ARTHUR MACHEN Ultimate Collection: The Greatest Occult & Supernatural Classics in One Volume (Including Translations, Essays & Autobiography). Arthur Machen

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СКАЧАТЬ all things, and he saw that words have a far higher reason than the utilitarian office of imparting a man's thought. The common notion that language and linked words are important only as a means of expression he found a little ridiculous; as if electricity were to be studied solely with the view of "wiring" to people, and all its other properties left unexplored, neglected. Language, he understood, was chiefly important for the beauty of its sounds, by its possession of words resonant, glorious to the ear, by its capacity, when exquisitely arranged, of suggesting wonderful and indefinable impressions, perhaps more ravishing and farther removed from the domain of strict thought than the impressions excited by music itself. Here lay hidden the secret of the sensuous art of literature; it was the secret of suggestion, the art of causing delicious sensation by the use of words. In a way, therefore, literature was independent of thought; the mere English listener, if he had an ear attuned, could recognize the beauty of a splendid Latin phrase.

      Here was the explanation of the magic of Lycidas. From the standpoint of the formal understanding it was an affected lament over some wholly uninteresting and unimportant Mr. King; it was full of nonsense about "shepherds" and "flocks" and "muses" and such stale stock of poetry; the introduction of St Peter on a stage thronged with nymphs and river gods was blasphemous, absurd, and, in the worst taste; there were touches of greasy Puritanism, the twang of the conventicle was only too apparent. And Lycidas was probably the most perfect piece of pure literature in existence; because every word and phrase and line were sonorous, ringing and echoing with music.

      "Literature," he re-enunciated in his mind, "is the sensuous art of causing exquisite impressions by means of words."

      And yet there was something more; besides the logical thought, which was often a hindrance, a troublesome though inseparable accident, besides the sensation, always a pleasure and a delight, besides these there were the indefinable inexpressible images which all fine literature summons to the mind. As the chemist in his experiments is sometimes astonished to find unknown, unexpected elements in the crucible or the receiver, as the world of material things is considered by some a thin veil of the immaterial universe, so he who reads wonderful prose or verse is conscious of suggestions that cannot be put into words, which do not rise from the logical sense, which are rather parallel to than connected with the sensuous delight. The world so disclosed is rather the world of dreams, rather the world in which children sometimes live, instantly appearing, and instantly vanishing away, a world beyond all expression or analysis, neither of the intellect nor of the senses. He called these fancies of his "Meditations of a Tavern," and was amused to think that a theory of letters should have risen from the eloquent noise that rang all day about the violet and golden wine.

      "Let us seek for more exquisite things," said Lucian to himself. He could almost imagine the magic transmutation of the senses accomplished, the strong sunlight was an odor in his nostrils; it poured down on the white marble and the palpitating roses like a flood. The sky was a glorious blue, making the heart joyous, and the eyes could rest in the dark green leaves and purple shadow of the ilex. The earth seemed to burn and leap beneath the sun, he fancied he could see the vine tendrils stir and quiver in the heat, and the faint fume of the scorching pine needles was blown across the gleaming garden to the seat beneath the porch. Wine was before him in a cup of carved amber; a wine of the color of a dark rose, with a glint as of a star or of a jet of flame deep beneath the brim; and the cup was twined about with a delicate wreath of ivy. He was often loath to turn away from the still contemplation of such things, from the mere joy of the violent sun, and the responsive earth. He loved his garden and the view of the tessellated city from the vineyard on the hill, the strange clamor of the tavern, and white Fotis appearing on the torch-lit stage. And there were shops in the town in which he delighted, the shops of the perfume makers, and jewelers, and dealers in curious ware. He loved to see all things made for ladies' use, to touch the gossamer silks that were to touch their bodies, to finger the beads of amber and the gold chains which would stir above their hearts, to handle the carved hairpins and brooches, to smell odors which were already dedicated to love.

      But though these were sweet and delicious gratifications, he knew that there were more exquisite things of which he might be a spectator. He had seen the folly of regarding fine literature from the standpoint of the logical intellect, and he now began to question the wisdom of looking at life as if it were a moral representation. Literature, he knew, could not exist without some meaning, and considerations of right and wrong were to a certain extent inseparable from the conception of life, but to insist on ethics as the chief interest of the human pageant was surely absurd. One might as well read Lycidas for the sake of its denunciation of "our corrupted Clergy," or Homer for "manners and customs." An artist entranced by a beautiful landscape did not greatly concern himself with the geological formation of the hills, nor did the lover of a wild sea inquire as to the chemical analysis of the water. Lucian saw a colored and complex life displayed before him, and he sat enraptured at the spectacle, not concerned to know whether actions were good or bad, but content if they were curious.

      In this spirit he made a singular study of corruption. Beneath his feet, as he sat in the garden porch, was a block of marble through which there ran a scarlet stain. It began with a faint line, thin as a hair, and grew as it advanced, sending out offshoots to right and left, and broadening to a pool of brilliant red. There were strange lives into which he looked that were like the block of marble; women with grave sweet faces told him the astounding tale of their adventures, and how, they said, they had met the faun when they were little children. They told him how they had played and watched by the vines and the fountains, and dallied with the nymphs, and gazed at images reflected in the water pools, till the authentic face appeared from the wood. He heard others tell how they had loved the satyrs for many years before they knew their race; and there were strange stories of those who had longed to speak but knew not the word of the enigma, and searched in all strange paths and ways before they found it.

      He heard the history of the woman who fell in love with her slave-boy, and tempted him for three years in vain. He heard the tale from the woman's full red lips, and watched her face, full of the ineffable sadness of lust, as she described her curious stratagems in mellow phrases. She was drinking a sweet yellow wine from a gold cup as she spoke, and the odor in her hair and the aroma of the precious wine seemed to mingle with the soft strange words that flowed like an unguent from a carven jar. She told how she bought the boy in the market of an Asian city, and had him carried to her house in the grove of fig-trees. "Then," she went on, "he was led into my presence as I sat between the columns of my court. A blue veil was spread above to shut out the heat of the sun, and rather twilight than light shone on the painted walls, and the wonderful colours of the pavement, and the images of Love and the Mother of Love. The men who brought the boy gave him over to my girls, who undressed him before me, one drawing gently away his robe, another stroking his brown and flowing hair, another praising the whiteness of his limbs, and another caressing him, and speaking loving words in his hear. But the boy looked sullenly at them all, striking away their hands, and pouting with his lovely and splendid lips, and I saw a blush, like the rosy veil of dawn, reddening his body and his cheeks. Then I made them bathe him, and anoint him with scented oils from head to foot, till his limbs shone and glistened with the gentle and mellow glow of an ivory statue. Then I said: 'You are bashful, because you shine alone amongst us all; see, we too will be your fellows.' The girls began first of all, fondling and kissing one another, and doing for each other the offices of waiting-maids. They drew out the pins and loosened the bands of their hair, and I never knew before that they were so lovely. The soft and shining tresses flowed down, rippling like sea-waves; some had hair golden and radiant as this wine in my cup, the faces of others appeared amidst the blackness of ebony; there were locks that seemed of burnished and scintillating copper, some glowed with hair of tawny splendor, and others were crowned with the brightness of the sardonyx. Then, laughing, and without the appearance of shame, they unfastened the brooches and bands which sustained their robes, and so allowed silk and linen to flow swiftly to the stained floor, so that one would have said there was a sudden apparition of the fairest nymphs. With many festive and jocose words they began to incite each other to mirth, praising the beauties that shone on every side, and calling the boy by a girl's name, they invited him to be their playmate. But he refused, shaking СКАЧАТЬ