Louisa May Alcott: 16 Novels in One Volume (Illustrated Edition). Луиза Мэй Олкотт
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Название: Louisa May Alcott: 16 Novels in One Volume (Illustrated Edition)

Автор: Луиза Мэй Олкотт

Издательство: Bookwire

Жанр: Языкознание

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isbn: 9788075839770

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СКАЧАТЬ was, however, fully in her mind when she wrote that scene, which is true to fact.

      A friend and relative of the family living in Roxbury, Dr. Windship, was much interested in the development of Louisa's dramatic talent. The girls always enjoyed delightful visits at his house. He tried to help the young dramatist to public success, and writes to her mother:–

      I have offered to Mr. Barry of the Boston Theatre Louisa's "Prima Donnas." He is very much pleased with it just as it is, and will bring it out this season in good style. He thinks it will have a fine run.

      Mrs. Barry and Mrs. Wood consented to take the principal characters. But from some difficulty in the arrangements "The Rival Prima Donnas" was not produced. One great pleasure was gained, however, as Mr. Barry gave her a free pass to the theatre, which proved a source of constant refreshment and delight.

      Of course Louisa was eager to go on to the stage herself. She had indeed extraordinary dramatic power, and could at any time quickly transform herself into Hamlet, and recite a scene with tragic effect. But the careful mother knew better than the girl the trials and dangers of the profession, and dissuaded her from it. She also knew how little such youthful facility of expression indicates the power which will make a great actress. Louisa has reproduced her dramatic experience in "Work," which gives a picture faithful in spirit and in many of its details to this phase of her life. She here indicates a knowledge of her own limitation of talent. "Christie's gala" was a part quite after her own heart.

      A farce, called "Nat Batchelor's Pleasure Trip; or, The Trials of a Good-natured Man," was brought out at the Howard Athenaeum. The papers of the day said of it: "It is a creditable first attempt at dramatic composition, and received frequent applause." Another critic says: "It proved a full success." This performance, however, took place in 1860,–a later period than that of which I am now speaking.

      An incident which occurred at this representation probably suggested scenes which recur in "Work" and other of Miss Alcott's stories.

      Quite a hit was made by a little girl, a Miss Jones, who, having to speak but a few lines, spoke them so well that upon her exit she received the rare compliment of an enthusiastic recall from the audience, despite the fact that "some necessary question of the play was then to be considered." For the time being she certainly was the sensation of the piece.

      Miss Alcott had in Dr. Windship a kind and judicious helper in her dramatic undertakings, with whom she kept up a correspondence under the names of Beaumont and Fletcher.

      In 1851 Louisa had an experience which she has reproduced in her story called "How I Went Out to Service." Her mother's work among the poor of Boston led to her being applied to for employment, and at one time she kept a regular intelligence office. A gentleman came to her seeking a companion for his aged father and sister, who was to do only light work, and to be treated with the greatest respect and kindness. As Mrs. Alcott did not readily think of any who would fill the place, the impulsive Louisa suggested, "Why couldn't I go, Mother?" She went, and had two months of disappointment and painful experience which she never forgot. She wrote out the story which was published later, called "How I Went Out to Service."

      The story has an important lesson for those who condemn severely young girls who prefer the more independent life of the factory or shop to what is considered the safety and comfort of service in families. If a girl like Louisa Alcott, belonging to a well-known, highly esteemed family, and herself commanding respect by her abilities and character, could be treated with such indignity by a family in which no one would have feared to place her, how much may not a poor unfriended girl be called upon to endure!

      Journal.

      1851.–We went to a meeting, and heard splendid speaking from Phillips, Channing, and others. People were much excited, and cheered "Shadrack and liberty," groaned for "Webster and slavery," and made a great noise. I felt ready to do anything,–fight or work, hoot or cry,–and laid plans to free Simms. I shall be horribly ashamed of my country if this thing happens and the slave is taken back.

      [He was.–L. M. A.]

      1852.–High Street, Boston.–After the small-pox summer, we went to a house in High Street. Mother opened an intelligence office, which grew out of her city missionary work and a desire to find places for good girls. It was not fit work for her, but it paid; and she always did what came to her in the way of duty or charity, and let pride, taste, and comfort suffer for love's sake.

      Anna and I taught; Lizzie was our little housekeeper,–our angel in a cellar kitchen; May went to school; father wrote and talked when he could get classes or conversations. Our poor little home had much love and happiness in it, and was a shelter for lost girls, abused wives, friendless children, and weak or wicked men. Father and Mother had no money to give, but gave them time, sympathy, help; and if blessings would make them rich, they would be millionnaires. This is practical Christianity.

      My first story was printed, and $5 paid for it. It was written in Concord when I was sixteen. Great rubbish! Read it aloud to sisters, and when they praised it, not knowing the author, I proudly announced her name.

      Made a resolution to read fewer novels, and those only of the best. List of books I like:–

       Carlyle's French Revolution and Miscellanies.

       Hero and Hero-Worship.

       Goethe's poems, plays, and novels.

       Plutarch's Lives.

       Madame Guion.

       Paradise Lost and Comus.

       Schiller's Plays.

       Madame de Staël.

       Bettine.

       Louis XIV.

       Jane Eyre.

       Hypatia.

       Philothea.

       Uncle Tom's Cabin.

       Emerson's Poems.

      In "Little Women" (p. 174), she has told a story which has usually been supposed to represent her first success in literature; but she has transferred the incident from her sister to her own representative, Jo. It was the quiet Anna who had secretly written a story and fastened it inside of a newspaper. She read it to her mother and sisters, as described in the book, and was very much delighted with their approbation and astonishment.

      1853.–In January I started a little school,–E. W., W. A., two L's, two H's,–about a dozen in our parlor. In May, when my school closed, I went to L. as second girl. I needed the change, could do the wash, and was glad to earn my $2 a week. Home in October with $34 for my wages. After two days' rest, began school again with ten children. Anna went to Syracuse to teach; Father to the West to try his luck,–so poor, so hopeful, so serene. God be with him! Mother had several boarders, and May got on well at school. Betty was still the home bird, and had a little romance with C.

      Pleasant letters from Father and Anna. A hard year. Summer distasteful and lonely; winter tiresome with school and people I didn't like. I miss Anna, my one bosom friend and comforter.

      1854.–Pinckney Street.–I have neglected my journal for months, so must write it up. School for me month after month. Mother busy with boarders and sewing. Father doing as well as a philosopher can in a money-loving world. Anna at S.

      I earned a good deal by sewing in the evening when my day's work was done.

      In СКАЧАТЬ