Название: The Temptation of Jack Orkney: Collected Stories Volume Two
Автор: Doris Lessing
Издательство: HarperCollins
Жанр: Зарубежные любовные романы
isbn: 9780007396474
isbn:
Then a senior person became ill, and Ephraim was asked to fly in his stead to Alexandria for a special job. A certain rich merchant of Alexandria had purchased an uncut diamond as a present for his daughter, who was to be married shortly. He wished only the best for the diamond. Ephraim, revealed by this happening as one of the world’s master diamond-cutters, flew to Egypt, spent some days in communion with the stone in a quiet room in the merchant’s house, and then caused it to fall apart into three lovely pieces. These were for a ring and earrings.
Now he should have flown home again; but the merchant asked him to dinner. An odd chance that – unusual. Not many people got inside that rich closed world. But perhaps the merchant had become infected by the week of rising tension while Ephraim became one with the diamond in a quiet room.
At dinner Ephraim met the girl for whom the jewels were destined.
And now – but what can be said about the fortnight that followed? Certainly not that Ephraim, the little artisan from Johannesburg, fell in love with Mihrène, daughter of a modern merchant prince. Nothing so simple. And that the affair had about it a quality out of the ordinary was shown by the reaction of the merchant himself, Mihrène’s conventional papa.
Conventional, commonplace, banal – these are the words for the members of the set, or class, to which Mihrène Kantannis belonged. In all the cities about the Mediterranean they live in a scattered community, very rich, but tastefully so, following international fashions, approving Paris when they should and London when they should, making trips to New York or Rome, summering on whichever shore they have chosen, by a kind of group instinct, to be the right one for the year, and sharing comfortably tolerant opinions. They were people, are people, with nothing remarkable about them but their wealth, and the enchanting Mihrène, whom Ephraim first saw in a mist of white embroidered muslin standing by a fountain, was a girl neither more pretty nor more gifted than, let’s say, a dozen that evening in Alexandria, a thousand or so in Egypt, hundreds of thousands in the countries round about, all of which produce so plentifully her particular type – her beautiful type: small-boned, black-haired, black-eyed, apricot-skinned, lithe.
She had lived for twenty years in this atmosphere of well-chosen luxury; loved and bickered with her mother and her sisters; respected her papa; and was intending to marry Paulo, a young man from South America with whom she would continue to live exactly the same kind of life, only in Buenos Aires.
For her it was an ordinary evening, a family dinner at which a friend of Papa’s was present. She did not know about the diamonds; they were to be a surprise. She was wearing last year’s dress and a choker of false pearls: that season it was smart to wear ‘costume’ pearls, and to leave one’s real pearls in a box on one’s dressing-table.
Ephraim, son of jewellers, saw the false pearls around that neck and suffered.
Why, though? Johannesburg is full of pretty girls. But he had not travelled much, and Johannesburg, rough, built on gold, as it were breathing by the power of gold, a city waxing and waning with the fortunes of gold (as befits this story), may be exciting, violent, vibrant, but it has no mystery, nothing for the imagination, no invisible dimensions. Whereas Alexandria … This house, for instance, with its discreetly blank outer walls that might conceal anything, crime, or the hidden court of an exiled king, held inner gardens and fountains, and Mihrène, dressed appropriately in moonwhite and who … well, perhaps she wasn’t entirely at her best that evening. There were those who said she had an ugly laugh. Sometimes the family joked that it was lucky she would never have to earn a living. At one point during dinner, perhaps feeling that she ought to contribute to the entertainment, she told a rather flat and slightly bitchy story about a friend. She was certainly bored, yawned once or twice, and did not try too hard to hide the yawns. The diamond-cutter from Johannesburg gazed at her, forgot to eat, and asked twice why she wore false pearls in a voice rough with complaint. He was gauche, she decided – and forgot him.
He did not return home, but wired for money. He had never spent any, and so had a great deal available for the single perfect pearl which he spent days looking for, and which he found at last in a back room in Cairo, where he sat bargaining over coffee cups for some days with an old Persian dealer who knew as much about gems as he did, and who would not trade in anything but the best.
With this jewel he arrived at the house of Mihrène’s father, and when he was seated in a room opening on to an inner court where jasmine clothed a wall, and lily pads a pool, he asked permission to give the pearl to the young girl.
It had been strange that Papa had invited this tradesman to dinner. It was strange that now Papa did not get angry. He was shrewd: it was his life to be shrewd. There was no nuance of commercial implication in a glance, a tone of voice, a turn of phrase, that he was not certain to assess rightly. Opposite this fabulously rich man into whose house only the rich came as guests, sat a little diamond-cutter who proposed to give his daughter a small fortune in the shape of a pearl, and who wanted nothing in return for it.
They drank coffee, and then they drank whisky, and they talked of the world’s jewels and of the forthcoming wedding, until for the second time Ephraim was asked to dinner.
At dinner Mihrène sat opposite the elderly gentleman (he was forty-five or so) who was Papa’s business friend, and was ordinarily polite: then slightly more polite, because of a look from Papa. The party was Mihrène, her father, her fiancé Paulo, and Ephraim. The mother and sisters were visiting elsewhere. Nothing happened during the meal. The young couple were rather inattentive to the older pair. At the end, Ephraim took a screw of paper from his pocket, and emptied from it a single perfect pearl that had a gleam like the flesh of a rose, or of a twenty-year-old girl. This pearl he offered to Mihrène, with the remark that she oughtn’t to wear false pearls. Again it was harshly inflected; a complaint, or a reproach for imperfect perfection.
The pearl lay on white damask in candlelight. Into the light above the pearl was thrust the face of Ephraim, whose features she could reconstruct from the last time she had seen him a couple of weeks before only with the greatest of difficulty.
It was, of course, an extraordinary moment. But not dramatic -no, it lacked that high apex of decisiveness as when Ephraim tapped a diamond, or an archer lets loose his bow. Mihrène looked at her father for an explanation. So, of course, did her fiancé. Her father did not look confused, or embarrassed, so much as that he wore the air of somebody standing on one side because here is a situation which he has never professed himself competent to judge. And Mihrène had probably never before in her life been left free to make a decision.
She picked up the pearl from the damask, and let it lie in her palm. She, her fiancé and her father, looked at the pearl whose value they were all well equipped to assess, and Ephraim looked sternly at the girl. Then she lifted long, feathery black lashes and looked at him – in inquiry? An appeal to be let off? His eyes were judging, disappointed; they said what his words had said: Why are you content with the second-rate?
Preposterous …
Impossible …
Finally Mihrène gave the slightest shrug of shoulders, tonight covered in pink organza, and said to Ephraim, ‘Thank you, thank you very much.’
They СКАЧАТЬ