From the Caves and Jungles of Hindostan. Елена Блаватская

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СКАЧАТЬ covered with colossal male and female figures, is a huge arch, in front of which three gigantic elephants are sculptured in relief, with heads and trunks that project from the wall. The shape of the temple is oval. It is 128 feet long and forty-six feet wide. The central space is separated on each side from the aisles by forty-two pillars, which sustain the cupola-shaped ceiling. Further on is an altar, which divides the first dome from a second one which rises over a small chamber, formerly used by the ancient Aryan priests for an inner, secret altar. Two side passages leading towards it come to a sudden end, which suggests that, once upon a time, either doors or wall were there which exist no longer. Each of the forty-two pillars has a pedestal, an octagonal shaft, and a capital, described by Fergusson as "of the most exquisite workmanship, representing two kneeling elephants surmounted by a god and a goddess." Fergusson further says that this temple, or chaitya, is older and better preserved than any other in India, and may be assigned to a period about 200 years B.C., because Prinsep, who has read the inscription on the Silastamba pillar, asserts that the lion pillar was the gift of Ajmitra Ukasa, son of Saha Ravisobhoti, and another inscription shows that the temple was visited by Dathama Hara, otherwise Dathahamini, King of Ceylon, in the twentieth year of his reign, that is to say, 163 years before our era. For some reason or other, Dr. Stevenson points to seventy years B.C. as the date, asserting that Karlen, or Karli, was built by the Emperor Devobhuti, under the supervision of Dhanu-Kakata. But how can this be maintained in view of the above-mentioned perfectly authentic inscriptions? Even Fergusson, the celebrated defender of the Egyptian antiquities and hostile critic of those of India, insists that Karli belongs to the erections of the third century B.C., adding that "the disposition of the various parts of its architecture is identical with the architecture of the choirs of the Gothic period, and the polygonal apsides of cathedrals."

      Above the chief entrance is found a gallery, which reminds one of the choirs, where, in Catholic churches, the organ is placed. Besides the chief entrance there are two lateral entrances, leading to the aisles of the temple, and over the gallery there is a single spacious window in the shape of a horseshoe, so that the light falls on the daghopa (altar) entirely from above, leaving the aisles, sheltered by the pillars, in obscurity, which increases as you approach the further end of the building. To the eyes of a spectator standing at the entrance, the whole daghopa shines with light, and behind it is nothing but impenetrable darkness, where no profane footsteps were permitted to tread. A figure on the dag-hopa, from the summit of which "Raja priests" used to pronounce verdicts to the people, is called Dharma-Raja, from Dharma, the Hindu Minos. Above the temple are two stories of caves, in each of which are wide open galleries formed by huge carved pillars, and from these galleries an opening leads to roomy cells and corridors, sometimes very long, but quite useless, as they invariably come to an abrupt termination at solid walls, without the trace of an issue of any kind. The guardians of the temple have either lost the secret of further caves, or conceal them jealously from Europeans.

      Besides the Viharas already described, there are many others, scattered over the slope of the mountain. These temple-monasteries are all smaller than the first, but, according to the opinion of some archeologists, they are much older. To what century or epoch they belong is not known except to a few Brahmans, who keep silence. Generally speaking, the position of a European archaeologist in India is very sad. The masses, drowned in superstition, are utterly unable to be of any use to him, and the learned Brahmans, initiated into the mysteries of secret libraries in pagodas, do all they can to prevent archeological research. However, after all that has happened, it would be unjust to blame the conduct of the Brahmans in these matters. The bitter experience of many centuries has taught them that their only weapons are distrust and circumspection, without these their national history and the most sacred of their treasures would be irrevocably lost. Political coups d'etat which have shaken their country to its foundation, Mussulman invasions that proved so fatal to its welfare, the all-destructive fanaticism of Mussulman vandals and of Catholic padres, who are ready for anything in order to secure manuscripts and destroy them—all these form a good excuse for the action of the Brahmans. However in spite of these manifold destructive tendencies, there exist in many places in India vast libraries capable of pouring a bright and new light, not only on the history of India itself, but also on the darkest problems of universal history. Some of these libraries, filled with the most precious manuscripts, are in the possession of native princes and of pagodas attached to their territories, but the greater part is in the hands of the Jainas (the oldest of Hindu sects) and of the Rajputana Takurs, whose ancient hereditary castles are scattered all over Rajistan, like so many eagles' nests on high rocks. The existence of the celebrated collections in Jassulmer and Patana is not unknown to the Government, but they remain wholly beyond its reach. The manuscripts are written in an ancient and now completely forgotten language, intelligible only to the high priests and their initiated librarians. One thick folio is so sacred and inviolable that it rests on a heavy golden chain in the centre of the temple of Chintamani in Jassulmer, and taken down only to be dusted and rebound at the advent of each new pontiff. This is the work of Somaditya Suru Acharya, a great priest of the pre-Mussulman time, well-known in history. His mantle is still preserved in the temple, and forms the robe of initiation of every new high priest. Colonel James Tod, who spent so many years in India and gained the love of the people as well as of the Brahmans—a most uncommon trait in the biography of any Anglo-Indian—has written the only true history of India, but even he was never allowed to touch this folio. Natives commonly believe that he was offered initiation into the mysteries at the price of the adoption of their religion. Being a devoted archaeologist he almost resolved to do so, but, having to return to England on account of his health, he left this world before he could return to his adopted country, and thus the enigma of this new book of the sibyl remains unsolved.

      The Takurs of Rajputana, who are said to possess some of the underground libraries, occupy in India position similar to the position of European feudal barons of the Middle Ages. Nominally they are dependent on some of the native princes or on the British Government; but de facto they are perfectly independent. Their castles are built on high rocks, and besides the natural difficulty of entering them, their possessors are made doubly unreachable by the fact that long secret passages exist in every such castle, known only to the present owner and confided to his heir only at his death. We have visited two such underground halls, one of them big enough to contain a whole village. No torture would ever induce the owners to disclose the secret of their entrances, but the Yogis and the initiated Adepts come and go freely, entirely trusted by the Takurs.

      A similar story is told concerning the libraries and subterranean passages of Karli. As for the archaeologists, they are unable even to determine whether this temple was built by Buddhists or Brahmans. The huge daghopa that hides the holy of holies from the eyes of the worshippers is sheltered by a mushroom-shaped roof, and resembles a low minaret with a cupola. Roofs of this description are called "umbrellas," and usually shelter the statues of Buddha and of the Chinese sages. But, on the other hand, the worshippers of Shiva, who possess the temple nowadays, assert that this low building is nothing but a lingam of Shiva. Besides, the carvings of gods and goddesses cut out of the rock forbid one to think that the temple is the production of the Buddhists. Fergusson writes, "What is this monument of antiquity? Does it belong to the Hindus, or to the Buddhists? Has it been built upon plans drawn since the death of Sakya Sing, or does it belong to a more ancient religion?"

      That is the question. If Fergusson, being bound by facts existing in inscriptions to acknowledge the antiquity of Karli, will still persist in asserting that Elephanta is of much later date, he will scarcely be able to solve this dilemma, because the two styles are exactly the same, and the carvings of the latter are still more magnificent. To ascribe the temples of Elephanta and Kanari to the Buddhists, and to say that their respective periods correspond to the fourth and fifth centuries in the first case, and the tenth in the second, is to introduce into history a very strange and unfounded anachronism. After the first century A.D. there was not left a single influential Buddhist in India. Conquered and persecuted by the Brahmans, they emigrated by thousands to Ceylon and the trans-Himalayan districts. After the death of King Asoka, Buddhism speedily broke down, and in a short time was entirely displaced by the theocratic Brahmanism.

      Fergusson's hypothesis that the followers of Sakya Sing, driven out by intolerance from the continent, probably СКАЧАТЬ