About Grace. Anthony Doerr

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       14

      By 10 P.M. he was crossing the Springfield line into Pennsylvania. He rented a motel room in Erie and burst through the door and switched on the television. There were two and a half minutes of footage: a car floating in the library parking lot; an uprooted tree rolling over the falls; a gymnasium lined with cots. Lampposts sparked and drowned in the night; there was the customary video of stop signs submerged to the letters. But no mention of fatalities, injuries, drownings. The anchor signed off, and a movie came on—soldiers storming a hillside, shouting to one another. He turned to the window. A breeze came in, damp, stinking of diesel. He dialed the house—no ringing, just static. He dialed the motel on Eaton Road and asked for room 7 but the phone rang on and on and no one answered. He let it ring until he could not hold his eyelids open.

      Exhaustion trundled over him. In a dream he piloted the Chrysler back down Music toward Shadow Hill, descending into the valley. The car stalled a few hundred feet past the middle school, swamped. He waded out into the cold, muddy water. It was soon at his waist; the light was failing. He half waded, half swam the inundated street. Bloated magazines hung in branches; dolls rode the current facedown. Whole clumps of sod turned in eddies. He entered the house, climbed the stairs, roved the rooms. Grace was crying; it was dusk. He lived through the dream again: finding her on the plant stand, lifting her out of the bassinet, wading with her into the street. He slipped. They went under. She drowned.

      He had fallen asleep in his still-damp suit and woke to a chill deep inside him, as though he had been sleeping underwater. Beside the window two cords, caught in the updraft from the heater, knocked against the blinds. He bent over the sink and rinsed his face.

      It was 5 A.M. Again he dialed: no one in room 7; no connection at the house. Already he had reached a state where he expected the phone to ring on and on, for no one to be there. At Channel 3 the station attendant said she knew of no fatalities. “When are you coming in?” she asked. He hung up.

      Everything seemed intractable. What were his choices? To return home and possibly be the instrument of his daughter’s death? How many times would she have to drown? The future had become a swarming horizon, an advancing wall just down the road, raging forward, black and insatiable, swallowing houses and fields as it came.

      He left the room key on top of the television, went to the Chrysler, and guided it not toward home, but east. He kept his hands firmly on the wheel and at dawn did not turn back. I have run away before, he thought. It is merely a matter of keeping your foot on the accelerator and not letting it off. The clouds had pulled back and there were only the occasional trucks rumbling in the night, last fall’s leaves blowing across the interstate.

      All that day he drove, stopping only for gas and to buy chocolate bars, which he ate mindlessly, dropping the wrappers to the floor between his legs. Scranton? Philadelphia? New York? He settled on the latter, as much for its size as anything, its supposed impassiveness, its positioning at the terminus of the freeway. At dusk he brought the Chrysler up through the northern miles of New Jersey and soon was navigating beneath the Hudson in the Lincoln Tunnel, where exhaust-caked girders groaned past in the blackness above him, and when he emerged he was in Manhattan. He was drained and his vision was lapsing badly behind his glasses and what he saw appeared as little more than a hubbub of steel and mirrors, as if he were entering some vast and awful funhouse that would soon seal him into a dead end and pinch off the exits.

      He parked the Chrysler in an alley and left it. On the street, big band music played from a portable stereo and the people on the sidewalks appeared to step in concert with the song—a nun with a blue backpack, an Indian man in a tracksuit carrying flowers, a woman ducking into the backseat of a cab—all of them seeming to fulfill some greater orchestration, stepping up, stepping down, swinging their arms, blinking their eyes, oblivious, hurrying to their ends.