Prospero’s Children. Jan Siegel

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       II

      The summer holidays had arrived before they found time to return to Yarrowdale. Robin was seeing a fair amount of Alison Redmond, apparently in the course of literary collaboration; but Fern did not perceive any reason for undue anxiety. Although they dined out together almost every week he never brought her home, and in his daughter’s experience serious intentions always involved getting on terms with the children. On her own terrain, she could demolish all invaders: her sweet, aloof smile quelled both patronage and gush, camaraderie wilted in the face of her perfect manners, domestic aspirants blenched at her competent management and delectable cuisine. As a child, she had used a cultivated artlessness to undermine overconfidence; when she grew older, she honed her conversational skills at the dinner table until she knew to a nicety how to wrong-foot her opponents and expose, as if by accident, pretension, bossiness, self-importance—even when such defects were not really there. Will, an indifferent ally, usually left her a clear field. Robin was the charming, helpless type of man who invariably attracted forceful women wanting to mould him to suit their own inclinations, an ambition that would only work as long as he was unaware of it. Once these plans had been revealed, resistance would set in, and Fern, who had been moulding him for years, knew she had won another unobtrusive skirmish. She wanted her father to marry again eventually, but only to someone who would make him comfortable, whose authority would be gentle, who would refrain from pushing him down roads he did not wish to travel. She had almost decided in favour of Abigail Markham, a thirtysomething Sloane currently employed by Robin’s publicity department in a low-key capacity, who combined a certain serenity of outlook with a pleasant scattiness over dress and social engagements. But Robin’s penchant for her company seemed to have abated under Alison’s influence. Fern, keeping a routine eye on him, trusted the friendship would not outlast the germination of the book.

      Attending a party at the gallery with her father, she noticed Alison greeting him with an extra inch of smile and a sideways glitter of her pale eyes. She wore several clinging, drooping, fluttering garments of some vague shade between beige and taupe which echoed the dark fairness of her hair, and her overfull mouth was painted a deep red so that it blossomed like a rampant peony against the whiteness of her skin. There was a bizarre fascination in her sidelong gaze, the point-edged smile that never came close to laughter, the sinuous fingers that punctuated her every gesture, the rippling motion of the material that wrapped her body, as fluid and as neutral as water. And her strange, dull, endless hair, veined with hues of shadow, enfolding her like a cloak: Fern wondered what treatment had made it grow so long—too long, surely, for European locks—and what had leeched the colours of life from its waving masses. It might almost have provided her with a mantle of invisibility, effective by dusk and dark, hiding her from wary eyes as she stole abroad on some unspecified but nefarious business. ‘Nonsense,’ Fern scolded herself. ‘What is the matter with me? I’m seeing too many ghosts lately. This is the West End, this is an art gallery, this is a room full of people drinking cheap champagne and chattering about the decline of the image. There are no spectres here.’ In passing, she glanced at one of the champagne bottles. Long after, she knew that should have warned her, evidence rather than intuition: the champagne was not cheap. She had been attending and sometimes assisting at such parties since she was fourteen and she knew quite well that no normal person wastes good drink on a crowd.

      ‘And what do you think of the pictures tonight, Fernanda?’ The voice at her side caught her unawares. For the second time.

      ‘It’s a bit difficult to study them properly with so many people around,’ she said after a moment, mentally putting herself on guard. She had not noticed the pictures yet.

      ‘Of course,’ Javier Holt responded smoothly. ‘The problem with a private view is that it isn’t private and nobody gets to view anything.’ His face looked like a mask, she thought, a perfect mask of some seamless metal with topaz eyes and hair of spun steel. The focus of her apprehension shifted. At least Alison Redmond was a living hazard, whereas Javier Holt appeared dead, suavely, immaculately dead, and the spark that animated him might have come from elsewhere, controlled by a pressing of buttons, a turning of wheels.

      ‘You seemed very intent nonetheless,’ he went on. ‘If not the pictures, what were you studying?’

      ‘People,’ said Fern coolly. ‘You have an interesting selection here.’

      He smiled automatically. ‘Anyone in particular?’ СКАЧАТЬ