The Complete Collection. William Wharton

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СКАЧАТЬ just for a while, Bill. We can listen some more later.’

      We cruise along quietly; packed silence.

      ‘He’s better than those Mafia-type moaners, Dean Martin, Bing Crosby, Frank Sinatra, Perry Como, those guys you and Mom like so much.’

      He doesn’t say anything.

      ‘Christ, all they do is take some dumb simple idea like “I love you” or “kiss me” and grind away at it.’

      I’m not sure he’s heard me. He can block off completely when he wants to.

      ‘Well, Bill; let’s see if I can explain my feelings.

      ‘First, it’s been so easy for so damned long. My generation started marrying, settling down at the beginning of a thirty-year boom. Most of our friends are semiretired, with a house on a hill, a pool and a Cadillac.

      ‘Hell, anybody white and half bright who even tried could make it. And you kids grew up in the middle of this. Nobody can get excited struggling for something they’ve always had. We’re accustomed to twenty-minute showers, thick, six-foot-long towels, clean underwear every morning, wheels, freezers full of food, stereos, the whole thing. And, on top, there’s the business of “having” to go to school.’

      Boy, he’s getting close. Billy boy, you’ll never learn!

      ‘Now, today’s kids want to hear about hard times, hard people. Guys like Bob Dylan tell them. You know, Dylan’s name is Zimmerman, comes from Hibbing, a town outside Duluth, Minnesota. He’s singing Tennessee because Tennessee is supposed to be manly, poverty, earthy talk. Actually, he’s imitating Woody Guthrie imitating an Appalachian dirt farmer. And he’s not out in a corn patch singing those songs, either. He’s in a recording studio, surrounded by technicians. There are different specialists with blenders, dampers, amplifiers; mixing, putting together all the honky sound. It’s totally computerized; not even Dylan ever hears himself sing the way it sounds.’

      Now he’s the technical genius. Hell, he can’t play ‘Jingle Bells’ on a harmonica without making mistakes. I dread Christmas. Every year he whips out his harmonica and massacres all the Christmas carols. How far is it to Philadelphia?

      ‘But that’s OK, Bill. It’s just I don’t want to hear about hard times; it doesn’t interest me. Dylan’s only another entertainer like Crosby, Sinatra or Como. It’s what he’s paid for; singing things people want to hear. Dylan’s worked up a voice that’s just right, black enough but not too black, red-neck but not hick, an acceptable squeak of poverty. Here’s a nice bourgeois Jewish boy who’s been turned into an event.’

      He’s quiet. I’m praying he’s finished. I’ll hide the tape in my knapsack, forget about it.

      ‘One more thing, Bill. There’s the voice. I’m not talking about the Tennessee accent but the voice itself. It violates me. There’s something tight-jawed. I don’t feel this is a rational person with whom I can talk, work it out. There’s hate in that voice, just generalized hate.’

      Oh, boy! I can see there isn’t going to be much Dylan played on this trip. I only wish I could get my eight dollars back.

      We’re behind a whole line of trucks on the way up Loveland. The old man isn’t about to pass, either, so we lug along at thirty, thirty-five. The car’s heating up. At this altitude, in midsummer, any water-cooled engine is in trouble.

      At last, the road widens and we come to Vail. It’s the American idea of a picture-postcard town, like the place in Austria we skied when we were kids. Only it’s blown up five times normal size. It reminds me of Santa Cruz: Twentieth Century National Forest style, everything wood and glass.

      We stop for gas, then go into a restaurant. We have flap-jacks with eggs and real maple syrup. I lay it on, all over the platter and let it soak in; lots of butter, too. We don’t have maple syrup in France.

      When we’re back on the road, I push in the tape again. What the hell, I’ve got eight bucks invested. I can’t just throw the damned thing away. I balance the speakers, low, and I’m inside that harmonica. Outside it’s beautiful: clear sun and deep drops on both sides with pine trees all around. I watch huge cumulus clouds booming ahead and let that music come into me.

      I don’t know where Dad’s mind is. We’re in the same car but it seems as if he’s a thousand miles away. There’s no sense keeping up a conversation; it doesn’t go anywhere. He’s probably still sweating all that crap in California.

      I don’t know why it is but I don’t seem able to save money. I get a chunk together and it disappears. Sometimes I think I have holes in my pockets; I have it, then when I reach for it, it’s gone; like I dreamed it.

      I’m working in that boatbuilding place, sleeping in a sort of flop-house, trying to get a bundle together when I get a letter from Mom saying Dad’s in California and Grandmom’s had a heart attack. I hitch down there, figuring maybe I can help.

      By that time Grandmom’s out of the hospital but Granddad’s totally bonkers. He’s gone, flipped. He doesn’t know who I am, doesn’t know who my father is. And Dad looks awful; he must’ve lost fifteen pounds since I last saw him. He’s pale, balder, grayer; worried-looking. I move into the garden room; Dad’s sleeping in the side room.

      I stick it for more than a week, then Tom comes down from Santa Cruz. He’s cut out, too, and has a car. My folks own a forty-acre hill in Topanga Canyon, so Tom and I move up there. Tom has a terrific battery-driven stereo and a tent.

      We haul water in the car and shop at the Topanga market. I borrow Dad’s little Honda 175 and we ride it over those fire trails, ducking the fire department. I take a few spills and knock in one side of the gas tank, bend the brake pedal and break off the clutch handle, but I pound out the tank, spray it with some paint, bend the brake pedal back into place and replace the handle. When I’m finished, you’d hardly notice.

      While Dad’s with Granddad in the hospital, I come down and sit with Grandmom. That woman’s absolutely insane. All day long, it’s ‘Why don’t you shave off your beard; what’re you hiding from?’ or, ‘Why do you wear that long hair?’ or, ‘If you must have long hair like a girl, at least wash it.’

      God, it’s a constant hassle. One day she comes at me with a pair of scissors. ‘Here, Billy, I’ll just cut off this one part sticking out over your ear.’ I duck away. ‘Come on, don’t be silly; let me trim your neck anyway.’

      Then sometimes she comes into the back bedroom while I’m sleeping, after she’s supposed to be in bed. She comes sliding in, snooping into everything.

      One day she goes through all my underwear; throws them into the bathtub and washes them. She’s supposed to have a heart attack and she’s washing my underwear. She tells me no girls like boys with dirty underwear. What a mind!

      Then she asks if I know how to wipe myself properly. I almost expect a demonstration. She tells me to use several sheets of paper folded over and wipe from the outside, not between the legs, and to wipe at least three times. I can’t believe it; she has no idea of privacy. I don’t know how Dad takes it; imagine having her for a mother.

      Finally I blow up. Dad’s out painting and she’s been bugging me all afternoon, wanting to know if I go to church, if I’m still a virgin, do I have a steady girl. I tell her she’s driving me crazy, she’s driving Dad crazy and she probably drove СКАЧАТЬ