From the Caves and Jungles of Hindostan. Елена Блаватская

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СКАЧАТЬ It winds like a snake on its way to the port, surrounding Kanari and other islets, which look the very image of green peas scattered on the white cloth of its bright waters, and, finally, joins the blinding line of the Indian Ocean in the extreme distance. On the outer side is the northern Konkan, terminated by the Tal-Ghats, the needle-like summits of the Jano-Maoli rocks, and, lastly, the battlemented ridge of Funell, whose bold silhouette stands out in strong relief against the distant blue of the dim sky, like a giant's castle in some fairy tale. Further on looms Parbul, whose flat summit, in the days of old, was the seat of the gods, whence, according to the legends, Vishnu spoke to mortals. And there below, where the defile widens into a valley, all covered with huge separate rocks, each of which is crowded with historical and mythological legends, you may perceive the dim blue ridge of mountains, still loftier and still more strangely shaped. That is Khandala, which is overhung by a huge stone block, known by the name of the Duke's Nose. On the opposite side, under the very summit of the mountain, is situated Karli, which, according to the unanimous opinion or archeologists, is the most ancient and best preserved of Indian cave temples.

      One who has traversed the passes of the Caucasus again and again; one who, from the top of the Cross Mountain, has beheld beneath her feet thunderstorms and lightnings; who has visited the Alps and the Rigi; who is well acquainted with the Andes and Cordilleras, and knows every corner of the Catskills in America, may be allowed, I hope, the expression of a humble opinion. The Caucasian Mountains, I do not deny, are more majestic than Ghats of India, and their splendour cannot be dimmed by comparison with these; but their beauty is of a type, if I may use this expression. At their sight one experiences true delight, but at the same time a sensation of awe. One feels like a pigmy before these Titans of nature. But in India, the Himalayas excepted, mountains produce quite a different impression. The highest summits of the Deccan, as well as of the triangular ridge that fringes Northern Hindostan, and of the Eastern Ghats, do not exceed 3,000 feet. Only in the Ghats of the Malabar coast, from Cape Comorin to the river Surat, are there heights of 7,000 feet above the surface of the sea. So that no comparison can be dawn between these and the hoary headed patriarch Elbruz, or Kasbek, which exceeds 18,000 feet. The chief and original charm of Indian mountains wonderfully consists in their capricious shapes. Sometimes these mountains, or, rather, separate volcanic peaks standing in a row, form chains; but it is more common to find them scattered, to the great perplexity of geologists, without visible cause, in places where the formation seems quite unsuitable. Spacious valleys, surrounded by high walls of rock, over the very ridge of which passes the railway, are common. Look below, and it will seem to you that you are gazing upon the studio of some whimsical Titanic sculptor, filled with half finished groups, statues, and monuments. Here is a dream-land bird, seated upon the head of a monster six hundred feet high, spreading its wings and widely gaping its dragon's mouth; by its side the bust of a man, surmounted by a helmet, battlemented like the walls of a feudal castle; there, again, new monsters devouring each other, statues with broken limbs, disorderly heaps of huge balls, lonely fortresses with loopholes, ruined towers and bridges. All this scattered and intermixed with shapes changing incessantly like the dreams of delirium. And the chief attraction is that nothing here is the result of art, everything is the pure sport of Nature, which, however, has occasionally been turned to account by ancient builders. The art of man in India is to be sought in the interior of the earth, not on its surface. Ancient Hindus seldom built their temples otherwise than in the bosom of the earth, as though they were ashamed of their efforts, or did not dare to rival the sculpture of nature. Having chosen, for instance, a pyramidal rock, or a cupola shaped hillock like Elephanta, Or Karli, they scraped away inside, according to the Puranas, for centuries, planning on so grand a style that no modern architecture has been able to conceive anything to equal it. Fables (?) about the Cyclops seem truer in India than in Egypt.

      The marvellous railroad from Narel to Khandala reminds one of a similar line from Genoa up the Apenines. One may be said to travel in the air, not on land. The railway traverses a region 1,400 feet above Konkan, and, in some places, while one rail is laid on the sharp edge of the rock, the other is supported on vaults and arches. The Mali Khindi viaduct is 163 feet high. For two hours we hastened on between sky and earth, with abysses on both sides thickly covered with mango trees and bananas. Truly English engineers are wonderful builders.

      The pass of Bhor-Ghat is safely accomplished and we are in Khandala. Our bungalow here is built on the very edge of a ravine, which nature herself has carefully concealed under a cover of the most luxuriant vegetation. Everything is in blossom, and, in this unfathomed recess, a botanist might find sufficient material to occupy him for a lifetime. Palms have disappeared; for the most part they grow only near the sea. Here they are replaced by bananas, mango trees, pipals (ficus religiosa), fig trees, and thousands of other trees and shrubs, unknown to such outsiders as ourselves. The Indian flora is too often slandered and misrepresented as being full of beautiful, but scentless, flowers. At some seasons this may be true enough, but, as long as jasmines, the various balsams, white tuberoses, and golden champa (champaka or frangipani) are in blossom, this statement is far from being true. The aroma of champa alone is so powerful as to make one almost giddy. For size, it is the king of flowering trees, and hundreds of them were in full bloom, just at this time of year, on Mataran and Khandala.

      We sat on the verandah, talking and enjoying the surrounding views, until well-nigh midnight. Everything slept around us.

      Khandala is nothing but a big village, situated on the flat top of one of the mountains of the Sahiadra range, about 2,200 feet above the sea level. It is surrounded by isolated peaks, as strange in shape as any we have seen.

      One of them, straight before us, on the opposite side of the abyss, looked exactly like a long, one-storied building, with a flat roof and a battlemented parapet. The Hindus assert that, somewhere about this hillock, there exists a secret entrance, leading into vast interior halls, in fact to a whole subterranean palace, and that there still exist people who possess the secret of this abode. A holy hermit, Yogi, and Magus, who had inhabited these caves for "many centuries," imparted this secret to Sivaji, the celebrated leader of the Mahratta armies. Like Tanhauser, in Wagner's opera, the unconquerable Sivaji spent seven years of his youth in this mysterious abode, and therein acquired his extraordinary strength and valour.

      Sivaji is a kind of Indian Ilia Moorometz, though his epoch is much nearer to our times. He was the hero and the king of the Mahrattas in the seventeenth century, and the founder of their short-lived empire. It is to him that India owes the weakening, if not the entire destruction, of the Mussulman yoke. No taller than an ordinary woman, and with the hand of a child, he was, nevertheless, possessed of wonderful strength, which, of course, his compatriots ascribed to sorcery. His sword is still preserved in a museum, and one cannot help wondering at its size and weight, and at the hilt, through which only a ten-year-old child could put his hand. The basis of this hero's fame is the fact that he, the son of a poor officer in the service of a Mogul emperor, like another David, slew the Mussulman Goliath, the formidable Afzul Khan. It was not, however, with a sling that he killed him, he used in this combat the formidable Mahratti weapon, vaghnakh, consisting of five long steel nails, as sharp as needles, and very strong. This weapon is worn on the fingers, and wrestlers use it to tear each other's flesh like wild animals. The Deccan is full of legends about Sivaji, and even the English historians mention him with respect. Just as in the fable respecting Charles V, one of the local Indian traditions asserts that Sivaji is not dead, but lives secreted in one of the Sahiadra caves. When the fateful hour strikes (and according to the calculations of the astrologers the time is not far off) he will reappear, and will bring freedom to his beloved country.

      The learned and artful Brahmans, those Jesuits of India, profit by the profound superstition of the masses to extort wealth from them, sometimes to the last cow, the only food giver of a large family.

      In the following passage I give a curious example of this. At the end of July, 1879, this mysterious document appeared in Bombay. I translate literally, from the Mahratti, the original having been translated into all the dialects of India, of which there are 273.

      "Shri!" (an untranslatable greeting). "Let it be known unto every one that this epistle, traced in the original in golden letters, СКАЧАТЬ