Of Time and the River & Look Homeward, Angel. Thomas Wolfe

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      Gant was a great man, and not a singular one, because singularity does not hold life in unyielding devotion to it.

      As he stormed through the house, unleashing his gathered bolts, the children followed him joyously, shrieking exultantly as he told Eliza he had first seen her “wriggling around the corner like a snake on her belly,” or, as coming in from freezing weather he had charged her and all the Pentlands with malevolent domination of the elements.

      “We will freeze,” he yelled, “we will freeze in this hellish, damnable, cruel and God-forsaken climate. Does Brother Will care? Does Brother Jim care? Did the Old Hog, your miserable old father, care? Merciful God! I have fallen into the hands of fiends incarnate, more savage, more cruel, more abominable than the beasts of the field. Hellhounds that they are, they will sit by and gloat at my agony until I am done to death.”

      He paced rapidly about the adjacent wash-room for a moment, muttering to himself, while grinning Luke stood watchfully near.

      “But they can eat!” he shouted, plunging suddenly at the kitchen door. “They can eat — when some one else will feed them. I shall never forget the Old Hog as long as I live. Cr-unch, Cr-unch, Cr-unch,”— they were all exploded with laughter as his face assumed an expression of insane gluttony, and as he continued, in a slow, whining voice intended to represent the speech of the late Major: “‘Eliza, if you don’t mind I’ll have some more of that chicken,’ when the old scoundrel had shovelled it down his throat so fast we had to carry him away from the table.”

      As his denunciation reached some high extravagance the boys would squeal with laughter, and Gant, inwardly tickled, would glance around slyly with a faint grin bending the corners of his thin mouth. Eliza herself would laugh shortly, and then exclaim roughly: “Get out of here! I’ve had enough of your goings-on for one night.”

      Sometimes, on these occasions, his good humor grew so victorious that he would attempt clumsily to fondle her, putting one arm stiffly around her waist, while she bridled, became confused, and half-attempted to escape, saying: “Get away! Get away from me! It’s too late for that now.” Her white embarrassed smile was at once painful and comic: tears pressed closely behind it. At these rare, unnatural exhibitions of affection, the children laughed with constraint, fidgeted restlessly, and said: “Aw, papa, don’t.”

      Eugene, when he first noticed an occurrence of this sort, was getting on to his fifth year: shame gathered in him in tangled clots, aching in his throat; he twisted his neck about convulsively, smiling desperately as he did later when he saw poor buffoons or mawkish scenes in the theatre. And he was never after able to see them touch each other with affection, without the same inchoate and choking humiliation: they were so used to the curse, the clamor, and the roughness, that any variation into tenderness came as a cruel affectation.

      But as the slow months, gummed with sorrow, dropped more clearly, the powerful germinal instinct for property and freedom began to reawaken in Eliza, and the ancient submerged struggle between their natures began again. The children were growing up — Eugene had found playmates — Harry Tarkinton and Max Isaacs. Her sex was a fading coal.

      Season by season, there began again the old strife of ownership and taxes. Returning home, with the tax-collector’s report in his hand, Gant would be genuinely frantic with rage.

      “In the name of God, Woman, what are we coming to? Before another year we’ll all go to the poorhouse. Ah, Lord! I see very well where it will all end. I’ll go to the wall, every penny we’ve got will go into the pockets of those accursed swindlers, and the rest will come under the sheriff’s hammer. I curse the day I was ever fool enough to buy the first stick. Mark my words, we’ll be living in soup-kitchens before this fearful, this awful, this hellish and damnable winter is finished.”

      She would purse her lips thoughtfully as she went over the list, while he looked at her with a face of strained agony.

      “Yes, it does look pretty bad,” she would remark. And then: “It’s a pity you didn’t listen to me last summer, Mr. Gant, when we had a chance of trading in that worthless old Owenby place for those two houses on Carter Street. We could have been getting forty dollars a month rent on them ever since.”

      “I never want to own another foot of land as long as I live,” he yelled. “It’s kept me a poor man all my life, and when I die they’ll have to give me six feet of earth in Pauper’s Field.” And he would grow broodingly philosophic, speaking of the vanity of human effort, the last resting-place in earth of rich and poor, the significant fact that we could “take none of it with us,” ending perhaps with “Ah me! It all comes to the same in the end, anyway.”

      Or, he would quote a few stanzas of Gray’s Elegy, using that encyclopædia of stock melancholy with rather indefinite application:

      “— Await alike th’ inevitable hour,

       The paths of glory lead but to the grave.”

      But Eliza sat grimly on what they had.

      Gant, for all his hatred of land ownership, was proud of living under his own shelter, and indeed proud in the possession of anything that was sanctified by his usage, and that gave him comfort. He would have liked ready and unencumbered affluence — the possession of huge sums of money in the bank and in his pocket, the freedom to travel grandly, to go before the world spaciously. He liked to carry large sums of money in his pocket, a practice of which Eliza disapproved, and for which she reprimanded him frequently. Once or twice, when he was drunk, he had been robbed: he would brandish a roll of bills about under the stimulation of whisky, and dispense large sums to his children — ten, twenty, fifty dollars to each, with maudlin injunctions to “take it all! Take it all, God damn it!” But next day he was equally assiduous in his demands for its return: Helen usually collected it from the sometimes unwilling fingers of the boys. She would give it to him next day. She was fifteen or sixteen years old, and almost six feet high: a tall thin girl, with large hands and feet, big-boned, generous features, behind which the hysteria of constant excitement lurked.

      The bond between the girl and her father grew stronger every day: she was nervous, intense, irritable, and abusive as he was. She adored him. He had begun to suspect that this devotion, and his own response to it, was a cause more and more of annoyance to Eliza, and he was inclined to exaggerate and emphasize it, particularly when he was drunk, when his furious distaste for his wife, his obscene complaint against her, was crudely balanced by his maudlin docility to the girl.

      And Eliza’s hurt was deeper because she knew that just at this time, when her slightest movement goaded him, did what was most rawly essential in him reveal itself. She was forced to keep out of his way, lock herself in her room, while her young daughter victoriously subdued him.

      The friction between Helen and Eliza was often acute: they spoke sharply and curtly to each other, and were painfully aware of the other’s presence in cramped quarters. And, in addition to the unspoken rivalry over Gant, the girl was in the same way, equally, rasped by the temperamental difference of Eliza — driven to fury at times by her slow, mouth-pursing speech, her placidity, the intonations of her voice, the deep abiding patience of her nature.

      They fed stupendously. Eugene began to observe the food and the seasons. In the autumn, they barrelled huge frosty apples in the cellar. Gant bought whole hogs from the butcher, returning home early to salt them, wearing a long work-apron, and rolling his sleeves half up his lean hairy arms. Smoked bacons hung in the pantry, the great bins were full of flour, the dark recessed shelves groaned with preserved cherries, peaches, plums, quinces, apples, pears. All that he touched waxed in rich pungent life: his Spring gardens, wrought in the black СКАЧАТЬ