The Element Encyclopedia of the Psychic World: The Ultimate A–Z of Spirits, Mysteries and the Paranormal. Theresa Cheung

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СКАЧАТЬ so frightened that John Stuart was forced to build a new wing for the children to live in outside the haunted area. A Jesuit priest and family friend, Father Hayden, who often stayed at Ballechin, heard the haunted sounds, including screams, on many occasions. In January 1895, John Stuart was in the Major’s old study talking to his agent when three loud knocks were heard. This may have been an omen because a few hours later John Stuart died in London after being run over by a cab.

      After John’s death the house was rented to a family for a year, but they left after a few weeks complaining of being terrorized by poltergeist activity, such as thumps and bumps, strange noises, apparitions and unseen hands moving objects.

      In 1896 the Marquis of Bute, an avid ghost researcher, rented Ballechin House and asked two psychic researchers to help him carry out investigations. Almost immediately after moving in the researchers reported hearing loud clanging noises, muffled voices and gunfire.

      Other guests invited to stay at the house reported supernatural activity. Several of the group conducted sessions with a Ouija board. During one session a person with the name of Ishbel came through and asked the investigators to go to a nearby pond. On doing so, the investigators clearly saw the figure of a nun, thought to be the Major’s sister, Isabella, wearing a black habit and walking through a snowy wood before suddenly vanishing.

      From 1932 the house remained empty, and it was demolished in the 1960s. An account of the investigations that took place there at the turn of the century was published in 1899 with the title The Alleged Haunting ofB House. The Stuart family disliked publicity so much that they asked for all names to be changed or excluded from the story. As a result the hauntings had to be reported as alleged and could never be credited as genuine.

      BALTIMORE POLTERGEIST

      Between 14 January and 8 February 1960, alleged poltergeist activity caused havoc in the Baltimore household of a couple called Jones, their daughter and son-in-law, and their 17-year-old grandson, Ted Pauls.

      The first incident occurred on 14 January when the family sat down for dinner. A miniature pottery pitcher, one of Mrs Jones’s favourite pieces in her china collection, inexplicably exploded, showering Mr Jones with tiny pieces of china. Upset by the loss, Mrs Jones immediately went into the kitchen for a dustpan and brush, but before she reached the kitchen another pitcher shattered, followed by another and another and another, until fifteen of her precious ornaments had been shattered. The Jones family jumped away from the table in fear and panic.

      In the month of misery that followed, objects flew off shelves and crashed through windows, pictures fell from the wall, plants leapt out of their holders, a sugar bowl floated up to the overhead ceiling light and dumped its contents all over the table, chairs and tables moved about and overturned, soda bottles exploded, books tumbled over and a brass incense holder was seen flying across a room. When the dining room light began to swing about violently during mealtimes the Joneses took to eating in their bedrooms, but this did not stop knives and forks vanishing from beside their plates.

      Surprisingly, the only injury to occur was on the night of 17 January, when Mr Jones tried to pick up a can of corn that had fallen off a shelf and a tin of sauerkraut smacked him on the back of the head. There was an occasional day of respite, but more often than not the family spent their time running from room to room to tidy up and repair the damage. Then suddenly, on 9 February the incidents stopped as mysteriously as they had begun.

      Not surprisingly, word spread during the month of terror, and reporters and investigators were regular visitors to the house. Several theories were put forward. Some thought Ted was playing tricks on his family, but this was denied by his parents. Others suggested radio signals, sound waves and earth tremors, but no proof was found. The police could find no evidence of explosives. A local plumber suggested that the hot air furnace might be the culprit. He urged the family to equalize pressure by opening the dining room windows. The Joneses followed his instructions, and the incidents stopped, causing the family to credit the plumber with solving the mystery.

      Before the phenomena ceased, however, the respected psychoanalyst and researcher of paranormal phenomena Nandor Fodor suggested that poltergeists were not ‘ghosts’ but were bundles of ‘projected repressions’ that quickly wore themselves out.

      Fodor theorized that so-called poltergeist activity was usually associated with a teenaged member of the family. When he investigated the case, he concentrated on Ted Pauls, the 17-year-old grandson. According to Fodor, Ted was a shy but talented and intelligent boy who was unconsciously using his mental power to create the disturbances. Fodor believed that the human body and mind could release energy ‘similar to atomic bombardments’, and could project this force into objects such as soda bottles, which would then burst from within.

      Fodor thought that Ted felt misunderstood and longed to be esteemed for his writing talent. He theorized that Ted was unconsciously venting his frustrations by projecting them into aggressive poltergeist activity. Fodor explained this to Ted and suggested that if a way could be found to help him feel appreciated and valued as a person, he would have no need to express himself in such a destructive way. Fodor then took a risk by announcing that Ted was a gifted writer and that if his talent could be recognized the poltergeist activity would stop. He suggested that Ted should write his own account of what had happened, and, as expected, this had a therapeutic effect on Ted. His family gave Ted a newfound respect, and his self-esteem was boosted. Although a few more incidents happened (the psychological working-out process, as Fodor explained), they gradually stopped.

      The Joneses, however, remained convinced that the plumber had solved the mystery.

      BANSHEE

      In the words of the Irish playwright and poet, and expert in Irish folklore, William Butler Yeats:

      The banshee (from ban [bean], a woman, and shee [sidhe, a fairie]) is an attendant fairy that follows the old families, and none but them, and wails before a death. Many have seen her as she goes wailing and clapping her hands. The keen (caoine), the funeral cry of the peasantry, is said to be an imitation of her cry. When more than one banshee is present, and they wail and sing in chorus, it is for the death of some holy or great one. An omen that sometimes accompanies the banshee is the coach-a-bower (cóiste-bodhar) - an immense black coach, mounted by a coffin, and drawn by headless horses driven by a Dullahan. It will go rumbling to your door, and if you open it … a basin of blood will be thrown in your face. These headless phantoms are found elsewhere than in Ireland. In 1807 two of the sentries stationed outside St. James’s Park died of fright. A headless woman, the upper part of her body naked, used to pass at midnight and scale the railings. After a time the sentries were stationed no longer at the haunted spot. In Norway the heads of corpses were cut off to make their ghosts feeble. Thus came into existence the Dullahans, perhaps; unless, indeed, they are descended from that Irish giant who swam across the Channel with his head in his teeth. (From A Treasury of Irish Myth, Legend, and Folklore, ed. W B Yeats.)

      In Irish and Scottish folklore the banshee is believed to be a death omen who attaches herself to families, usually those whose surnames begin with Mac. Thought to be the spirit of a young woman who died in childbirth, she strikes terror into the hearts of those who encounter her as she only manifests when there is to be a death in the family.

      There are variations in the way she appears. According to Irish lore the banshee is known as Bean Si and is a beautiful young woman with long, flowing hair, wearing a grey cloak over a white, red or green dress. Her eyes are always red and sore from crying. In both Scottish and Irish lore she is also known СКАЧАТЬ