In the Night Room. Peter Straub
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Название: In the Night Room

Автор: Peter Straub

Издательство: HarperCollins

Жанр: Ужасы и Мистика

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isbn: 9780007387953

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СКАЧАТЬ on the tray his assistant was carrying to the front door, Mitchell remembered that he had to field an important telephone call. He left her sitting on the porch by herself, the mistress of the wicker chair, a front yard festooned with pickup trucks, and two hot cups of English breakfast she had not wanted in the first place. Alone, she picked up the Times and blazed through the crossword in twenty minutes.

      From the window in her second-floor office, Willy saw Roman Richard lumbering across the driveway to speak to one of the Dellray men, a carpenter with a beach-ball gut, a red mullet, and intricate tattoos on his arms. Soon they were laughing at a remark of Roman Richard’s. Willy had a strong, unpleasant impression that the remark concerned her. The two men glanced upward at her window. When they saw her looking down, they turned their backs.

      Mitchell’s voice came through her voice mail, sounding a little weary, a little dutiful.

      ‘Hi, this is me. Sorry you aren’t picking up. Giles told me you’re home, so I was expecting to talk to you.

      ‘Let’s see, what can I tell you? I’m in Nanterre, just west of Paris. From the way things are going, I’ll be here another three, four days. The only thing that might keep me away is a development in Toledo. Spain, unfortunately, not Ohio. So, let’s see—if you need me, I’m at the Hôtel Mercure Paris La Défense Parc, and if I have to go to Toledo, I’ll be at the Hotel Domenico.

      ‘I talked to Giles about this, but I’ll mention it to you too. The Santolini brothers were making noises about taking a couple of limbs off the oak tree at the side of the house. I don’t want them to touch that tree until I get home. Okay, Willy? They’re just making work to drive up their fee. Giles knows what to do, but I want you to back him up on this, okay? That oak is one of the reasons I bought the estate in the first place.

      ‘And honey, listen, don’t worry about the wedding, hear me? I know it’s only two months away, but everything’s taken care of, all you have to do is shop for something pretty to wear. I set up an appointment for you at Bergdorf’s the day after tomorrow. Just drive into town, meet the lady, the personal shopper, buy whatever you like. Giles will give you all the details. Let him drive you in, if you feel like it. Enjoy yourself, Willy! Give yourself a treat.’

      She heard a low voice in the background. It sounded self-consciously confidential, as if the speaker regretted breaking into Mitchell’s monologue. Against her wisest instincts, Willy suffered a brief mental vision of Mitchell Faber sitting up naked in bed while a good-looking woman, also naked, whispered in his ear.

      ‘Okay, look, I have to go. Talk to you soon, baby. Stay beautiful for me. Lots of love, bye.’

      ‘Bye,’ she said into the phone.

      It was the longest message she had ever received from Mitchell, and at the sound of his voice she had experienced a peculiar range of emotions. Warmth was the first of these—Mitchell Faber aroused a flush of warmth at the center of her body. He had turned out to be a tireless, inventive lover. And with beautiful timing, the sense of safety Mitchell brought to her came obediently into play. Where there was Mitchell, MICHIGAN PRODUCE offered no threat; the mere sound of his voice banished craziness, which he would not tolerate. Also, the chaos of workmen, their tools and vehicles, no longer seemed a threat to her inner balance. Before the wedding, all this would pass; the Dellray men and the Santolini brothers would finish their work and depart.

      But along with these positive feelings came darker ones, and they were no less powerful. Among them was her old irritation at Mitchell’s deliberate mystifications. He had told her he was in Nanterre, but not what he was doing there, nor why he might have to go to Spain. He had left the date of his return completely open, apart from mentioning that it might occur in four or five days, which could easily mean eight or nine. And making an appointment for her at Bergdorf’s seemed unreasonably dictatorial, even for Mitchell. Willy knew he thought he was being helpful, but suppose she didn’t want to buy her wedding dress at Bergdorf’s? And all those little bullying interrogatives at the ends of his sentences, okay? That’s an annoying habit, okay?

      Willy supposed that throughout her life to come, the life with Mitchell, she would feel much the way she did at this moment. As long as warmth and gratitude outweighed irritation, she would enjoy a happy enough marriage. For Willy, ‘happy enough’ sounded paradisal. It wasn’t a phrase like ‘not all that rainy,’ which contradicted itself; in describing a situation one could easily live with, it was a good deal more like ‘fairly sunny.’ On the whole, did she feel fairly sunny? Yes, on the whole she did.

      Also, Mitchell Faber frightened her, a little bit. Willy wanted her prospective husband never to know this, but at times, when regarding the smooth breadth of his back or the sheer weightiness of his hands, she experienced a little eroticized thrill of fear.

       11

      They marched across his screen, all right, the words, but he could not help feeling that, about half the time, in crucial ways, they were the wrong words. His bizarre admirer had thrown him farther off course than his visit from April.

      Underhill shoved back his chair, groaned, and stood up. Habit brought him leaning back over the keyboard to save the dubious new paragraphs to his hard drive. When he released the mouse, he saw his hand execute a real aspen-leaf-in-the-wind flutter. His left hand was trembling, too. He registered his slightly elevated heartbeat and realized that the morning’s adventures had touched him, so lightly he had not noticed until this moment, with fear. Funny—under his gaze, his hands ceased to tremble, but he could feel the remainder of his fear prickle his lungs. For the hundredth time, Timothy Underhill observed that fear was a cold phenomenon.

      Now that he was on his feet, he needed a diversion that might restore his concentration. He walked across the loft to his refrigerator, but the thought of putting food in his mouth made him queasy. Underhill wandered to one of the big windows and looked down on Grand Street. A huddle of stationary umbrellas at the corner of West Broadway belonged to people waiting for a break in the traffic. Then he noticed that one figure, a man in loose, dark clothing, had turned his back on the crowd to gaze across the street at Underhill’s building. The oval blur of his face gleamed white beneath the hood of his sweatshirt. When the umbrellas began to drift across the street, the man moved down into the shelter of the corner building, keeping his eyes on the entrance to 55 Grand. Tim thought he was waiting for someone to come out of the Vietnamese restaurant on the ground floor. Then the figure shifted position, and his identity snapped into focus.

      Hooded gray sweatshirt, jeans, a bright plastic bag clamped under one arm—Jasper Kohle had not, after all, left the neighborhood; he had circled around from wherever he had gone, and he was keeping watch on Tim’s building. What was he doing out there, and what were his motives? Hunched and utterly still, he had the pure attentiveness of a hawk on a telephone pole. He made no effort to shelter himself from the rain, although he could easily have moved to an awning fifteen feet down the block.

      Unless he wanted to spend the next few days hiding in his loft, Tim realized, he would have to deal with this character.

      Abruptly, Kohle straightened his spine and swept the hood off his head. Any hopes that Tim might have been mistaken disappeared with the exposure of the man’s face. Streaming with water, his dark hair flattened to seaweed on his forehead, Kohle’s head pointed like a compass needle to the door at 55 Grand. Strange to remember now that when Tim had first seen him in the diner, Kohle had struck him as youthful, fresh, almost innocent. That freshness had been the first thing to go; with it had vanished the illusion of youth. Thinking back, Tim thought he remembered that Kohle’s face had subtly darkened as the man’s tone had changed from adulation to confrontation.

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