The Atlantic Monthly, Volume 01, No. 01, November, 1857. Various

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СКАЧАТЬ school of the fifteenth century, naïveté,—a fresh, gentle, and loving appreciation of the beautiful and the natural. It is evident that the Fra went through the world with his eyes open, looking for beauty wherever it was visible; and in his works, at least, there is no lingering trace of Byzantinism. A scholar of Masaccio, of a far inferior mind both to Masaccio and Maselino, and without the force of hand of either, he is still, more than both together, the founder of the natural school of Florence.

      One of his pictures is in this church,—a Madonna with the child on her lap. The Christ is leaning forward and playing with a cross which the infant Saint John holds in his hand. Nothing can be more suggestive or touching than this prophetic infantile movement. Although the color of the picture is rather feeble and washy, as frequently may be observed of Lippo's paintings, the whole expression is bathed in purity and piety. Yet the Fra was such an incorrigible mauvais sujet, that when he was employed to decorate the palazzo of Cosmo Vecchio, the Pater Patriæ was obliged to lock up his artist in the chamber which he was painting. The holy man was not easily impounded, however; for he cut his bedclothes into strips, let himself into the street from an upper-story window, and departed on his usual adventures; so that it was weeks before Cosmo could hear of his painter again.

      [Concluded in the next Number.]

      SANTA FILOMENA

      Whene'er a noble deed is wrought,

      Whene'er is spoken a noble thought,

      Our hearts, in glad surprise,

      To higher levels rise.

      The tidal wave of deeper souls

      Into our inmost being rolls,

      And lifts us unawares

      Out of all meaner cares.

      Honor to those whose words or deeds

      Thus help us in our daily needs,

      And by their overflow

      Raise us from what is low!

      Thus thought I, as by night I read

      Of the great army of the dead,

      The trenches cold and damp,

      The starved and frozen camp,—

      The wounded from the battle-plain,

      In dreary hospitals of pain,

      The cheerless corridors,

      The cold and stony floors.

      Lo! in that house of misery

      A lady with a lamp I see

      Pass through the glimmering gloom

      And flit from room to room.

      And slow, as in a dream of bliss,

      The speechless sufferer turns to kiss

      Her shadow, as it falls

      Upon the darkening walls.

      As if a door in heaven should be

      Opened, and then closed suddenly,

      The vision came and went,

      The light shone and was spent.

      On England's annals, through the long

      Hereafter of her speech and song,

      That light its rays shall cast

      From portals of the past.

      A lady with a lamp shall stand

      In the great history of the land,

      A noble type of good,

      Heroic womanhood.

      Nor even shall be wanting here

      The palm, the lily, and the spear,

      The symbols that of yore

      Saint Filomena bore.

      SALLY PARSONS'S DUTY

      The sun that shines on eastern Massachusetts, specially on buttercups and dandelions, and providentially on potatoes, looks down on no greener fields in these days than it saw in the spring of 1775, fenced in and fenced off by the zigzag snake-fences of 'Zekiel Parsons's farm.

      "About this time," as almanacs say, young orchards were misty with buds, red maples on the highway shone in the clear light, and a row of bright tin pans at the shed door of the farm-house testified to a sturdy arm and skilful hand within,—arm and hand both belonging to no less a person than Miss Sally, 'Zekiel Parsons's only daughter, and the prettiest girl in Westbury; a short, sturdy, rosy little maid, with hair like a ripe chestnut shell, bright blue eyes full of mischief, and such a sunny, healthy, common-sense character, one is almost afraid to tell of it, it is so out of date now.

      But of what use is it to describe her? How can I impress upon moderns how enlivening and refreshing was her aspect, as she spun, or scoured pans, in a linsey-woolsey petticoat and white short gown, wearing her pretty curls in a crop? George Tucker knew it all without telling; and so did half a dozen of the Westbury boys, who haunted the picket fence round 'Zekiel's garden every moonlight night in summer, or scraped their feet by the half hour together on his door-step in winter evenings. Sally was a belle; she knew it and liked it, as every honest girl does;—and she would have been a belle without the aid of her father's wide farm and pine-tree shillings; for she was fresh and lovely, with a spice of coquetry, but a true woman's heart beneath it all.

      It was very hard to discover whom Sally Parsons favored among her numerous beaux. Her father seriously inclined to George Tucker; not because he was rich,—for 'Zekiel had not arrived at fashionable principles,—but because he was honest, kind-hearted, and reliable; but as yet Sally showed no decided preference; time and the hour were near, but not in sight.

      One Sunday night, early in April, after the nine o'clock bell had scattered Sally's admirers far and wide, and old 'Zekiel sat by the chimney corner, watching his sister, Aunt Poll, rake up the rest of the hickory log in the ashes, while he rubbed away sturdily at his feet, holding in one hand the blue yarn stockings, "wrought by no hand, as you may guess," but that of Sally; the talk, that had momentarily died away, began again, and with a glance at Long Snapps,—a lank, shrewd-faced old sailor, who, to use his own speech, had "cast anchor 'longside of an old ship-met fur a spell, bein' bound fur his own cabin up in Lenox,"—'Zekiel spoke after this wise:—

      "I expect, Long, you sailors hev a drefful hard, onsartain time navigatin', don't ye?"

      "Well, skipper! that are depen's on folks. I don't calk'late to hev no sort of a hard time, ef I don't get riled with it; but these times I doo rile easy."

      "What onsettles ye, Snapps?"

      "Well, there's a squall to wind'ard, skipper; 'ta'n't no cat's-paw neither; good no-no-east, ef it's a flaw. And you landlubbers are a-goin' to leeward, some on ye."

      "You don't say! what be you a hintin' at?"

      "Well, there's a reel blow down to Bostin, Zekle; there's no more gettin' out o' harbour with our old sloop; she's ben an' gone, an' got some 'tarnal lawyer's job spliced to her bows, an' she's laid up to dry; but that's a pesky small part o' judgment. Bostin's full o' them Britishers, sech as scomfishkated the Susan Jane, cos our skipper done suthin' he hedn't oughter, or didn't do suthin' he hed oughter; and I tell yew the end o' things is nigh about comin' on here!"

      Sally, in the chimney corner, heard Long Snapps with open eyes, and hitching her wooden chair nearer, inquired solemnly,—

      "What do you mean, Mister Snapps? Is the end of the world comin' here?"

      "Bless your pooty little figger-head, Sally! I don't СКАЧАТЬ