Prospero’s Children. Jan Siegel

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      He snapped the rope that held her and she pulled herself over the side, diving like a flying fish in an arc of silver, lost in an instant beneath hurrying waves. ‘You will not see her again,’ said the boys.

      But the fisherman clasped the lock of hair and smiled a smile without humour, confident and grim.

      ‘I will see her,’ he said.

      On the afternoon of the third day the mermaid returned. The fisherman had lingered in the area against the wishes of his sons, although the body of the youngest was starting to putrefy and the sweet smell of death had begun to permeate the whole boat. By day they fished, but the nets which had been replete now came up empty: only a sprat or two twitched on the brine-washed deck among a few knots of weed, and some strange creatures which resembled living fungi and leaked a noxious ooze at the pressure of a finger. The wind had dropped; the sails hung limp as the drapes on a tomb; thin tides of cloud had seeped across the sky, blearing the face of the sun. Late that day the last rays, issuing from beneath the cloudline, filled the narrow space between sky and sea with a concentrated brilliance. The clouds were burnt bronze, the air turned to gold, glancing fires sparked from every wave. The mermaid rose from a pool of dazzle, dark against the brightness, her long hair netting the sea-fire. She swam warily to the side of the boat, staying out of reach of both the fisherman and his knife. Her hands were hidden under the gilded water; her face was as expressionless as that of an animal.

      ‘Where is it?’ he demanded. ‘Where is my treasure?’

      ‘I have it,’ she said. ‘Where is my hair?’

      One of his sons brought him the jar; he lifted the contents out and held them up for her to see. The single tress still twitched and twisted like the newly-severed tail of a live serpent.

      ‘My treasure?’ he repeated.

      Her hand emerged from the water; she stretched out her arm. The fisherman closed hungry fingers on a hard irregular shape, lumpy with tiny polyps, slimy with tendrils of weed. The touch of the mermaid’s skin was colder than the coldest fish. In the same instant one of his sons, bitter beyond any gold-lust at his brother’s death, started forward to seize her, knife at the ready. But she was too sudden and too slippery for him: she had broken free even before he tightened his grasp, before his father’s shout, before the knife had done its work. She was gone in a swirl of fractured sunlight, leaving only a wisp of blood—too little blood—uncurling beneath the bright reflections. The fisherman still clasped her violated hair. In the silence that followed he looked down at the object in his other hand, the small, jagged thing, coral-studded, begreened with weed: the treasure. It took him a minute or two to realise what it was. A key.

      The fisherman was seized with a fury far greater than the anger he had known for the loss of his son, the pent-up fury of his toil-filled, empty-bellied, mean-hearted life, the fury of a dream shattered, of greed cheated, of hope extinguished forever. It distorted his mouth and dragged his features this way and that, it mounted in him like a tidal wave, it howled through him like a storm. His sons shrank from it; the very boards of the ship seemed to quiver in fear. Yet after the first terrible curse he grew quiet again; poverty had taught him the hardest lessons in self-control. ‘A key!’ he said. ‘A key. And no doubt the lock that it should fit is fathoms deep, in a treasure chest accessible only to the crabs. God damn the lying nixie! May she writhe in a waterless hell for all eternity!’ So saying, he went to hurl away his useless prize. Then, with an abrupt change of mind, he thrust it into a deep pocket and descended into the cabin, the fury set like stone in his face. When he returned he was carrying a tinder-box. He struck a light and held the tress of hair above it. The strands parted, billowing, fanning away as though trying to escape the lethal fire. Then he lowered the hair onto the flame and slowly, smiling, he watched it burn.

      Deep below the surface the mermaid felt herself scorched with a sudden, impossible pain. Heat flared on her cold skin, bubbling it into blisters, searing into her flesh. Her bright tail blotched and blackened, moulting poisonous spines that charred even as they fell. Water surrounded her, yet she burned. Her body arched and buckled, struggling to be free of the agony that invaded it. The last clear note of her clouding mind was one of utter incomprehension. Then the sea fizzed around her as her very substance withered, melted, and was dispersed, minute grains swept away on the many currents of ocean, feeding the unseen creatures who are the seeds of all life.

       PART ONE

The Key

       I

      She had been standing in front of the picture for several minutes before she began to notice it. The other paintings in the gallery were purely abstract but as she stared at this one, waiting for her father, passing the time, shapes began to emerge from the field of nondescript colour, vague as shadows on smoke: disconnected fragments of stair, random archways, openings into nowhere, ghostly glimpses of an unfinished labyrinth. Here and there a detail was highlighted, a splinter of sky beyond a broken vault, a segment of window with branching latticework, eye-blinks of clarity which seemed to flicker into being even as her gaze skimmed over them. The artist drew her attention to and fro with a skill that was almost disquieting, letting her roam the boundaries of image, then pulling her gradually towards the focus, where an irregular patch of vividly contrasting colour was set like a gaudy postage stamp at the very centre of the picture. Initially the truncated rectangle, perhaps three inches high, appeared so crowded with microscopic detail that it resembled a vast and complex mosaic, miniaturised until all coherence was lost. But as she studied it, either because her vision became acclimatised or by some contrivance of the artist, the tiny shapes seemed to shift, like a kaleidoscope falling into place, and she found herself looking through a doorway or casement out over a city. Wide streets lined with columns and colonnades, clustered roofs hiding secret alleys, glistening domes, steeples, spires, palaces and terraces, temple-walls and tavern-walls, courtyards, backyards, fountains, gardens. Everything was bathed in the gold of a falling sun, enriching paintwork and stonework, touching the gilding on the domes with pure fire. She did not know what city it was yet it looked both ancient and timeless, a Rome that lived on free of traffic and tourism, a new-built Jerusalem unscarred by warring factions, the seat, maybe, of a higher civilisation, older than history, fresh as the world in which it flourished, whose ruins had since crumbled to dust and whose wisdom had long been forgotten. She was not a fanciful girl, or so she told herself, yet her dormant fancy was stirred: she was pierced by a nostalgia for a place she had never seen, for the fairytale realms she had always rejected.

      ‘Do you like it?’ inquired a voice behind her. ‘You seem to be rather absorbed.’

      She turned abruptly. The gallery was carpeted and the owner—she was sure he must be the owner—had approached so quietly she had not heard him. ‘I don’t know,’ she said. ‘I haven’t decided. It’s very interesting.’

      ‘So you don’t believe in impulsive judgements.’ The voice was as smooth as pouring cream with a faint intonation of mockery, but whether lofty or merely teasing it was impossible to tell. There was little humour visible in his expression. Glossy pale grey hair framed his face like a steel halo; his café-crème complexion was unlined, creating an effect of careful preservation rather than enduring youth; his eyes were almond-shaped and flecked with glints of yellow light. He was delicately suave, discreetly elegant, gracefully tall. She disliked him immediately, on impulse. ‘It’s an etching,’ he went on. ‘Did you know?’

      ‘No, I didn’t.’ Of course СКАЧАТЬ