The Times Style Guide: A guide to English usage. Ian Brunskill

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СКАЧАТЬ guide sets out the paper’s detailed preferences in such fields as capitalisation, hyphenation and variant spelling. More general entries are intended to encourage reflection about words and the way we use them. While all Times journalists should follow house style, they should not do so unthinkingly. Considered exceptions can (and often must) be made, especially in direct quotes, in features, diaries and other less formal kinds of writing, and with columnists whose individual voices should be heard and whose flow of argument should be preserved.

      Where extra guidance is needed, and for all spellings, hyphenations etc not covered by the guide, staff are expected to use as their first point of reference Collins English Dictionary. Other helpful resources are the New Oxford Dictionary for Writers and Editors (Odwe), the Concise Oxford or Chambers. For place names The Times Comprehensive Atlas of the World should be consulted.

      Further advice on style and on good writing may be found in the familiar authorities: Fowler (Modern English Usage), Partridge (Usage and Abusage), Gowers (The Complete Plain Words) and their admirably brisk US counterpart Strunk & White (The Elements of Style). The compendious Chicago Manual of Style contains sensible (American) guidance on almost everything. Kingsley Amis’s The King’s English takes a more idiosyncratic approach. All are valuable works of informed and considered opinion; none should be regarded as a repository of unbreakable rules.

      There are thoughtful books on the particular challenges of journalistic writing by Harold Evans (Essential English for Journalists, Editors and Writers) and Keith Waterhouse (On Newspaper Style).

Acknowledgments

      Special thanks to Isabella Bengoechea, Magnus Cohen, Fiona Gorman, Alan Kay, Matthew Lyons and Siobhan Murphy, who worked on production of the book at The Times, and to Gerry Breslin, Jethro Lennox, Kevin Robbins and Sarah Woods at HarperCollins.

      Thanks also to Nic Andrews, Chris Broadhurst, Josie Eve, Hannah Fletcher, Jeremy Griffin, Robert Hands, Oliver Kamm, Nick Mays, Robbie Millen, John Price, Chris Roberts, Fay Schlesinger, Mark Shillam, Craig Tregurtha, Emma Tucker, Roland Watson, Rose Wild and John Witherow at The Times; and to Tim Austin, Richard Dixon, Sir Simon Jenkins and the late Philip Howard, who were responsible for earlier editions of this guide.

Aa

      a, an use a before all words beginning with a vowel or diphthong with the sound of u (as in unit) — a eulogy, a European etc; but use an before unaspirated h — an heir, an honest woman, an honour. Whether or not to use an before an aspirated h when the first syllable of a word is unaccented — hotel, historian, heroic — is a matter of preference; The Times prefers a. With abbreviations, acronyms, initials, be guided by pronunciation: an LSE student, an RAF officer, an NGO

      abbreviated negatives (can’t, don’t, shan’t etc, and similar abbreviations/contractions such as I’ll, you’re) should be discouraged except in direct quotes, although in more informal pieces such as diaries, sketches and some features they are fine when the full form would sound pedantic

      Abdication cap with specific reference to Edward VIII’s; in general sense use lower case

      Aboriginal (singular, noun and adjective) and Aborigines (plural), for native Australian(s); aboriginal (lower case) for the wider adjectival use

      absorption is the noun from absorb; absorbtion is a non-word that has found its way more than once into The Times

      abstraction often an escape from precise meaning and a sign of lazy writing. Beware words such as situation, crisis, problem, resolution, question, issue, condition. A newspaper is about what happens and what people do; it should use concrete words. A headline, especially, may be killed by an abstract noun or phrase

      abu means “father of” so must not be separated from the name that follows, ie Abu Qatada at first mention remains Abu Qatada (“father of Qatada”), not simply Qatada, and certainly not Mr Qatada

      accents give French and German words their proper accents and diacritical marks, unless they have passed into common English usage. Use accents as appropriate also on capital letters and in headlines. With anglicised foreign words, no need for accents (hotel, depot, debacle, elite, regime etc), unless it makes a crucial difference to pronunciation or understanding, eg cliché, façade, café, exposé. NB matinee, puree etc.

      In Spanish give accents only on the names of people, if they can be checked. In other Spanish words and place names, ignore accents and diacritical marks except for n with the tilde (Ñ or ñ, as in El Niño); this is considered a distinct letter of the alphabet in its own right and is also familiar to (and easily pronounceable by) most English-speaking readers

      Achilles’ heel a small but deadly area of weakness in someone seemingly invulnerable (like the Greek hero of the Trojan war, hence cap and apostrophe); but achilles tendon (lower case, no apostrophe, as the connection with the myth is more remote)

      acknowledgment as with most (but not quite all) such words, no middle e

      acronym a word formed from the initial letters or groups of letters of words in a set phrase or series of words, eg Opec, from the Organisation of Petroleum Exporting Countries, or Ukip for the United Kingdom Independence Party. If the acronym is easily pronounced and usually spoken as a word, write with an initial cap and then lower case: Opec, Nato, Ukip, Rada, Bafta, Nice, Acas, Asbo etc; follow this house style whatever the organisation itself may choose to do. Acronyms do not normally take the definite article.

      Non-acronym abbreviations based on initials that are spelt out separately in speech (ie not pronounced as a word) remain in caps, and normally retain a definite article: the BBC, the RAF, the CBI, the LSO, the UN, the EU etc. A few, by convention, take an unpleasant mixture of upper and lower case: MoT, the MoD, the DfE, the IoD. All but the most familiar organisations, bodies, concepts and things should be named in full at first mention with the initials in brackets. However, a lot of initials in text will produce an unappetising alphabet soup, so use as sparingly as possible; after first mention try to vary with a suitable word: the ministry, the corporation, the department, the institute etc

      Act theatre, ballet, opera etc, use cap and use roman numerals when naming, specifying or giving references: Macbeth, Act I, Act II etc; for more general refs use lower case, eg “in the second act of the play”, “in the third scene of Act II”

      Act and Bill (parliamentary) cap when giving full name (the Data Protection Act, the Assisted Dying for the Terminally Ill Bill etc) but otherwise lower case: “a bill intended to decriminalise assisted suicide”; “the act covers the gathering, storing and processing of personal information” etc

      action as a transitive verb meaning undertake (“The marketing department will action this”) is corporate jargon of the most irritating kind; avoid

      active verbs generally better (and shorter) than passive

      actor, actress for women use the feminine designation

      AD, BC note that AD comes before the date, eg AD35; BC comes after, 350BC. Both have no СКАЧАТЬ