The Lace Reader. Brunonia Barry
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Название: The Lace Reader

Автор: Brunonia Barry

Издательство: HarperCollins

Жанр: Современная зарубежная литература

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isbn: 9780007337583

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СКАЧАТЬ bangs on the door, pounding it hard, as if she might punch right through it. As I hurry toward the door, I spot the police cruiser patrolling, trying to find a space to pull into. I see the girl look over her shoulder at the cruiser. By the time I reach the door, she is halfway down the steps. As she turns to go, I see that she is pregnant. I open the door, but she is too fast for me. She slips down the alley away from the street just as the cruiser pulls in.

      I put the teapot and cups on the tray and start upstairs when there’s another knock at the door. Cursing, I put the tray down on the step and go to the door. My brother stands in front of Jay-Jay and some other guy I don’t recognize.

      “I’ve been calling you,” I say to Beezer. I’m trying not to look excited, trying not to give it away.

      They come in, and Beezer hugs me, holding it too long. I pull away then, to tell him that everything’s all right, that Eva is here.

      “I was just going to try you again—” I tell him.

      “This is Detective Rafferty,” Beezer says, interrupting me.

      There is a long pause before Rafferty speaks. “We found Eva’s body,” he says finally, “out a little past Children’s Island.”

      I stand still. I can’t move.

      “Oh, Towner,” Beezer says, hugging me again, as much to keep me standing up as to commiserate. “I can’t believe she’s dead.”

      “Looks like she drowned,” Rafferty says. “Or went hypothermic. Sadly, it’s not uncommon at her age, even outside the water.” His voice breaks slightly on that last part.

      I run up the stairs, doubling over in pain as I reach the first landing, leaving them all standing there looking startled, not knowing what to do. I stumble into Eva’s room, but she’s not there. Her bed is still made, untouched since yesterday.

      As quickly as I can, I move through the maze of rooms. Eva is old now, I’m thinking; maybe she doesn’t sleep here anymore. Maybe she’s chosen some other room to sleep in, something smaller. But even as I’m thinking it, I’m starting to freak out. I’m moving frantically from one room to another when Beezer catches up with me. “Towner?” I hear his voice getting closer.

      I stop dead in the middle of the hallway.

      “Are you okay?” he asks.

      Clearly I’m not.

      “I just came from identifying the body,” he says.

      I can hear their voices, cops’ voices, echoing up the stairs, but I can’t hear what they’re saying.

      “May knows,” he says, giving me practical details, trying to ground me. “Detective Rafferty went out there to tell her this morning.”

      I am able to nod.

      “She and Emma are waiting for us to come out,” Beezer says.

      I nod again, following him downstairs. The cops stop talking when they see me.

      “I’m so sorry,” Jay-Jay says, and I nod again. It’s all I can do.

      Rafferty’s eyes meet mine, but he doesn’t say anything. I notice a quick reach of his hand, comforting, automatic. Then he catches himself and pulls it back. He puts it in his jacket pocket as if he doesn’t know what else to do with it.

      “I should have stopped her,” Beezer says, his guilt overtaking him now. “I mean, I would have if I’d known. She told me she had given up swimming. Last year sometime.”

      Because they were imported from England, pins were costly. The fewer pins used, the simpler the pattern, and the faster the lace maker could work. The thread was imported, because although the New England spinners were very good, they could not achieve the delicacy of the fine European linen or Chinese silk thread. Still, on average, each of the Ipswich lace makers produced upwards of seven inches of lace per day, a higher rate than the Circle produces today, and the Circle has the luxury of its own spinners and all the pins they could ever want.

      —THE LACE READER’S GUIDE

       Chapter 6

      RAFFERTY IS A NICE MAN. He gives us a ride to Derby Wharf so we can pick up the Whaler. He circles the block looking for a space, then finally pulls onto the public walkway, getting us as close as possible to Eva’s boathouse. “I’d have one of the guys in the police boat take you all the way out,” he said, “but the last time they went out there, May shot at them.”

      You’ve probably heard of my mother, May Whitney. Everyone else has. I’m sure you remember the UPI picture a few years back, the one with May leveling a six-gauge at about twenty cops who had come to her women’s shelter on Yellow Dog Island with a warrant to take back one of her girls. That picture was everywhere. It was even on the cover of Newsweek. What made the photo so compelling was that my mother looked uncannily like Maureen O’Hara in some fifties western. Cowering behind May in the photo was a terrified-looking girl who couldn’t have been more than twenty-two, with a large white bandage on her neck, rescued from a husband who’d gotten drunk and tried to slit her throat. Her two little children sat behind her playing with a litter of golden retriever puppies. It was quite a scene. If you saw it, you’d remember.

      In fact, it was that picture, coupled with a flair for public relations—both seemingly out of character for May—that revived the entire Ipswich lace industry. In a series of well-chosen interviews, she condescended to speak to the press, not about the newly rescued girl, which was the story they came out there to get, but about the bobbin lace that the other women, or “island girls” (as the locals called them), created. They called themselves “the Circle,” after the old-time ladies’ sewing circles, and that was the name that appeared on their labels.

      May took the press on a tour of the cottage industry that she and her island girls were re-creating. First she took them to the spinning room, which was located in the old stone kennel. It had been built by my grandfather, G. G. Whitney, in an effort to breed and domesticate the island dogs, but he could never get them to go near the place, so it had stood empty until May’s girls took it over. Once inside the stone kennel (if you ignored the anachronism of jeans and other modern garb), you could have been in a medieval castle. The women sat at the old spinning wheels and at the bobbin winders, silent except for the whirring and occasional creaking and clicking. This spinning room was where the new girls came, the newly rescued, those who were still too skittish to join the others. May often spun with them. They wove flax mostly, to make linen thread, and sometimes May wove yarns from the yellow dog hair, but that was rare. Although some stayed in the spinning room, most of these abused women went on to join the circle of lace makers in the old red schoolhouse as soon as they felt strong enough to be with people again.

      May ended her tours at the schoolhouse, where the women sat with their pillows on their laps, making lace and chatting softly or listening to a reader (often my mother herself, who had a beautiful speaking voice and loved to read poetry aloud). Enchanted by the world May had created and the spell-like web of lace May spun around them, the reporters ended up forgetting the story they came out to get. Instead they went back to their papers and wrote about the Circle. The story resonated with their female readers, and women all over the country began sending money СКАЧАТЬ