Agatha Christie’s Murder in the Making: Stories and Secrets from Her Archive - includes an unseen Miss Marple Story. John Curran

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СКАЧАТЬ and ‘Poirot and a crime’ is not much help … probably full of ideas at the beginning of the year. Evans, Evans … that rings a bell although I don’t think I settled on any particular idea … although haven’t I got an Evans in Sittaford?… Let’s see …

      She turns the page and continues reading, noting the underlined qualification at the beginning.

      Tentative

      Old lady (or man) sends for P – in a state of coma when he arrives

      Last words – Poirot is left to find out

      Evans (maid)

      Also Evans (gardener)

      and Evans – a baker or butcher or tradesman …

      Oh, yes, of course … the last words of someone who is dying and they make no sense … not even to me at the moment, I must admit … but distinct possibilities here … infinite ones, in fact. I could have a lot of fun with this. Should it be another case for Miss M? … it sounds village-y, and Miss M would know about maids and gardeners and tradesmen. Although I haven’t given Poirot an airing since … let’s see … Blue Train, I think … and that was at least three years ago. Yes, that was his last case … of course End House will remedy that next … what did Edmund tell me … next February I think … Anyway, didn’t I have a blood-covered butcher in one of those Big Four episodes … and a baker seems an unlikely possibility … a gardener, perhaps. But would it carry a book or should I use it as just an element of a plot … or a short story maybe … although it would look great as a title: ‘Why Didn’t They Ask Evans?’

      She leaves ‘Evans’ for a moment, looks up and stares absent-mindedly at the passing countryside. Outside snow is still lying on many of the fields, a fleeting reminder of the snowbound setting of yet-to-be-published The Sittaford Mystery. She returns to her notebook and turns the page.

      Yes, here we are … I knew I jotted down a note somewhere … this one I do remember …

      Idea for book

      Murder utterly motiveless

      Because dead man and murderer

      Unacquainted –

      Reason – a rehearsal

      I’m sure this is really original but it needs careful treatment. Let’s leave that for the moment … not sure where to go from there … tricky set-up but I think the idea is promising … worth thinking about it carefully …

      She looks speculatively again at the final word of the note and then glances across at the good-looking man opposite, still ostensibly studying his script.

      My good-looking friend is examining his reflection in the window … he knows the young girl opposite is watching him … seems to enjoy it … used to people watching him … matinee-idol good looks … matinee … actor … rehearsal. How about an actor for the murder-as-rehearsal idea? Seems to make sense … but victim or murderer? Mmm … possibilities here although I’m not sure of carrying off a theatre milieu. Maybe just an actor and his social circle …

      She turns another page and looks reminiscently at what she has previously written.

      Man stabbed in room – everyone there – behind screen – gagged first.

      Man induced to hide in other man’s rooms (his wife coming there) has tea first (drugged)

      Hmmm, yes, that one we all wrote … was it last year?… the body found behind the screen when the blood flowed out from beneath it … lots of people in the room. Blood on the Screen or Under the Screen or something … Trouble with those combined efforts … you have to remember that someone else is going to take over after you so you can’t do everything, or even anything, you want … Dorothy always wants it all very structured and organised … I can’t really work under those circumstances and I think I can do something else with that same basic idea …

      Man hides in chest – (but bores hole to see through) has previously had a dinner with friend …

      Must finish this off … Edmund is sure The Strand will take it … which would be nice … and I have most of it sketched here … just a matter of writing it up. But I want to get Ruth Draper down on paper.

      She flicks through a few pages until she finds a blank one, unscrews the top of her pen, writes and firmly underlines:

      Book

      Man Killed – says Jane Wilkinson (actress) beautiful amoral – ‘Only way is for me to kill him’

      Carlotta Adams – her imitations – (including Jane) ‘Would do anything for money’

      Crime discovered – either victim says it was Jane – or man servant saw her – or girl secretary saw her

      However, Jane has alibi – quite unbreakable – dinner

      Carlotta Adams also dies – before Poirot can see her – a simple poison

      Right, that’s my basic situation. Now I wonder if I could work in the ‘Evans’ dying words idea, if the victim says Jane’s name … and I could call one of the servants Evans … must be careful about Poirot not getting to see Carlotta before she dies … now, some more detail …

      An actress Jane W comes to see Poirot – engaged to Duke of Merton

      Martin Squire – pleasant hearty young fellow – an admirer of Miss Wilkinson’s – he is seen next evening having supper with Carlotta

      Lord Mountcarlin

      Other man (Duke? Millionaire?)

      Bryan Martin actor in films with her

      Lord Mountcarlin’s nephew Ronnie West (debonair Peter Wimseyish)

      Miss Carroll Margaret Carroll middle-aged woman A Miss Clifford

      Not convinced about some of those names but I can remedy that later … ‘Evans’ is still a possibility but I’m not sure in which capacity … and I need some more suspects … what about the old reliable, the butler? or maybe a maid of Carlotta’s? And I think I’d better have Japp, especially if I set it in London … which is the most likely possibility if I have theatres and actors and actresses and rehearsals … he could be the official investigator. Rehearsals … now, I wonder … should I combine Ruth Draper and the rehearsal idea … or are they each good enough to carry a book on their own? I think they are …

      Japp comes to see Poirot – threats – P says quietly ‘Who heard them?’ – J hedges? But perfect alibi – party Amersham

      She pauses briefly and considers what she has written, reflecting on possible opening scenes. Turning the page she continues covering the smaller-than-usual pages in flowing, black handwriting.

      Now, the actual events from the beginning …

      Sequence

      At theatre – CA’s performance – H’s reflections. Is JW really such a good actress? Looks round – JW – her eyes sparkling with enthusiasm. Supper at Savoy – Jane at next table – CA there also …

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