Название: YOU CAN'T GO HOME AGAIN
Автор: Thomas Wolfe
Издательство: Bookwire
Жанр: Документальная литература
isbn: 9788027244508
isbn:
“He ought to,” George said, “with a hoof like that. It’s almost as big as mine,” he added, as an afterthought.
Katamoto seemed delighted with this observation, for he laughed shrilly and said: “Yis! Yis!”— nodding his head emphatically. He was silent for another moment, then hesitantly, but with an eagerness that he could not conceal, he said:
“And you see finger?”
“Yes, Kato.”
“And you like?”— quickly, earnestly.
“Very much.”
“Big finger — yis?”— with a note of rising triumph in his “Very big, Kato.”
“And pointing— yis?” he said ecstatically, grinning from ear to ear and pointing his own small finger heavenward.
“Yes, pointing.”
He sighed contentedly. “Well, zen,” he said, with the appeased’ air of a child, “I’m glad you like.”
For a week or so after that George did not see Katamoto again or even think of him. This was the vacation period at the School for Utility Cultures, and George was devoting every minute of his time, day and, night, to a fury of new writing. Then one afternoon; a long passage completed and the almost illegible pages of his swift scrawl tossed in a careless heap upon the floor, he sat relaxed, looking out of his back window, and suddenly he thought of Katamoto again. He remembered that he had not seen him recently, and it seemed strange that he had not even heard the familiar thud of the little ball against the wall outside or the sound of his high, shrill laughter. This realisation, with its sense of loss, so troubled him that he went downstairs immediately and pressed Katamoto’s bell.
There was no answer. All was silent. He waited, and no one came. Then he went down to the basement and found the janitor and spoke to him. He said that Mr. Katamoto had been ill, No, it was not serious, he thought, but the doctor had advised a rest, a brief period of relaxation from his exhausting labours, and had sent him for care and observation to the near-by hospital.
George meant to go to see him, but he was busy with his writing and kept putting it off. Then one morning, some ten days later, coming back home after breakfast in a restaurant, he found a moving van backed up before the house. Katamoto’s door was open, and when he looked inside the moving people had already stripped the apartment almost bare. In the centre of the once fantastic room, now empty, where Katamoto had performed his prodigies of work, stood a young Japanese, an acquaintance of the sculptor, whom George had seen there several times before. He was supervising the removal of the last furnishings.
The young Japanese looked up quickly, politely, with a toothy grin of frozen courtesy as George came in. He did not speak until George asked him how Mr. Katamoto was. And then, with the same toothy, frozen grin upon his face, the same impenetrable courtesy, he said that Mr. Katamoto was dead.
George was shocked, and stood there for a moment, knowing there was nothing more to say, and yet feeling somehow, as people always feel on these occasions, that there was something that, he ought to say. He looked at the young Japanese and started to speak, and found himself looking into the inscrutable, polite, untelling eyes of Asia.
So he said nothing more. He just thanked the young man and went out.
4. Some Things Will Never Change
Out of his front windows George could see nothing except the sombre bulk of the warehouse across the street. It was an old building, with a bleak and ugly front of rusty, indurated brown and a harsh webbing of fire-escapes, and across the whole width of the facade stretched a battered wooden sign on which, in faded letters, one could make out the name —“The Security Distributing Corp.” George did not know what a distributing corporation was, but every day since he had come into this street to live, enormous motor-vans had driven up before this dingy building and had backed snugly against the worn plankings of the loading platform, which ended with a sharp, sheared emptiness four feet above the pavement. The drivers and their helpers would leap from their seats, and instantly the quiet depths of the old building would burst into a furious energy of work, and the air would be filled with harsh cries:
“Back it up, deh! Back it up! Cuh-mahn! Cuh-mahn! Givvus a hand, youse guys! Hey-y! You!”
They looked at one another with hard faces of smiling derision, quietly saying “Jesus!” out of the corners of their mouths. Surly, they stood upon their rights, defending truculently the narrow frontier of their duty:
“Wadda I care where it goes! Dat’s yoeh look-out! Wat t’hell’s it got to do wit me?”
They worked with speed and power and splendid aptness, furiously, unamiably, with high, exacerbated voices, spurred and goaded by their harsh unrest.
The city was their stony-hearted mother, and from her breast they had drawn a bitter nurture. Born to brick and asphalt, to crowded tenements and swarming streets, stunned into sleep as children beneath the sudden slamming racket of the elevated trains, taught to fight, to menace, and to struggle in a world of savage violence and incessant din, they had had the city’s qualities stamped into their flesh and movements, distilled through all their tissues, etched with the city’s acid into their tongue and brain and vision. Their faces were tough and seamed, the skin thick, dry, without a hue of freshness or of colour. Their pulse beat with the furious rhythm of the city’s stroke: ready in an instant with a curse, metallic clangours sounded from their twisted lips, and their hearts were filled with a dark, immense, and secret pride.
Their souls were like the asphalt visages of city streets. Each day the violent colours of a thousand new sensations swept across them, and each day all sound and sight and fury were erased from their unyielding surfaces. Ten thousand furious days had passed about them, and they had no memory. They lived like creatures born full-grown into present time, shedding the whole accumulation of the past with every breath, and all their lives were written in the passing of each actual moment.
And they were sure and certain, for ever wrong, but always confident. They had no hesitation, they confessed no ignorance or error, and they knew no doubts. They began each morning with a gibe, a shout, an oath of hard impatience, eager for the tumult of the day. At noon they sat strongly in their seats and, through fumes of oil and hot machinery, addressed their curses to the public at the tricks and strategies of cunning rivals, the tyranny of the police, the stupidity of pedestrians, and the errors of less skilful men than they. Each day they faced the perils of the streets with hearts as calm as if they were alone upon a country road. Each day, with minds untroubled, they embarked upon adventures from which the bravest men bred in the wilderness would have recoiled in terror and desolation.
In the raw days of early spring they had worn shirts of thick black wool and leather jackets, but now, in summer, their arms were naked, tattooed, brown, and lean with the play of whipcord muscles. The power and precision with which they worked stirred in George a deep emotion of respect, and also touched him with humility. For whenever he saw it, his own life, with its conflicting desires, its uncertain projects and designs, its labours begun in hope and so often ended in incompletion, by comparison with the lives of these men who, had learned to use their strength and talents perfectly, seemed faltering, СКАЧАТЬ