourselves, our professions, our past, not even why we chose to live in such a lackluster building. To say “we” speak is an exaggeration; the husband is the one who does all the talking, he’s a pale man, on the cusp of old age, always smiling but with a sly, dirty smile that produces a feeling of rejection, at least in me. I never pay too much attention to what he says; nonetheless, I don’t mind going out with them; on the contrary, I prefer going out with them to being alone. On one occasion, when the husband went upstairs to retrieve something from the apartment, something, I don’t know what, drove me to say to his wife:

      “Your husband knows so much about so many things! I never get tired of listening to him!” It was an obviously foolish comment because his wife looked at me stunned.

      “I would never have imagined,” she replied, “that you were so limited. He seems like a complete idiot to me.”

      From then on, she almost never went out with us, and the few times she did she never failed to show disgust when her husband spoke. Walking alone with him grew tiresome. I had nothing in common with anything he said, although he assumed that I shared his opinions. I began to avoid him, but he contrived ways to run into me. On several occasions I refused to go with him; he would pretend not to hear me and continue rambling beside me. The situation became insufferable. One day, I ran into his wife at the pharmacy and complained about the harassment that her husband was subjecting me to. She looked at me with contempt and told me that I deserved it, that for weeks I did nothing but egg the moron on. After that, I made the guy feel like he was insufferable, that I preferred to stay home, or take my walks alone. At first, he didn’t lose his composure, sometimes he would act like a martyr and comment somewhat wryly on my arrogance; later, he began to suggest in a veiled way that I should watch out, that he might harm me, that I shouldn’t underestimate his capabilities, that if he wanted to he could have me kicked out of the building; what’s more, out of the city, maybe even the country; his dark smile, his evil stare grew in those moments. Little by little, the dream begins to transform into a nightmare; the action grinds to a stop, his threats, whispered in an unctuous tone, become constant. I know it’s just a dream, but I can’t do anything to stop it. I seem to be condemned for the rest of my life to be unable to get away from him, to try to avoid his presence unsuccessfully, to listen to his threats, as if everything had become an endless cycle, without escape, and that was the circle of hell where I belonged.

      21 APRIL 1992

      I’ve moved to Rome, where I just bought a house. It must be on the outskirts of the city; it looks very poor: the furniture is sparse, old, rickety, and dust-covered. Suddenly, I see an electric cable sparking. The sparks erupt into small flames and begin to scorch a beam. I live alone, with no one to help me in cases like this. I leave to go look for an electrician, but the situation doesn’t seem to concern me very much, as if the short circuit were as unimportant as an armoire door that doesn’t close correctly. I go out onto the street with a ladder in one hand and a suitcase in the other. I notice that Sacho has followed me; I let him come with me because it’s time for his walk. I hide the ladder and the suitcase in a clump of flowers, in a small, rather plain traffic circle. I discover an entrance to the Pincian Hill, and I enter with Sancho through a gate that is unfamiliar to me. We walk by an aviary; massive cages house thousands of beautifully colored exotic birds. We begin to climb the hill; as I walk by a little store, I start to crave some bread and cheese. They won’t allow Sacho to come in, so I leave him on the sidewalk with instructions not to move while I’m gone. I leave him by a back door by mistake; I take advantage of the opportunity to walk around and enjoy the scenery. At a given moment, I discover that I’m lost. I walk around aimlessly, uneasy; I can’t stop thinking about Sacho. I walk into a café and tell everyone inside about my circumstance, that I lost my dog, that I can’t find him. I ask them to reorient me so I can return to the entrance of the part of the Pincian where the aviary is. A young man offers to take me, saying he knows the way perfectly because he’s a bread distributor for all of the businesses along the way. Before leaving, he selects, with a fatal lack of urgency, two huge loaves of bread, and then, as we walk, he explains to me how important bread is to the Romans, in particular that kind of heavy, dark bread; he says that by eating it they take communion, they reaffirm their identity. I listen to him in desperation. I mention that we’ve gone the wrong way, that I’m feeling farther and farther away from the place where Sacho lies abandoned. He replies smugly that he knows these surroundings better than anyone, that we’re taking a direct route. We walk silently for a long time. As we turn the corner, Saint Peter’s cupola appears in front of us. The Vatican! I’m absolutely convinced that I’ve followed a mad man or someone totally irresponsible, which is the same thing. I insult СКАЧАТЬ