The Element Encyclopedia of the Psychic World: The Ultimate A–Z of Spirits, Mysteries and the Paranormal. Theresa Cheung

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СКАЧАТЬ to an atmosphere, and a person who readily senses an atmosphere in a place usually has that same knack when summing up people.

      Clairsentients who work with environmental energy believe that everything that happens within an environment affects the way it feels. For example, there is a dis-cernable difference between the feeling of a room used by people who respect and love each other and the feeling of a room in which people have been in bitter competition. Practitioners of the art of feng shui know a great deal about the need to balance environmental energy, and in feng shui the placing of objects such as mirrors and ornaments can help to regulate energy that is out of balance and create a healthier, more harmonious atmosphere in which to live and work.

      Some clairsentients may be able to channel a form of healing energy, which can harmonize the feeling of a room, or they may, like feng shui experts, suggest colours, shapes, objects or spiritual practices to help transform the feeling or atmosphere of an environment.

      AUBREY, JOHN [1626—1697]

      One of the first known collectors of ghost stories, antiquarian and biographer John Aubrey’s compilation, Miscellanies, was published in 1696 and is packed with eye-witness accounts of ghostly sightings gathered from all points of Great Britain. Aubrey’s interest in the supernatural was reinforced by his own personal experiences. In Miscellanies, Aubrey writes about strange knocking sounds on the walls of his house a few days before his father died. ‘Three or four days before my father died’, he wrote, ‘as I was in my bed about nine o’clock in the morning, perfectly awake, I did hear three distinct knocks over the bed’s head, as if it had been with a ruler or ferula.’ This mysterious incident, when combined with his interviews of others who had encountered ghosts, utterly convinced Aubrey that the spirit world existed.

      AUGURY

      A form of divination using the flight or song of birds. This was common practice in ancient Rome, where augurs foretold the future by observing and interpreting bird omens, which included noticing the type of bird seen as well as the direction of its flight and its singing. The Romans also used the term ‘augur‘ to refer to divination by thunder and lightning, which was believed to be communication from the god Jupiter.

      The term ‘augury‘ also refers to the general art of divination, especially the interpretation of the future based on divinations and omens, mostly related to the appearance and behaviour of animals. These practices include:

      

Ailuromancy (cats).

      

Alectromancy (chickens).

      

Arachnomancy (spiders).

      

Batrachomancy: (frogs).

      

Entomancy (insects).

      

Hippomancy (horses).

      

Ichthyomancy (fish).

      

Myomancy (mice).

      

Ophiomancy (snakes).

      

Zoomancy (any animal).

      A related practice was Haruspicy, or interpreting animal entrails.

      AUMAKUA

      A family of guardian spirits from Hawaiian mythology, the aumakua are worshipped to ensure the wellbeing of the family. The aumakua are thought to have laws that must be followed, and transgressions are sometimes punished for decades. Many believe it is of vital importance to be on good terms with your family’s aumakua, or a soul may be abandoned before it reaches the land of the dead. Such abandoned souls haunt the living and remain in limbo until another aumakua takes pity on them and leads them to their new home.

      Offspring of the aumakua can be born into families, and various legends tell of people born with supernatural powers, such as the ability to transform into animals.

      According to lore the aumakua escort the souls of the dead to the afterlife in a ghostly procession, and if you have not rectified your sins against the aumakua before death, you have one chance to beg for pardon when the procession reaches its first stopping place. It is believed that the aumakua take the entire body to the next world, but if for any reason the body is not taken, the family must prepare the corpse for burial and its transformation into the aumakua form, which is that of a snake or shark.

      AURA

      The name given to a subtle envelope of vital energy that is thought to radiate round natural objects, including human beings, animals and plants. The colours and forms of each aura are believed to be characteristic of the person, animal or thing it surrounds and to fluctuate and shift according to mood and state of health.

      The aura is normally invisible, but it can be seen by clairvoyants as a halo of light and colour. Two clairvoyants viewing the same aura might see different colours or interpret it in different ways. State of health and a person’s emotions show up as differences in colours and energy patterns or breaks in an aura. Physical illness seems related to the part of the aura that is closest to the body, often called the etheric body. Some psychics see the aura as a psychic screen for the projection of information, past, present and future.

      Although the body does have a magnetic field - a biofield - there is no scientific evidence that auras exist. However, the belief that the human body emits radiations of a kind that in certain circumstances becomes visible has been encountered for centuries, and was present in ancient Egypt, India, Greece and Rome. In the sixteenth century, discourses on the astral body and its ‘fiery aura’ abound, and in the eighteenth century the theory of animal magnetism was developed by Anton Mesmer, who promoted a variety of scientific experiments to try to identify the phenomenon.

      Just before World War I, Dr Walter Kilner from St Thomas’s Hospital in London developed a method to view auras, which he claimed appeared as a faint haze around the body, using an apparatus that rendered ultraviolet light visible. His theory of auric diagnosis of illness linked the appearance of an aura to a patient’s health. Kilner’s work was greeted with scepticism and interrupted by the outbreak of hostilities. In 1939, Semyon Davidovich Kirlian, a Russian electrician, developed a technique that he claimed recorded auras on film, but this technique remains to be verified. See Kirlian СКАЧАТЬ