ARTHUR MACHEN Ultimate Collection: The Greatest Occult & Supernatural Classics in One Volume (Including Translations, Essays & Autobiography). Arthur Machen
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"There was a great shower of rain one night. The girl said we might open a window and hold out bowls and basins and catch the rain. I spoke of the cloud with burning eyes. She said 'we will go to the window in the dairy at the back, and one of us can get some water at all events,' She stood up with her basin on the stone slab in the dairy and looked out and heard the plashing of the rain, falling very fast. And she unfastened the catch of the window and had just opened it gently with one hand, for about an inch, and had her basin in the other hand. 'And then,' said she, 'there was something that began to tremble and shudder and shake as it did when we went to the Choral Festival at St. Teilo's, and the organ played, and there was the cloud and the burning close before me.'
"And then we began to dream, as I say. I woke up in my sitting-room one hot afternoon when the sun was shining, and I had been looking and searching in my dream all through the house, and I had gone down to the old cellar that wasn't used, the cellar with the pillars and the vaulted room, with an iron pike in my hand. Something said to me that there was water there, and in my dream I went to a heavy stone by the middle pillar and raised it up, and there beneath was a bubbling well of cold, clear water, and I had just hollowed my hand to drink it when I woke. I went into the kitchen and told young Griffith. I said I was sure there was water there. He shook his head, but he took up the great kitchen poker and we went down to the old cellar. I showed him the stone by the pillar, and he raised it up. But there was no well.
"Do you know, I reminded myself of many people whom I have met in life? I would not be convinced. I was sure that, after all, there was a well there. They had a butcher's cleaver in the kitchen and I took it down to the old cellar and hacked at the ground with it. The others didn't interfere with me. We were getting past that. We hardly ever spoke to one another. Each one would be wandering about the house, upstairs and downstairs, each one of us, I suppose, bent on his own foolish plan and mad design, but we hardly ever spoke. Years ago, I was an actor for a bit, and I remember how it was on first nights; the actors treading softly up and down the wings, by their entrance, their lips moving and muttering over the words of their parts, but without a word for one another. So it was with us. I came upon young Griffith one evening evidently trying to make a subterranean passage under one of the walls of the house. I knew he was mad, as he knew I was mad when he saw me digging for a well in the cellar; but neither said anything to the other.
"Now we are past all this. We are too weak. We dream when we are awake and when we dream we think we wake. Night and day come and go and we mistake one for another; I hear Griffith murmuring to himself about the stars when the sun is high at noonday, and at midnight I have found myself thinking that I walked in bright sunlit meadows beside cold, rushing streams that flowed from high rocks.
"Then at the dawn figures in black robes, carrying lighted tapers in their hands pass slowly about and about; and I hear great rolling organ music that sounds as if some tremendous rite were to begin, and voices crying in an ancient song shrill from the depths of the earth.
"Only a little while ago I heard a voice which sounded as if it were at my very ears, but rang and echoed and resounded as if it were rolling and reverberated from the vault of some cathedral, chanting in terrible modulations. I heard the words quite clearly.
"Incipit liber iræ Domini Dei nostri. (Here beginneth The Book of the Wrath of the Lord our God.)
"And then the voice sang the word Aleph, prolonging it, it seemed through ages, and a light was extinguished as it began the chapter:
"In that day, saith the Lord, there shall be a cloud over the land, and in the cloud a burning and a shape of fire, and out of the cloud shall issue forth my messengers; they shall run all together, they shall not turn aside; this shall be a day of exceeding bitterness, without salvation. And on every high hill, saith the Lord of Hosts, I will set my sentinels, and my armies shall encamp in the place of every valley; in the house that is amongst rushes I will execute judgment, and in vain shall they fly for refuge to the munitions of the rocks. In the groves of the woods, in the places where the leaves are as a tent above them, they shall find the sword of the slayer; and they that put their trust in walled cities shall be confounded. Woe unto the armed man, woe unto him that taketh pleasure in the strength of his artillery, for a little thing shall smite him, and by one that hath no might shall he be brought down into the dust. That which is low shall be set on high; I will make the lamb and the young sheep to be as the lion from the swellings of Jordan; they shall not spare, saith the Lord, and the doves shall be as eagles on the hill Engedi; none shall be found that may abide the onset of their battle.
"Even now I can hear the voice rolling far away, as if it came from the altar of a great church and I stood at the door. There are lights very far away in the hollow of a vast darkness, and one by one they are put out. I hear a voice chanting again with that endless modulation that climbs and aspires to the stars, and shines there, and rushes down to the dark depths of the earth, again to ascend; the word is Zain."
Here the manuscript lapsed again, and finally into utter, lamentable confusion. There were scrawled lines wavering across the page on which Secretan seemed to have been trying to note the unearthly music that swelled in his dying ears. As the scrapes and scratches of ink showed, he had tried hard to begin a new sentence. The pen had dropped at last out of his hand upon the paper, leaving a blot and a smear upon it.
Lewis heard the tramp of feet along the passage; they were carrying out the dead to the cart.
Chapter XIV
The End of the Terror
Dr. Lewis maintained that we should never begin to understand the real significance of life until we began to study just those aspects of it which we now dismiss and overlook as utterly inexplicable, and therefore, unimportant.
We were discussing a few months ago the awful shadow of the terror which at length had passed away from the land. I had formed my opinion, partly from observation, partly from certain facts which had been communicated to me, and the pass-words having been exchanged, I found that Lewis had come by very different ways to the same end.
"And yet," he said, "it is not a true end, or rather, it is like all the ends of human inquiry, it leads one to a great mystery. We must confess that what has happened might have happened at any time in the history of the world. It did not happen till a year ago as a matter of fact, and therefore we made up our minds that it never could happen; or, one would better say, it was outside the range even of imagination. But this is our way. Most people are quite sure that the Black Death—otherwise the Plague—will never invade Europe again. They have made up their complacent minds that it was due to dirt and bad drainage. As a matter of fact the Plague had nothing to do with dirt or with drains; and there is nothing to prevent its ravaging England to-morrow. But if you tell people so, they won't believe you. They won't believe in anything that isn't there at the particular moment when you are talking to them. As with the Plague, so with the Terror. We could not believe that such a thing could ever happen. Remnant said, truly enough, that whatever it was, it was outside theory, outside our theory. Flatland cannot believe in the cube or the sphere."
I agreed with all this. I added that sometimes the world was incapable of seeing, much less believing, that which was before its own eyes.
"Look," I said, "at any eighteenth century print of a Gothic cathedral. You will find that the trained artistic eye even could not behold in any true sense the building that was before it. I have seen an old print of Peterborough Cathedral that looks as if the artist had drawn it from a clumsy model, constructed of bent wire and children's bricks.
"Exactly; because Gothic was СКАЧАТЬ