Louisa May Alcott: 16 Novels in One Volume (Illustrated Edition). Луиза Мэй Олкотт

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      This summer, like the last, we shall spend in a large house (Uncle May's, Atkinson Street), with many comforts about us which we shall enjoy, and in the autumn I hope I shall have something to show that the time has not been wasted. Seventeen years have I lived, and yet so little do I know, and so much remains to be done before I begin to be what I desire,–a truly good and useful woman.

      In looking over our journals, Father says, "Anna's is about other people, Louisa's about herself." That is true, for I don't talk about myself; yet must always think of the wilful, moody girl I try to manage, and in my journal I write of her to see how she gets on. Anna is so good she need not take care of herself, and can enjoy other people. If I look in my glass, I try to keep down vanity about my long hair, my well-shaped head, and my good nose. In the street I try not to covet fine things. My quick tongue is always getting me into trouble, and my moodiness makes it hard to be cheerful when I think how poor we are, how much worry it is to live, and how many things I long to do I never can.

      So every day is a battle, and I'm so tired I don't want to live; only it's cowardly to die till you have done something.

      I can't talk to any one but Mother about my troubles, and she has so many now to bear I try not to add any more. I know God is always ready to hear, but heaven's so far away in the city, and I so heavy I can't fly up to find Him.

      FAITH.

      Written in the diary.

      Oh, when the heart is full of fears

       And the way seems dim to heaven,

       When the sorrow and the care of years

       Peace from the heart has driven,–

       Then, through the mist of falling tears,

       Look up and be forgiven.

      Forgiven for the lack of faith

       That made all dark to thee,

       Let conscience o'er thy wayward soul

       Have fullest mastery:

       Hope on, fight on, and thou shalt win

       A noble victory.

      Though thou art weary and forlorn,

       Let not thy heart's peace go;

       Though the riches of this world are gone,

       And thy lot is care and woe,

       Faint not, but journey hourly on:

       True wealth is not below.

      Through all the darkness still look up:

       Let virtue be thy guide;

       Take thy draught from sorrow's cup,

       Yet trustfully abide;

       Let not temptation vanquish thee,

       And the Father will provide.

      [We had small-pox in the family this summer, caught from some poor immigrants whom mother took into our garden and fed one day. We girls had it lightly, but Father and Mother were very ill, and we had a curious time of exile, danger, and trouble. No doctors, and all got well.–L. M. A.]

      July, 1850.–Anna is gone to L. after the varioloid. She is to help Mrs. –– with her baby. I had to take A.'s school of twenty in Canton Street. I like it better than I thought, though it's very hard to be patient with the children sometimes. They seem happy, and learn fast; so I am encouraged, though at first it was very hard, and I missed Anna so much I used to cry over my dinner and be very blue. I guess this is the teaching I need; for as a school-marm I must behave myself and guard my tongue and temper carefully, and set an example of sweet manners.

      I found one of mother's notes in my journal, so like those she used to write me when she had more time. It always encourages me; and I wish some one would write as helpfully to her, for she needs cheering up with all the care she has. I often think what a hard life she has had since she married,–so full of wandering and all sorts of worry! so different from her early easy days, the youngest and most petted of her family. I think she is a very brave, good woman; and my dream is to have a lovely, quiet home for her, with no debts or troubles to burden her. But I'm afraid she will be in heaven before I can do it. Anna, too, she is feeble and homesick, and I miss her dreadfully; for she is my conscience, always true and just and good. She must have a good time in a nice little home of her own some day, as we often plan. But waiting is so hard!

      August, 1850.–School is hard work, and I feel as though I should like to run away from it. But my children get on; so I travel up every day, and do my best.

      I get very little time to write or think; for my working days have begun, and when school is over Anna wants me; so I have no quiet. I think a little solitude every day is good for me. In the quiet I see my faults, and try to mend them; but, deary me, I don't get on at all.

      I used to imagine my mind a room in confusion, and I was to put it in order; so I swept out useless thoughts and dusted foolish fancies away, and furnished it with good resolutions and began again. But cobwebs get in. I'm not a good housekeeper, and never get my room in nice order. I once wrote a poem about it when I was fourteen, and called it "My Little Kingdom." It is still hard to rule it, and always will be I think.

      Reading Miss Bremer and Hawthorne. The "Scarlet Letter" is my favorite. Mother likes Miss B. better, as more wholesome. I fancy "lurid" things, if true and strong also.

      Anna wants to be an actress, and so do I. We could make plenty of money perhaps, and it is a very gay life. Mother says we are too young, and must wait. A. acts often splendidly. I like tragic plays, and shall be a Siddons if I can. We get up fine ones, and make harps, castles, armor, dresses, water-falls, and thunder, and have great fun.

      It was at this period of her life that she was violently attacked by a mania for the stage, and the greater part of her leisure time was given to writing and enacting dramas. Her older sister, Anna, had the same taste, and assisted her in carrying out all her plans. A family of great talent with whom they were intimate joined with them, and their mother always allowed them to have all the private theatricals they wished to perform.

      Some of these early plays are preserved in manuscripts as she wrote them. They are written in stilted, melodramatic style, full of highstrung sentiments of loyalty, honor and devotion, with the most improbable incidents and violent devices, and without a touch of common life or the slightest flavor of humor. The idea of self-sacrifice always comes into them; but they are thoroughly girlish. It is so that girls dream and feel before they know life at all. Their hearts are full of vague, restless longings, and they seek some vent for the repressed energies of their natures away from the prosaic realities of the present. While Louisa sat sewing the tedious seams of her daily task what a relief it was to let her imagination run riot among the wildest and most exciting scenes. Of course she had a "Bandit's Bride" among her plays. "The Captive of Castile; or, The Moorish Maiden's Vow," is preserved entire, and is a good specimen of these girlish efforts. It is full of surprises and concealments, and the denouement is as unnatural as could well be imagined. The dialogue is often bright and forcible, and the sentiments always lofty, and we have no doubt it seemed very grand to the youthful audience. It is taken from her reading, with no touch of her own life in it. This is not the same play described with such a ludicrous finale in "Little Women," although the heroine bears the same favorite name СКАЧАТЬ