Название: The Complete Collection
Автор: William Wharton
Издательство: HarperCollins
Жанр: Современная зарубежная литература
isbn: 9780007569885
isbn:
A part of Dad’s dilemma is he’s constantly twisting, turning, trying to escape. He’s also continually pulling at his catheter. After the first few days, they lace him into a sort of straitjacket. It’s tied behind and has straps attached to wristlets which can be slipped over his hands. He has relative freedom but can’t reach down to the catheter.
He fights against this; it’s pitiful watching him struggle, like a puppy on a leash. When I feed him, I take it off but keep an eye on his hands.
The nurses are also afraid Dad will develop bedsores. He’s losing weight fast and with the constant twisting-turning of his struggle, he’s rubbing his butt and back sore; the skin is wearing off.
Starting about the fourth day, they sit him in a chair beside the bed while they change sheets. They leave him out there an hour or two to get air on his back but he’s secured by his straitjacket.
I come in one evening for the dinner feeding and find Dad still tied to the chair. He’s defecated and somehow pulled out the catheter so he’s soaked in his own urine. He’s twisted and one of his hands is caught under the handle of the chair. The circulation is cut off; the hand is blue. Also, he’s wiggled around so his hospital gown is twisted up to his waist and he’s naked from there down.
I’m shocked. I kneel beside him and his legs are ice cold. This is all happening in the surgery ward of a modern hospital, not in a nineteenth-century mental institution. I don’t know how long he’s been this way but his legs and feet are mottled red and white and the urine is drying on them.
I ring and holler out. A nurse comes running in and I lay it on her hard. She helps me untie Dad and change his gown. We slide him back into bed. I yearn to comfort Dad but he doesn’t seem to realize what’s happening.
Next day I plow into both Ethridge and Santana. They say it’s difficult to care for somebody in my father’s state at a normal hospital. I tell them I’m taking him home; he’s not getting proper care at Perpetual.
I go home and try to avoid Mom. I sneak back into the garden bedroom with a can of beer. I drink in the quiet and try to think. I want to do the right thing for Dad and Mom, not just work off my own anger.
I get Mom down for her nap and phone Joan. I want to tell it straight, not too much artist-type exaggeration, no heightening for effect. When I finish, there’s a long pause. She’s crying.
‘That’s awful, Jack. We’ve got to do something. Mom’s right; we must bring him home. Could you take care of him there if Mom comes out here with us?’
‘I think I can do it; I know I’ll do better than they’re doing at the hospital. But can you handle Mom there with Mario and all? You know how she is.’
‘We’ll manage. I’ll put her in Maryellen’s room; it’s next to the bathroom and I’ll keep her in bed as much as possible. Mario can work out in his garage or in the garden. With playground supervision, he’s not home till six anyhow. Mario understands; don’t you worry about it.’
So it’s decided. When Mom wakes, I tell her. She wants to stay with me and help. I’m firm. I tell her it’s impossible. She’d have another heart attack for sure and I can’t take care of them both at the same time. She can come visit when Dad’s better.
I help her pack. We get in the car, she puts on her eyeshades, and I drive her to Joan’s over Sepulveda, not the freeway.
When I go get Dad next day, the nursing supervisor comes tearing out. She’s a big matronly type and gives me a time about telling off the nurse yesterday, but I’m not so easily managed. I tell her to get out of my way. All these people are only thinking of their own prerogatives.
She calls in the security man. I explain to him what’s been going on. He nods and pretends to listen. Together we get it worked out. He helps me dress Dad in his pajamas and bathrobe. I gather the rest of his personal effects in a paper bag. I tell the supervisor to hurry it up, to get me discharge papers and a wheelchair.
The security guard gives me a wink; perfect man for the job. Together we maneuver the wheelchair into the elevator. Dad’s sitting there shivering, jibbering, worrying his bathrobe with his fingers. It’s hard to believe this could ever have been a functioning human being. Even his fingers and toes are curled under, practically cramped; his head hangs as if it’s too heavy. He looks like the drawing van Gogh did in an insane asylum, the one with a man pushing his face into his fists, only Dad doesn’t even have enough control to do that.
I roll him across the parking lot in the wheelchair and struggle him into our car. He has no idea what’s happening. I drive him home.
I almost have to carry him across the patio, up those steps and into the house. He puts one foot in front of the other but they don’t take any weight; it’s like walking a giant doll. He’s wearing his old aircraft-carrier cap and it gets twisted around to the side. He’s nodding and mumbling, not noticing where he is.
I decide to dress him in his regular clothes. He’s not actually sick, only debilitated. I’m sure if he can regain the feeling of being his own self, he’ll recover. I take him into the back bedroom, sit him in the armchair and dress him. I choose slacks, a blue shirt, a button-down-the-front sweater and his other cap, the one I gave him.
He reaches up, takes the cap and throws it on the floor. Then he almost falls off the chair bending down for it. I put it back on his head. This time he leaves the cap on. I think maybe a warm head will increase the blood circulation and rejuvenate some neurons in his brain. I’m grasping at any straw.
I guide him into the living room and sit him in his platform rocker. It’s a comfort for me seeing him sit there after all the days tied to that sterile hospital bed. I don’t know if it’s doing him any good, but it’s great for my morale. Appearance means much to me, probably too much; could be why I’m an artist, redoing things to the way I want.
I’m hoping if we can only go on as if there’s nothing wrong, he might slip a gear and get it all on track again.
I go into the kitchen and start making my parents’ classic lunch. It’s a toasted cheese sandwich, served with relish, about ten Ritz crackers and a glass of beer. I run back and forth checking him. He’s sitting there, more or less calm, staring at their clock over the TV.
I bring the sandwiches into the living room and set up a collapsible tray between his chair and Mother’s. They use these trays when they watch TV. While I’m running back and forth, Dad leans forward a few times as if he’s going to get up, but the rocking action of the chair defeats him and he falls back.
I turn on the television and find one of their favorite ‘Crying Annie’ shows. That’s what they call them themselves. Dad stares at the TV but with blank incomprehension. He leans slightly forward, reaching slowly with one hand as if to pick something out of the air about two feet in front of his face. He does this several times, then gives up.
I slide the glass of beer into his hand but he doesn’t do anything. He looks at it, then at me. It’s as if we have no relationship, nothing of being the same species, let alone related. I’ve seen circus acts where chimpanzees have been trained to drink out of a cup and eat off a plate. Those chimpanzees looked more human than my father. He stares at that glass of beer, no idea what to do with it. I put my hand over his, around the glass, and bring it up slowly to his lips; his hands are cool, trembling. I tilt it so the beer goes into his mouth. About СКАЧАТЬ