The Dungeon. Lynne Banks Reid

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СКАЧАТЬ no good like this!’

      ‘In a few years you can marry her.’

      ‘What? WHAT?’ roared McLennan in a fury.

      Kai-fung, seeing he had given offence, was silent.

      ‘Take them off,’ McLennan said. ‘Take those rags off her feet! Maybe they’ll grow if you unbind her!’ He said most of it in English. Kai-fung shook his head, stood up and went back to his pallet.

      ‘Then I will!’ roared McLennan.

      He knelt down and started to unfasten the bandages.

      The child curled up and began to utter sharp yelps of pain. McLennan ignored this. He was not gentle. He almost tore off the bindings that had made his bargain so bitter. But when he got the first foot free of them, he stopped cold, and his stomach turned over. He barely stumbled outside the billet before he vomited. Then, very slowly, he came back and continued. Hard as he was, and used to terrible sights, those little, tortured feet somehow froze his anger, though what replaced it in his heart would be hard to describe, for normal pity had been crushed there. He only knew it sickened him.

      When he had bared her feet and made himself look at them, he spoke directly to her for the first time.

      ‘Ye’ll no’ be wearing those rags,’he said. ‘Your feet must heal and grow and that’s all about it.’

      Of course she understood not a word of this. McLennan went on staring at her feet, curled under, the toes beginning to sink into the soles. They stank like something rotten. No wonder she had given him that look of something wounded and in a trap. Her own mother—!It had crossed his mind, seeing the beautiful things these people made, that they might be more scientific and civilised than his own, but now he changed his mind. He wondered if it was too late for the feet to right themselves, or if he had better not simply cut his losses and leave her here.

      Half a sovereign! No. She belonged to him now.

      He called the billet-woman who had brought them food earlier. He gave her paper money to wash Peony’s feet, rub them with ointment and wrap them loosely in clean strips.

      He couldn’t sleep that night for the child sobbing in agony as the blood in the bound feet began to feel its freedom. At last he became distraught, for her cries awoke other cries he still struggled to forget, and he roused the whole inn by shouting at her like a madman, ‘Be quiet! I canna endure your mewling!’ She froze in terror and her sobs stopped.

      Now Peony began to share with McLennan the life of a wandering soldier.

      At first her feet hurt more unbound than bound, and she couldn’t walk at all. Grumbling fiercely, he had to carry her on his back, or pay another to carry her. Her feet had to be dressed and wrapped afresh each evening. The pain was so terrible that sometimes she tried to bind them again to stifle it, but her master wouldn’t let her.

      ‘They must mend,’ he kept saying. And as if obeying his will, little by little, they began to. After a few months she could walk again and he bought her new shoes and some new clothes, for her old ones were threadbare and she was growing out of them.

      She became a kind of mascot to the other men. They at least were not dead to pity, and they were far from their own families, so they made a pet of her; but McLennan treated her as what he felt her to be – a slave, bought and paid for.

      Even before she could walk again, he put her to work. She had to rub his leather shoes with pig-grease. When his clothes got too filthy or stained with blood, she had to wash them, kneeling beside the tub. When his beard grew too long, she had to cut it with the sharp knife he called a dhu. If she didn’t do this very carefully, he would roar at her and even try to strike her.

      Usually she dodged his hand, but occasionally a blow landed. She accepted this so meekly that he felt an unaccustomed sense of shame, but he soon shook it off. She must learn to obey and do her work properly, to make up for her shortcoming.

      Her main task was to brew tea for him. He liked tea in the morning, and with his meals. She noticed he didn’t enjoy his food. This was good for her, because she ate what he left. She was given no meals of her own. It didn’t occur to McLennan that a body so small needed more than scraps. But the other men fed her titbits when McLennan’s back was turned, so she had enough, and her feet began to uncurl and grow again. She still walked badly – her feet could never completely recover – but she could walk, and with far less pain than before.

      Because she had had a hard life with nothing but bare necessities, none of this seemed very terrible to her. The worst thing – when the pain in her feet got less – was all the noise and the fighting, the blood and the raucous voices of the men, especially when they’d been drinking, all of which frightened her.

      Of course she was terribly homesick for her sisters, and for the safe, simple life she’d known, but when she thought of her mother she had conflicting feelings. Her mother had been merciless about the foot-binding, telling her that she must bear the pain so that one day, when she had tiny, enchanting feet like lotus-buds, she could live the life of a rich man’s wife, and help them all.

      In any case, as the small army moved farther away, she sensed that she was never going to see them again. In the nights, when she curled up in some corner on a pile of hay or even the bare ground, the tears would come. But now she didn’t let her master see them.

      As for Bruce McLennan, sometimes as the weeks went by he caught himself glancing at her and wondering, ‘Why did I buy her?’ The only answer he allowed himself was, ‘At home I have servants. A laird should have someone to attend him.’ He had obeyed an impulse, the random, greedy impulse that makes a man buy something just because he can.

      But why this one, why not some strong, big-foot girl or young lad who would be of more practical use? Deep down he sensed a dark mystery in it. Deep down, where his feelings lay as twisted and out of shape as the girl’s feet, was a connection between this little Mi-Ki and his children’s voices, cut short long ago. Now, instead of his own children, he owned the child of some other man, some dead foreigner whose children had, however wretchedly, survived. McLennan owned her and he could do as he liked with her. It was a warped way of expressing what could not otherwise be expressed – the fundamental loss that can never be made up, and so must be compared to something small and contemptible, not a loss at all. The fact that she was damaged goods somehow locked into that need.

      There was one old soldier who tried to get to know the foreign devil with the round eyes and hair the colour of fire. His name was Li-wu and he was different from the others. He was something of a philosopher, both more learned and more curious than the other men. They just saw the foreigner as a sort of tame monster, a useful fighter. Li-wu wanted to know about him. And he was drawn through pity, but later fondness, to the little girl who attended him.

      So he sat near them in the evenings and tried to teach the foreigner more words so they could talk. He even taught him some writing. Bruce McLennan found this interesting because he liked to draw, and Mi-Ki writing was like drawing pictures. He thought the characters were intriguing, but faintly absurd – why so many? Why did each ‘picture’ stand for an object or concept? Though scarcely literate in his own language, he knew his alphabet and that seemed to him a better system. But he learned, in order to save himself from idleness and boredom.

      Peony watched this from her place at her master’s side. Sometimes she would copy the characters, drawing them with a pointed stick in the hard earth. When McLennan saw her doing this, he thought, ‘She’s not СКАЧАТЬ